Today You Die

Poor action films are the graveyards for aging martial art stars. In such films they struggle to maintain that dangerous demeanor that made their early work successful, but they all end in failure. Seagal is too old for this type of role but he wont let go...no matter how silly he looks. Some hope his current work will somehow bring back the magic, but there is no magic left. The late '80s and early '90s belonged to Steven Seagal and his work made me a fan. I could see him fit nicely in a slot on The Sopranos where his overweight body, jowly features and sullen attitude could have found a home. I wonder what the return is on his run of direct to video films?! Since he produces them I'm assuming the $$$ is more than satisfactory. If this is the deal we will be subjected to poorly done Seagal action films well into his late 60s and 70s.....

Today You Die was the 4th Seagal movie in a mini marathon I just held. Wow, I don't know where to start. He seems to mumble his lines more and more as time goes on, and the scenes between Seagal and Treach where they seem to improv are embarrassing. And what did his girlfriend's dreams have to do with anything else in the plot? I can't recommend this to anyone but the most die hard Seagal fan, and even then you are better off with his earlier work. Of the 4 films in my marathon (Submerged, Into the Sun, Foreigner and Today You Die) Today was the worst. A previous reviewer mentioned this but the usage of stock footage was quite obvious.

It's been 3 months and you know what that means...A new Seagal movie. Seagal has really been on role making horrible film after horrible film. Each time every movie getting worse and worse, he's really amazing! I don't really know what to say about TYD, first it's a piece of crap, the story makes no sense at all, secondly he uses stunt men in all his fight scenes, and last but not least a lot of the footage is taken from other movies! It amazes how this guy continues to find work, he comes to the set late and leaves early and because of that his films are full of plot holes and stunt men. Why do we continue to buy his movies, why do we continue to have hope that maybe just maybe he will make a great movie?

Almost as if there was an unexpected explosion in whatever department is supposed to handle plot and character development you can almost see bits of "what might have been" scatter all over the place. Bit like the fairly realistic blood spatters from (mostly) shoulder wounds in one shoot out.

Seagal always manages to get interesting co-stars. In this case I nominate Mari Morrow.

And it gets a bit sentimental at the end. Quite touching, especially after such a spectacular explosion in the final warehouse the whole damn county would have been declared a disaster zone. All good fun.

But you can't deny you keep watching them, and part of the fun is that Seagal seems to insist on doing exactly what he feels is right. And even if it goes directly to video, how many stations carry his films?. Dammit I watched a 2005 film tonight on an Irish channel. It all means royalties.

So lets all get crazy!.

I may sound biased, but I don't like Steven Seagal(except for Under Siege and a couple of others) and most of the direct-to-video releases he's done. Today You Die is a pretty poor movie, however with stuff like Submerged and particularly Out for a Kill, Seagal has done worse. The photography and editing aren't as slipshod or as dull as they can be, Nick Mancuso is good and the final explosion is spectacular. Even Seagal is better than usual, however that doesn't necessarily mean he was good, in fact it was still a lazy performance but at least the lines were intelligible. The action didn't do much for me, because of the sluggish pace in general of the film, it felt unexciting, while the plot is derivative with too many plot holes to push a delivery truck through, Treech is very irritating, the script is really quite dumb in places and the soundtrack was not to my taste, too loud and overdone. All in all, a poor film but not among Seagal's worst. 3/10 Bethany Cox