The Last Kiss

I found myself actually enjoying this movie very much. Without giving anything away, it deals with the story of four male friends and how their relationships with women have evolved. They are all in their late 20's about to hit 30 and the reality of behaving and acting like an adult suddenly sets in.

I liked the movie very much because I saw myself in the main character and how I used to be when I was his age. Entertaining! The ending was actually surprising--the movie dealt with how both men and women react when they are hurt by the ones we love.

Go see it! Two thumbs up!

The Last Kiss, a film by Tony Goldwyn (Yes son of Samuel Goldwyn) was adapted from the 2001 Italian film L'Ultimo bacio, and written for the screen by none other than Paul Haggis. The Last Kiss goes through a number of relationships, spanning a number of different ages, and dissects the hardships of those relationships. Zach Braff seems to have upgraded his acting from Garden State and might actually become a more dexterous and talented actor than previously perceived. Paul Haggis' wonderful dialog lends greatly to the reality and adversity that co-exist alluringly within this screenplay. This film has been incorrectly advertised as a romantic comedy that puts Braff in the middle of two girls, and he cannot decide which one he wants to continue his life with. This is simply not true. The film is about a group of people that have just seen what the rest of their lives are going to be like, and want to add a small bump in the road of life. Overall the film does a lot more than your average romantic comedy/buddy film, and shoves the afflictions and austerities of modern-day relationships in your face. This is not the greatest of date movies, like the trailer wants us to believe, and should be perceived as a more earnest and pensive film than it appears.

Don't necessarily expect to see the next step in Andrew Largeman's life. While the trailer makes you think "Hey, it's Zach Braff playing another guy who is confused about his life, and not sure where to go from here", The Last Kiss does offer a little more. For one its much more mature, and the characters are all flawed (and not in cute 'Natlalie Portman lies to get people to like her' ways) and they are all real. The performances were far better than i expected, the entire cast shines. The movie succeeds in appealing to everyone. No matter who you are and what state your romantic life is in, you will find someone to relate too.

Jacinda Barrett finally gets to show some acting skills, and comes through beautifully. Casey Affleck is great. Zach Braff makes me understand why he wants something different, despite the fact that Jacinda Barrett seems so lovable. And the biggest surprise is Rachael Bilson. Early on she seems as if she is playing Summer Roberts on the big screen, but as her character unfolds she simmers with sex appeal, and was able to break my heart with just a simple gesture.

The Last Kiss succeeds in letting its actors shine, and if anything you should see it for its great soundtrack.

I know I saw the 2001 Italian original, but didn't remember much about it until I saw Tony Goldwyn's remake and the scenes and story came back. And it then surprised me how much of the original I managed to remember. That's also possibly because Oscar-winner Paul Haggis' screenplay sticks awfully close to its Italian origins.

I am a fan of Zach Braff's work. "Scrubs," for my dough, is the best half-hour comedy on TV and his directorial debut, "Garden State," was one of the best films of 2004.

"The Last Kiss" is not a romantic comedy by any stretch of the imagination, no matter what advertising campaign the studio launched. This is a well-acted, well-told story about the dumb things we men do to the women we love. And, of course, the consequences.

The film delves deeply into the insecurities of its characters, never offering pat answers or easy resolutions. There are no Richard-Gere-climbing-the-fire-escape-to-get-Julia Roberts moments in the film.

Braff plays Michael, a 30s man facing the harsh reality that the rest of his life has been plotted out and he longs for something different. Despite having a gorgeous fiancée Jenna (the lovely Jacinda Barrett), he finds temptation around the corner.

The film balances its three subplots well. They never interfere with the Michael-Jenna saga, yet add to the complexities of the story.

However, I found it interesting that while in the Italian film, the object of the protagonist's desire was a high-school Lolita, Haggis and Co. opted to make her - in this case, Kim (Rachel Bilson) - a college student. The Italian film tends to be a bit more potent on that level, though Michael's attraction to Kim is believable.

The performances all find the right pitch. Braff is completely believable as the confused young man in search of meaning to his life. Barrett is heartbreakingly good. There also are some terrific supporting performances from Casey Affleck, Blythe Danner and Tom Wilkinson. Then again, when was the last time you saw Wilkinson perform badly?

Couples should see this film. It's a mature, thoughtful, unpretentious, and sometimes even difficult, movie to see. But it is gratifyingly good. Don't go expecting a typical fluffy date movie. This film raises interesting and important questions about couplehood and then lets you figure out the answers. When was the last time a Hollywood film did that?

If you haven't the original Italian movie this is based on, do yourself a favor and watch it instead of this. If you already have watched the remake, you can still go and revisit the story which is handled way better. Of course you will feel differently about the Remake and like it much more than my rating is suggesting at the moment. But if you take my advise you might see where I'm going with this.

While Zach and others are doing a decent job, you'd expect the movie to capture the essence way better than it actually does. If you have seen Garden State you might even be disappointed by the lack of effort (or at least it feels like a lack). Relationships are hard work, remakes are even harder work ... or not