Quadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.Quadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.Quadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.
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Featured reviews
This was a terrific documentary about the sport of Quad Rugby - Murderball, as it is unofficially known - that is, quadriplegic athletes in tank-like wheelchairs, kicking ass and taking names. The film doesn't show them as saints, just as real people with real stories and almost all fed up with society patronizing them. Ultimately the film packs a real emotional punch and will likely get you wanting to know more about many of the people you meet here and what happens to them after the credits roll. It may even inspire you to watch this sport live if you get a chance to do so or at least follow it. I hope this film gets the release it deserves as I think it has serious breakout potential. Based on its' award at the Sundance Festival in 2005, positive word of mouth could be considerable. 9/10
Having seen one of the most brilliant documentaries several years ago called Hoop Dreams, I though there could be nothing that could even come close to its raw passion and emotional power. After witnessing Murderball, I realized I was wrong.
This documentary that follows a select group of quadriplegic athletes provides just the perfect amount of tension and joy, as witnessing the former trials of Arthur Agee, and William Gates and family in Chicago.
Some background is given on the sport as to how it's played (no less ironically on a basketball court), but Murderball's greatest asset is the depth in which it probes the players backgrounds and challenges, and our understanding of what it means to be in a chair (more than likely) the rest of your life.
Like Hoop Dreams, it isn't the games or the run up to the championship that becomes the most exciting part (as great as that may be), but is found in the little moments when a father makes an effort to be at his sons recital, an old friend comes to watch his buddy at the paralympics in Greece, a recent quadriplegic first gets into a "mad chair" for the first time, or a group of players confront a former coach and mention his "treasonous" grounds. It is the access the filmmakers have gotten to not just film games, but to be at the right place at the right time in these players lives. That is what separates a brilliant documentary from just a good one, also the filmmakers and distributors have believed in this film, and it contains some very slick production work to boot.
In the end, the audience for the most part who will be watching this as able bodied people, will come out with a sense of glowing pride for these athletes who play this crazy (perhaps) insane sport. This movie more than anything is about EMPOWERMENT, and the drive that succeeds in us all. When you watch these people in action you suddenly even begin to question how much you shouldn't complain about the everyday nuisances compared to what these players deal with on a regular basis.
It breaks down the barriers we people have towards individuals in wheelchairs to realize, that you know these people aren't always reflecting on what happened in their life as a lost chance, that they are okay, and more importantly you know what.. some of them may dam well be real jerks, but you know what.. that's okay too. But by golly, don't you dare even feel for sorry for them, just be glad that if you have a Zupan, Bob Lujano, or an Andy Cohn in your corner you may just have one of the coolest friends on the planet, and be a lucky person indeed. Cause for the most part they probably stand taller than you in every way.
Rating 9 out of 10
This documentary that follows a select group of quadriplegic athletes provides just the perfect amount of tension and joy, as witnessing the former trials of Arthur Agee, and William Gates and family in Chicago.
Some background is given on the sport as to how it's played (no less ironically on a basketball court), but Murderball's greatest asset is the depth in which it probes the players backgrounds and challenges, and our understanding of what it means to be in a chair (more than likely) the rest of your life.
Like Hoop Dreams, it isn't the games or the run up to the championship that becomes the most exciting part (as great as that may be), but is found in the little moments when a father makes an effort to be at his sons recital, an old friend comes to watch his buddy at the paralympics in Greece, a recent quadriplegic first gets into a "mad chair" for the first time, or a group of players confront a former coach and mention his "treasonous" grounds. It is the access the filmmakers have gotten to not just film games, but to be at the right place at the right time in these players lives. That is what separates a brilliant documentary from just a good one, also the filmmakers and distributors have believed in this film, and it contains some very slick production work to boot.
In the end, the audience for the most part who will be watching this as able bodied people, will come out with a sense of glowing pride for these athletes who play this crazy (perhaps) insane sport. This movie more than anything is about EMPOWERMENT, and the drive that succeeds in us all. When you watch these people in action you suddenly even begin to question how much you shouldn't complain about the everyday nuisances compared to what these players deal with on a regular basis.
It breaks down the barriers we people have towards individuals in wheelchairs to realize, that you know these people aren't always reflecting on what happened in their life as a lost chance, that they are okay, and more importantly you know what.. some of them may dam well be real jerks, but you know what.. that's okay too. But by golly, don't you dare even feel for sorry for them, just be glad that if you have a Zupan, Bob Lujano, or an Andy Cohn in your corner you may just have one of the coolest friends on the planet, and be a lucky person indeed. Cause for the most part they probably stand taller than you in every way.
Rating 9 out of 10
If, like the rest of us, you spend most of your time pissing and moaning over the seeming unfairness and petty inconveniences of everyday life, I suggest you check out "Murderball" for an immediate attitude readjustment. This fascinating documentary will put all of that stuff into perspective for you, while entertaining the hell out of you at the same time.
Played on a regulation-sized basketball court (minus the baskets), Murderball is actually a slang name for Wheelchair Rugby, an international sport in which quadriplegics use their specially armored wheelchairs almost like souped-up bumper cars to score goals for their team. The film concentrates, primarily, on the intense and sometimes downright vicious rivalry between the team from the United States and the team from Canada. The movie makers introduce us to about a half dozen players, each of whom, even in the few moments afforded him on screen, becomes a distinct personality with a history to relate and a story to tell. The two main focal points are the charismatic and muscular Mark Zupan, and Joe Soares, one of the legendary pioneers of the sport who left to coach for Canada after he was cut from the American team. Many of the most incisive scenes deal with the ribbing, some of it good-natured, some of it not so good-natured, that Soares has had to endure over his decision to defect to the opposing side.
Although the rugby scenes themselves are gripping and thrilling, the real drama occurs off the court in the men's personal lives, as we see the struggle and heartbreak the men go through, the strength and inspiration they exhibit for the rest of us, and, most especially, the camaraderie and team spirit that comes with working together to achieve a common goal. As the film-making crew follows the men around through the course of their daily lives, we get to know them as complex individuals, finding out how they ended up in a wheelchair and seeing how each was able to rise above the experience to get to where he is today. The film neither sugarcoats the difficulties of their lives nor asks for our pity. It simply presents the men to us, in all their virtues and flaws, and asks that we listen in on their stories. Some of the most poignant moments involve Soares having to come to terms with having a son who has little or no interest in sports, preferring the violin instead.
Kudos to directors Henry Alex Rubin and Dana Adam Shapiro for their fine work on this film, especially Rubin, who also provided the stunning camera-work for the scenes on the court. But most of our thanks should go to the men of the film and their loved ones who were willing to open up their lives to us in so vivid and honest a way. This is an inspiring and heartwarming film - the final scene is of some of the men introducing the sport to a number of injured Iraq War veterans - that will stick with you long after the closing credits.
Played on a regulation-sized basketball court (minus the baskets), Murderball is actually a slang name for Wheelchair Rugby, an international sport in which quadriplegics use their specially armored wheelchairs almost like souped-up bumper cars to score goals for their team. The film concentrates, primarily, on the intense and sometimes downright vicious rivalry between the team from the United States and the team from Canada. The movie makers introduce us to about a half dozen players, each of whom, even in the few moments afforded him on screen, becomes a distinct personality with a history to relate and a story to tell. The two main focal points are the charismatic and muscular Mark Zupan, and Joe Soares, one of the legendary pioneers of the sport who left to coach for Canada after he was cut from the American team. Many of the most incisive scenes deal with the ribbing, some of it good-natured, some of it not so good-natured, that Soares has had to endure over his decision to defect to the opposing side.
Although the rugby scenes themselves are gripping and thrilling, the real drama occurs off the court in the men's personal lives, as we see the struggle and heartbreak the men go through, the strength and inspiration they exhibit for the rest of us, and, most especially, the camaraderie and team spirit that comes with working together to achieve a common goal. As the film-making crew follows the men around through the course of their daily lives, we get to know them as complex individuals, finding out how they ended up in a wheelchair and seeing how each was able to rise above the experience to get to where he is today. The film neither sugarcoats the difficulties of their lives nor asks for our pity. It simply presents the men to us, in all their virtues and flaws, and asks that we listen in on their stories. Some of the most poignant moments involve Soares having to come to terms with having a son who has little or no interest in sports, preferring the violin instead.
Kudos to directors Henry Alex Rubin and Dana Adam Shapiro for their fine work on this film, especially Rubin, who also provided the stunning camera-work for the scenes on the court. But most of our thanks should go to the men of the film and their loved ones who were willing to open up their lives to us in so vivid and honest a way. This is an inspiring and heartwarming film - the final scene is of some of the men introducing the sport to a number of injured Iraq War veterans - that will stick with you long after the closing credits.
I just got back from the screening at the SXSW festival and I want to enthusiastically add my praise. If you have a chance to see this doc, do it. The creators have done a remarkable job in storytelling and capturing the personality and spirit of the athletes. It is very human, genuinely funny, and emotional ride. The well integrated animations and appropriate soundtrack give a nice polish to this outstanding documentary.
The documentary also has the real potential to do good, because it will help transform viewers perceptions of people in wheelchairs. Just see it.
The documentary also has the real potential to do good, because it will help transform viewers perceptions of people in wheelchairs. Just see it.
10se7en187
I saw this documentary at the Waterfront Film Festival in Saugatuck, Michigan. It's a terrific film about quadriplegic athletes and their experience in quad rugby, aka Murderball. Directed by Henry- Alex Rubin and Dana Adam Shapiro, it was a lot of fun.
Yes, the games are intense, a lot of fun, and shows their courage, but the film isn't just about the tournament, it follows some of the individuals and their stories. Mark Zupan tells the tale of how he became paralyzed and it results in some touching moments throughout the film involving him and his friend. The film also follows Joe Soares, one of the best of the sport, he was cut from the USA team so he heads to Canada to be head coach. It's amazing to see his dedication to both the game and his family.
My personal favorite moment in the film involves one recent quadriplegic who struggles to adapt to his new style of life. It's difficult to watch some of these scenes, but with the dramatic scenes are some very uplifting moments.
This is a great film, I loved they way it was told. I cared for the people, I was really into the games, and they are great to watch. Check this movie out if you can, it's very inspiring.
Yes, the games are intense, a lot of fun, and shows their courage, but the film isn't just about the tournament, it follows some of the individuals and their stories. Mark Zupan tells the tale of how he became paralyzed and it results in some touching moments throughout the film involving him and his friend. The film also follows Joe Soares, one of the best of the sport, he was cut from the USA team so he heads to Canada to be head coach. It's amazing to see his dedication to both the game and his family.
My personal favorite moment in the film involves one recent quadriplegic who struggles to adapt to his new style of life. It's difficult to watch some of these scenes, but with the dramatic scenes are some very uplifting moments.
This is a great film, I loved they way it was told. I cared for the people, I was really into the games, and they are great to watch. Check this movie out if you can, it's very inspiring.
Did you know
- TriviaOver 200 hours of footage was shot for this film.
- Quotes
Scott Hogsett: We're not going for a hug. We're going for a fucking gold medal.
- ConnectionsFeatured in Murderball (2005)
- SoundtracksThieves
Written by Al Jourgensen, Paul Barker, Kevin 'ohGr' Ogilvie (as Kevin Olgilvie) and Chris Connelly (as Christopher Connelly)
Performed by Ministry
Published by Warner-Tamerlane Publishing Corp. (BMI) o/b/o itself and Spurburn Music (BMI)
Courtesy of Sire Records
By Arrangement with Warner Strategic Marketing
- How long is Murderball?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Storyville: Murderball
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,750,211 (estimated)
- Gross US & Canada
- $1,531,154
- Opening weekend US & Canada
- $57,286
- Jul 10, 2005
- Gross worldwide
- $1,751,895
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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