The White Massai

I really did not like the film because of how stupid and hypocritical was the main character, who herself decided to plunge into a "different cultural world," and then began to arise and demand that this "world" should change under her requirements. ... I really liked the film because it plausibly "puts here down" with the situations in which she finds herself, encountering certain realities of life that she decided to plunge into for the sake of her whim. ... Well, and the corresponding to the whole movie ending.

Corinne Hofmann's absorbing filmed autobiography is an extremely confronting film and, at least to this viewer, therefore became an uncomfortable couple of hours to watch. It's a tough story that lies before the viewer full of cultural confrontation, personal confrontation and the burial of some individual long-held believes and values. All of this drama is carried out with bare-knuckle subtlety in many cases and also with just as much beauty and softness in often back to back scenes. Anyone watching this wonderfully engaging film will be batted from one extreme to another-hence my use of the words "difficult" and "confronting".

It's a fabulous film to mentally play with after leaving the theater; there are so many aspects that must be filed away, in comfort-hopefully, after the total confrontation of values and ideas that will bombard anyone who watches The White Masai. I hope that i am not being nor will be branded as sexist when I write that I thought Lemalian, the Masai, had the harder row to hoe of the two of them-his traditions were continually being assaulted while Hofmann's, although similarly assaulted, were at least those of a visitor rather than as a resident of an extremely isolated and traditional society. Both paths were exceptionally hard and I left the theater feeling privileged that Huntgeburth made the film so that I could peek into events that would tax anybody.

Go out of your way to see this film because it is rare and insightful; you will not be disappointed.

The White Masai is a very handsome production that showcases excellent cinematography by Martin Langer and some fine performances by Nina Hoss and Katja Flint as two European women trying to cope with life in Kenya. Carola knows fairly early on that she has gotten into a situation that will call on all her emotional resources if she is to survive. Nina Hoss conveys her sudden attraction to Lemalian, followed by bruising experiences with female circumcision, a woman called bewitched who gives birth at the side of the road, a crooked "mini-chief" who craftily skims money off the receipts at her store, and other trials. She seeks help from Pater Bernardo the missionary, very skillfully played by Antonio Prester.

The story is engrossing but it is true, as another commenter noted, that you're never in doubt about the next plot turn. This film should be seen by all those who enjoyed The African Queen and Out of Africa; it has the same romantic appeal as those classics.

Although I did not read the book, I saw the film tonight at the German cinema (with a mix of subtitles). Having been to SOuth Africa myself, I recognized the land and endless horizon (some was filmed in SA, as well as Kenya itself).

The film leaves you with the feeling that you are not sure why this woman wanted to even stay in Kenya with this man, despite "hardships" of no showers, no electricity, no amenities as we know. It was her loves to this man from a totally different culture, a warrior, that made her decide to live in such a God-forsaken place, so far from her former reality. This Swiss woman, who had owned a shop in Switzerland, sold her store, and then after some time, thought she could best help her new husband's people by opening a shop herself and selling wares to the people in the surrounding areas. However, she really had no feeling for what her husband was going through, losing face for having his wife work, as well as being able to drive a car (which he thought was so easy to learn until he ran the jeep against the tree). One can at times sees that she is not very sensitive to the cultural issues regarding tribal life and position, and this makes this relationship quite tense. On the other hand, one can see that the African man makes quite a bit of effort to understand her and ease her way into his world, even though he is not so aware of her upbringing and needs.

Perhaps reading the book would give more insight to their other trials and tribulations. However, I will have to say that I will now read the book, and I thoroughly enjoyed the movie. It makes one think if two people from diverse cultures ever have a chance of survival. On the other hand...........what is diversity.

Based on the novel by Corrine Hofmann, this is the incredible true story of a woman from Switzerland who pursues and eventually marries a Masai warrior in Kenya.

The story itself is riveting, made more impressive and captivating as it is based in fact.

The film contains three languages - German, English, and Maa. But even with this mix of language, the subtitles (which were unfortunately quite poorly done) weren't even a real necessity as so much of the story is so clearly communicated without the need for language.

German director Hermine Huntgeburth expertly captured the beauty and culture of this part of the world.

This by far wasn't the 'biggest' gala presentation at this year's Toronto International Film Festival, but it left the fortunate audience captivated by the story and the visual beauty.

Definitely worth checking out.