East Side Story

This is a wonderfully fun and well-made film. For a low-budget film, this is about as good as it gets. You can tell the people involved are headed for great things. The direction was flawless. The drama was touching and the humor absolutely hilarious; the pace: perfect. The acting: engaging.

While technically a coming-out story, it doesn't feel like one. The story avoids the clichés with a refreshingly modern angle. The over-arching themes are there loud and clear, without overshadowing the personal story of the lead character.

I saw this film at Philly's gay film festival. So many of the other films either have gorgeous eye candy or good acting, not both. That was not the case with this movie. The lead actors are all incredibly hot - and you see plenty of them - yet they were great actors as well. The director was generous with the eye candy without being gratuitous. It seemed directed to appeal to a gay audience, but tastefully, in a way that won't be a turn-off to straight audiences.

Fun. Entertaining. Touching. Hilarious. Highly recommended.

Diego (Rene Alvaredo) is almost 30, living in east LA with his grandmother (Irene DeBari), helps run a family restaurant, has no friends and has an unhappy relationship with a VERY closeted real estate agent (David Beron). Diego also is in the closet but wants to come out. Then a gay couple move next door--and Diego falls for one of them (Steve Callahan).

This is extremely light and a little lacking in plot--but how many movies to we see about a gay Latino man falling in love and struggling to come out? It's well-directed, moves very quick and has a very good attractive cast. Alvaredo and Callahan are (to put in mildly) very handsome with nice bodies...but they also can act. Also DeBari is excellent as Diego's grandmother--her and Alvaredo play off each other perfectly. Also Gladys Jimenez (as Bianca Campos--an aunt) comes roaring out full force. She has the funniest lines ("A four way is not an orgy!") and plays them full tilt. I also have to admit more than a few moments had my audience choking up--Diego's wanting to come out is sometimes painful to watch and DeBari's total acceptance of him is very moving.

My only complaints are the plot is kind of sketchy, the ending is way too unbelievable (this one pushes for a happy one) and the two main villains in this (Pablo and Wesley's lover Jonathan) are so vicious it gets uncomfortable. And we're supposed to believe a hot young guy like Diego has NO friends??? Still this is fun, light and also includes some very passionate guy on guy kissing. Recommended.

Fresh young talent and a healthy dollop of enthusiasm serve as the springboard of this well written (Carlos Portugal and Charo Toledo), well directed (Carlos Portugal) and well acted exuberant story of those once perceived tightly closet doors of the East Los Angeles Hispanic community. Not that this is the first film to engage the topic of being gay in East LA - QUINCEAÑERA is another superb film on the subject - but it addresses so many other aspects of family and social life happening now that it deserves a wide audience. With a cast of newcomers coupled with some very fine veterans of the screen EAST SIDE STORY comes to life in a highly entertaining fashion.

Closeted schooled chef Diego Campos (a fine debut by René Alvarado) works as a waiter in his grandmother Sara's (elegant Irene DeBari) little Mexican restaurant where grumpy homophobic chef Don Rogelio (Luis Accinelli) presides in the kitchen. Diego dreams of opening his own restaurant but family ties keep him grounded. Diego's campy Aunt Bianca (Gladise Jimenez) returns from Monaco on one of her many expensive sojourns to find a man and changes begin to happen. Diego's equally closeted boyfriend Pablo Morales (David Berón) has been refusing to settle down in a relationship with Diego, claiming that the union is a 'passing fancy'. When Bianca enters, Pablo's attentions turn to the sexy lady and Diego is brokenhearted.

Into this mélange enters a white gay couple who buy a 'flip' house across the street, a signal to the neighborhood that gentrification is just around the corner. The couple - Wesley (Steve Callahan) and Jonathan (Cory Schneider) - meet the morose Diego and a match strikes between Diego and Wesley. Jonathan is assigned all the lines having to do with prejudice and is the one who wants out of the neighborhood as soon as their house is enhanced and their gay friends begin to visit. The white couple move apart and Wesley and Diego begin a courtship dance that is encouraged by Diego's family. How Diego handles his loss of Pablo to his Aunt Bianca and copes with the possibility of being open with Wesley forms the story line. It is all the hilarious and not so hilarious sidebars that share the space of the 'outing' that make the film so personal and successful.

Carlos Portugal is clearly a talent to watch, as are his attractive and talented cast members. EAST SIDE STORY is a fine companion piece to QUINCEAÑERA and should enjoy the same degree of popularity for all the same reasons! Grady Harp

Very enjoyable, well-acted, well-scripted romantic movie! It's hard to believe this is Mr. Portugal's debut film. It doesn't hurt that the movie is chock-full of really cute actors, with enough shirtless scenes and quick rump shots that titillate. ;)

Great characters--almost all the main characters were fully developed. Unlike many gay films, some female characters were given genuine roles and they soared with them. There was definitely a chemistry between ALL of the actors and the movie flowed very well.

Standout performances by René Alvarado as Diego and Irene DeBarri as his grandmother.

This is the best film I have seen so far this year at New Fest in NYC.

My partner & I saw "East Side Story" at NYC's NewFest in June 2006.

The movie is a well constructed take-off on the Italian-Puerto Rican ethnic conflict in the musical "West Side Story". Instead of the historical focus on those two ethnic groups in NYC, ESS dramatizes the current fault line between middle class Latino residents in LA's Echo Park neighborhood and well-off gays & lesbians who are buying up their homes, gentrifying their area, and threatening to displace them. The specific characters and basic storyline are believable and the movie entertains you throughout the movie.

Of the 15 or so films we screened at that NYC LGBT festival last year & this month, "East Side Story" was by far our favorite (We also liked "Forgiving the Franklins", "Coffee Date", "Outing Riley" and "Bubble", a gripping but HEAVY film by the Israeli director of "Yossi & Jagger".).

Question: does anyone have an idea of when / if "East Side Story" will appear in (art) theaters OR be released on DVD? We'd really like to see it again and, if possible, purchase a copy.

If not, I'll contact the NewFest organizers to see if they can answer this question.