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Gankutsuou: The Count of Monte Cristo

Original title: Gankutsu-ô
  • TV Series
  • 2004–2005
  • TV-14
  • 24m
IMDb RATING
7.8/10
3K
YOUR RATING
Gankutsuou: The Count of Monte Cristo (2004)
AnimeHand-Drawn AnimationAnimationDramaMysterySci-FiThriller

Albert, bored with Parisian life, travels and meets the enigmatic Count of Monte Cristo. Unaware that his father wronged the Count, Albert invites him to Parisian high society, paving the wa... Read allAlbert, bored with Parisian life, travels and meets the enigmatic Count of Monte Cristo. Unaware that his father wronged the Count, Albert invites him to Parisian high society, paving the way for the Count's intricate revenge.Albert, bored with Parisian life, travels and meets the enigmatic Count of Monte Cristo. Unaware that his father wronged the Count, Albert invites him to Parisian high society, paving the way for the Count's intricate revenge.

  • Creator
    • Mahiro Maeda
  • Stars
    • Jôji Nakata
    • Johnny Yong Bosch
    • Beau Billingslea
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    3K
    YOUR RATING
    • Creator
      • Mahiro Maeda
    • Stars
      • Jôji Nakata
      • Johnny Yong Bosch
      • Beau Billingslea
    • 25User reviews
    • 9Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Episodes24

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    TopTop-rated1 season

    Photos36

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    Top cast25

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    Jôji Nakata
    Jôji Nakata
    • Count of Monte Cristo
    • 2004–2005
    Johnny Yong Bosch
    Johnny Yong Bosch
    • Albert…
    • 2004–2005
    Beau Billingslea
    Beau Billingslea
    • Bertuccio
    • 2004–2005
    Karen Strassman
    Karen Strassman
    • 2004–2005
    Kikuko Inoue
    Kikuko Inoue
    • Mercedes de Morcerf
    • 2004–2005
    Liam O'Brien
    Liam O'Brien
    • Andrea Cavalcanti
    • 2004–2005
    Tomokazu Seki
    Tomokazu Seki
    • Major Andrea Cavalcanti
    • 2004–2005
    Jun Fukuyama
    Jun Fukuyama
    • Albert de Morcerf
    • 2004
    Daisuke Hirakawa
    • Franz d'Epinay
    • 2004
    Kôji Ishii
    • Bertuccio
    • 2004
    Mai Nakahara
    • Peppo
    • 2004
    Ezra Weisz
    • Franz d'Epinay
    • 2004
    Jamieson Price
    Jamieson Price
    • Count of Monte Cristo
    • 2004
    Carrie Savage
    Carrie Savage
    • Peppo
    • 2004
    Nobuo Tobita
    Nobuo Tobita
    • Baptistin
    • 2004
    Tamio Sobami
    • Luigi Vampa
    • 2004
    Naoko Shirakami
    • Teresa
    • 2004
    Kirk Thornton
    Kirk Thornton
    • Baptistin
    • 2004
    • Creator
      • Mahiro Maeda
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews25

    7.82.9K
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    Featured reviews

    10ffxi-aion

    The Path to Despair

    Plot: 9.7/10 -- Not having read the novel prior to starting this, I had no idea what to expect. I knew about certain vague details, such as a young man becoming fascinated with Monte Cristo, but that's all.

    The setting was quite a shock, with the story taking place in the year 5053, where as the novel takes place during the 1800's. It was a further surprise to discover the story started on the moon. I do kinda wish the story had been told in the 1800's instead since very few details are given about the futuristic universe and the setting becomes more of a distraction than anything.

    In a nutshell, Gankutsuou is a fairly simple revenge story that's executed extremely well. The Count is kind on the surface, yet you can tell there's a hatred inside him waiting to explode. He manipulates and kills as his plan to bring those who wronged him to despair is slowly revealed. There's a twist added to his character in the form of a sort of pact with the devil - He gained the power to get revenge by giving his soul and body in exchange, meaning he loses his humanity bit by bit while getting his revenge.

    In order to add mystery to the Count's character, the story is not told from his perspective (unlike in the book). Instead, the story is told from the perspective of Albert, a young noble and son of a powerful general. This brings both bad and good points - The good being the added mystery and a different angle on the story, the bad being Albert having the IQ of a dog. I wanted to kill him when he failed to work out that it was in fact the Count pulling the strings behind the awful sequence of events unfolding around him for the 10th time.

    The story was a wonderful ride. A timeless classic with artistic differences, it was executed excellently, at times perfectly. You do have to wait for the 'main event' before you discover just how amazingly well told the story is, the first half in particular being nearly all build up, but I still felt compelled to keep watching even without any major twists/events occurring.

    Characters: 9.3 -- This is a tough one. I liked pretty much the entire cast...apart from the main character, Albert. Although I knew he had to be retarded for the sake of the plot, his stupidity and inability to see the obvious became very annoying. You'd think he'd be able to put 2 and 2 together when the Count just randomly kept appearing and the Count himself had told Albert that there were no coincidences! As I said, I liked the other characters. The Count is easily one of my favourite characters ever, Franz made up for Albert's lack of intelligence by being very bright, Eugene made Albert's character more interesting with their love for one another... Everyone else was great.

    Art: 9.7/10, Animation: 9.7/10 -- The first thing that hits you about Gankutsuou is the rather bizarre CG effect clothing and hair has. The effect is hard to put into words; it's as if the character is reflective. It certainly takes a few episodes to get used to it. If nothing else, you have to praise the studio behind Gankutsuou (Gonzo?) for the huge amount of effort they put in.

    The second thing to hit you is the bright range of colours used. If, like me, you went into Gankutsuou expecting to see dark and dull colours you'd be completely wrong since it's anything but dull, vibrant being a much better description.

    Gankutsuou also has a fair amount of CG outside of the clothing/hair effect, including some epic mecha fights. The CG stuff is stunning at times, almost jaw dropping for a TV series.

    Overall, Gankutsuou is a joy to watch...once you get used to it. Production values were clearly not low here.

    Sound: 9.5/10 -- First of all, let me say that I didn't think very much of the OP or ED. The OP, while fitting, was so dull and slow I had to skip it after watching it once.

    The soundtrack is very high quality, as you'd expect. There aren't too many tracks I'd listen to outside of the series (although there is one AMAZING track), but the music fitted the show like a glove and helped keep the story epic.

    I have to mention track 18, one of the best pieces of music I've ever listened to. It was almost orgasmic to listen to when it played during the best episode in the series (strangely enough, episode 18!!!), making it even more thrilling than it was already.

    Total: 9.6/10 Having watched a fair amount of anime, I'm hard to please. Gankutsuou pleased me.

    I'm not sure if it's the best anime I've watched, but it certainly had the best episode of anime I've ever watched (episode 18 ), one of the best fights (episode 18 ), one of the best characters (the Count) and one of the best pieces of music (track 18 ). It's, quite simply, a stunning anime that EVERYONE should watch.
    Scortia

    An AMAZING adaptation... in some ways better than the original novel.

    I can scarcely put my love for this 24-episode anime series into words. "Gankutsuou" is a futuristic adaptation of Dumas' acclaimed novel "The Count of Monte Cristo". Famous anime director Mahiro Maeda shows just how much he loved the original novel and the character of the Count by being quite faithful to the mood while leaving his own fresh take on the story.

    One of the most noticeable details about this series is an almost revolutionary method of animating. This series uses 2-D Texturing to an extreme level... giving hair unnatural textures and even everything in the background textures... in an insane color palette. It takes viewers and episode or two to get used to this style of texturing but over time it becomes something most fans love about the series.

    One of the major changes in this anime is that the storyline is told from Albert's point-of-view for the majority of the series. This means everything that happens before the Château D'if comes in back-story. This also adds mystery to the Count's past and his character itself. Much of the cast is younger than in the novel, in classic anime fashion. Such as Albert is 15 instead of in his early twenties...but this makes his heightened innocence added into his anime persona more believable and his personal growth more endearing. There are other small character changes. Eugenie is greatly changed into a character that is actually of interest opposed to her novel version. Humoresly enough, according to the original promo for the series, she was indeed still quite similar to the book version in the first set up of the series... being quite close with her "lady friend".

    And of course other major changes come with the new time and setting. Most of the series takes place in Paris but the year is 5053. So Paris is futuristic while also having touches of old such as the fashion and carriages and opera thrown in. And also we take the playing field out into space where Earth's warfare is mostly taking place in the future.

    I honestly can't praise this series enough. I think the most important aspect of adaptations should be to get the tone of the novel right and to get the most rich, important characters accurate in personality. This series does this incredibly well. After appreciating the Count's character in the novel, the depth added from the anime only heightens my interest in him. This series is to be released in America soon so I personally suggest it as a buy to anyone who wants an anime with rich, involving plot and characters. Almost all of the storyline from the book is there, aside from an ending which is different but not a "hollywood ending" like the recent movie.

    10 out of 10!
    SarahofBorg

    Beautiful and well-done

    I heard about this anime and was immediately interested. I know anime very well and I was looking for something that looked artistic, intelligent, and suspenseful. Unfortunately I have never read the book this was based on, but I found this anime's story so beautiful that I have picked up the 1,400 page book and plan to finish it all. If you see only one anime in your life, and you appreciate art and drama, than this is the best of it's kind. The unique art takes some getting used to, and is somewhat disorienting at times. Really, the only complaint I have about the art is it's Too beautiful, that it goes to fast to fully appreciate. This show would probably be best in slow motion just for the sake of the art. I have heard some say that although they loved the book, they loved this anime version even more. Don't let it's scifi setting disturb you. It has absolutely no negative effect on the story. The scifi setting really only seems to enchance it's overall beauty. The characters are extremely well-developed and fascinating. One moment they will be strong and courageous, the next moment crying, the next laughing. Every episode ends in an extreme state of unpredictable suspense (AKA cliffhangers galore.) I believe so far the entire show has not been released in America. I actually suggest watching the show in it's entirety, and wait until all episodes are released, and that you have a lot of time on your hands to watch it. The story is somewhat complex, certainly unpredictable, and always gripping. Even the seasoned otaku would highly appreciate this anime at least for it's impressive quality. It's not the cliché cheaply-made primitive-art anime about scantily clad lolicon girls. Speaking of which, all the characters are quite beautiful for both sexes, and I seem to have a personal crush on The Count. I highly recommend this to anyone whose looking for an intelligent, dramatic and classic story.
    cbarley

    Gorgeous in all respects of the word.

    Initially, what attracted me to Gankutsuou, was the idea of an Anime version of Alexandre Dumas' "Le Comte de Monte Cristo," but upon seeing the previews, I fell in love with the whole concept. The art, to say the least, is breathtaking, if not revolutionary; to that, the animation is flawless as well - one can only guess at the expense that went into creating such a visual marvel. While Gankutsuou doesn't follow Dumas' story as religiously as some would have it, what is important is that Dumas' intent in the story was held sacred. All too often is Edmond Dantes portrayed as being right in his quest, a true hero; nothing could be farther from the truth. Dumas' Dantes was a Satanic Hero like no other, if only perhaps Heathcliff from Bronte's "Wuthering Heights." Cruel, malicious, and bloodthirsty, Dantes is one with whom the audience is meant to sympathize and pity, while at the same time despise passionately. We can understand his motives, even support them, though we know innately we shouldn't condone them; Dantes is, in his truest nature, the incarnation of both ultimate love and ultimate hate, and was Dumas' tool to show that there is little difference betwixt the two. Gankutsuou stays true to this endeavor of Dumas' in all ways. The Count is everything he was in the novel - to both men and women, he held an (for lack of a better term) erotic visage about himself, something men wanted to aspire to, and women fell to. Frigid, calculating, with a gift to bend the wills of others, Dantes proved that one who has nothing to lose, yet does not allow himself to sink into depression (but rather finding purpose for your life) and thus has no fear of death or repercussions at all, is the most alluring; people are drawn to such darkness, such demonic power. But the beauty of this story doesn't stop simply at the creation of the ultimate sinister character - to create such a character is simple; what Dumas did, and Gankutsuou respected and embellished upon, was that despite the obvious horrific nature of the character, his reasons for being so are understandable. Aristotle said that one cannot create a truly tragic character without establishing fear and sympathy within the audience first; without Catharces, tragedy has no impact. While watching the story of Gankutsuou unfold, we begin to wonder if we, too, aren't capable of such atrocities, especially if under similar conditions. In our society, we sympathize with, if not often condone secretly, crimes of passion; but to what extent can we stretch out sympathy? Perhaps revenge of this nature is too extreme, that the Count is wrong in his hellish plans; but if we were betrayed by our best friend in so horrible a manner, who can say that, given the opportunity, we would not do the same, if not worse? Sympathy we have for Edmond's position; but fear becomes the all-consuming emotion we have while watching this, as we come to realize the extent of the atrocities we ourselves are capable of, given the chance and motive for them. For any Anime fan, or for any fan of cartoons or Dumas' works, Gankutsuou is by far one of the most astounding pieces you will ever see: true to the nature of the book like no other screenplay has been, and breathtaking in its visual nature, and musical score (opening theme not withstanding), Gankutsuou is a must-see, a beautiful testament to the power of hope and love, as well as an unmatched plunge into the darkest parts of the human soul.
    8WeAreLive

    A decent adaptation

    Trying to escape his uneventful life, Albert, the son of a renowned general from Paris, makes a journey with his friend Franz. During his travels, he meets an immensely wealthy nobleman named The Count of Monte Cristo. Living in luxurious hotels, surrounded by beautiful women and strong bodyguards, the charming but enigmatic count fascinates Albert. Albert invites the count to join the high society of Paris. However, unknown to Albert, his father had once framed the count and took the Count's fiancée as his own.

    I thought this adaptation was decent. For an anime version of The Count of Monte Cristo.

    My only bad quality was how it ended.

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    Storyline

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    Did you know

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    • Trivia
      The series title "Gankutsu-o" ("The King of the Cavern") is the Japanese title of Alexandre Dumas's "The Count of Monte Cristo" when it first was published in that country in 1905.

      Though later publications used a more accurate title ("Monte Cristo-haku" - "The Count of Monte Cristo), "Gankutsu-o" is still the most popular one in Japan.
    • Quotes

      Count of Monte Cristo: My solitude has ceased to be solitude. I am surrounded by the goddesses of revenge.

    • Connections
      Referenced in Belle (2021)
    • Soundtracks
      We Were Lovers
      Opening theme

      Performed by Jean-Jacques Burnel

      Lyrics and music by Jean-Jacques Burnel

      Arrangement by Jean-Jacques Burnel & Louie Nicastro

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    Details

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    • Release date
      • October 5, 2004 (Japan)
    • Country of origin
      • Japan
    • Official site
      • Official site (Japan)
    • Languages
      • Japanese
      • English
    • Also known as
      • The Count of Monte Cristo
    • Production company
      • Gonzo Digimation
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 24m
    • Color
      • Color
    • Aspect ratio
      • 1.78 : 1

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