The detectives reopen a World War II era case of a female factory worker who died at work from what was believed to be an accidental fall.The detectives reopen a World War II era case of a female factory worker who died at work from what was believed to be an accidental fall.The detectives reopen a World War II era case of a female factory worker who died at work from what was believed to be an accidental fall.
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Ep 2 shifts from the grim tone of the season opener to a more reflective tale set in 1943 Philadelphia. The case looks into the supposed accident of Alice Miller, a factory worker whose death resurfaces decades later when her old friends reunite.
The episode scores points for atmosphere: the wartime flashbacks are handsomely staged, with period music and details that bring the Rosie the Riveter era to life. The theme of female friendship under pressure works well, and Shirley Knight as the older Dottie lends a touching weight to the present-day story.
But the conceit stretches credibility. The surviving characters are well into their 80s, yet all seem to recall events from 65 years ago with photographic clarity. It's hard not to roll your eyes at how conveniently memories resurface to move the case along. Still, taken as fictional drama rather than forensic realism, the story holds together and delivers the expected bittersweet closure.
Overall, a decent episode, but less gripping than the season premiere. At 6.5/10, it's more a slow, nostalgic reflection than a true gut-punch mystery.
The episode scores points for atmosphere: the wartime flashbacks are handsomely staged, with period music and details that bring the Rosie the Riveter era to life. The theme of female friendship under pressure works well, and Shirley Knight as the older Dottie lends a touching weight to the present-day story.
But the conceit stretches credibility. The surviving characters are well into their 80s, yet all seem to recall events from 65 years ago with photographic clarity. It's hard not to roll your eyes at how conveniently memories resurface to move the case along. Still, taken as fictional drama rather than forensic realism, the story holds together and delivers the expected bittersweet closure.
Overall, a decent episode, but less gripping than the season premiere. At 6.5/10, it's more a slow, nostalgic reflection than a true gut-punch mystery.
Did you know
- TriviaScotty is questioning Dottie who is sensitive about being, as they put it, an "Old Maid." In reference to the victim, he says "She had sweethearts to spare, and you had none." This is a reference to the old nursery rhyme that goes: "I am a pretty wench, And I come a great way hence, And sweethearts have I none. But every dirty sow, Can get sweethearts enow, And I, a pretty wench, can get never a one."
- GoofsThe 1943 aircraft factory in Philadelphia is shown to be manufacturing P-51 Mustang fighters and AT-6 Texan trainers, and a character makes references to building B-25s. Those aircraft were built by North American Aviation which did not have a factory anywhere near the Philadelphia area. Their factories were located in Los Angeles, California, Dallas, Texas, Kansas City, Kansas and Columbus, Ohio.
- ConnectionsReferences Casablanca (1942)
- SoundtracksRosie the Riveter
Written by Redd Evans and John Jacob Loeb
Performed by The Vagabonds (as Four Vagabonds)
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