The Impostor
- Episode aired Nov 24, 1964
Lt. Hanley must flush out a Nazi spy among the soldiers he's leading on a dangerous intelligence mission, before the German sabotages the plan. Hanley's thrust into the unfamiliar leadership... Read allLt. Hanley must flush out a Nazi spy among the soldiers he's leading on a dangerous intelligence mission, before the German sabotages the plan. Hanley's thrust into the unfamiliar leadership role when the G-2 Captain heading the mission is accidentally shot by another infantry un... Read allLt. Hanley must flush out a Nazi spy among the soldiers he's leading on a dangerous intelligence mission, before the German sabotages the plan. Hanley's thrust into the unfamiliar leadership role when the G-2 Captain heading the mission is accidentally shot by another infantry unit, who are hunting a deadly hauptmann who speaks perfect English. Because it's a top secr... Read all
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- Sgt. Saunders
- (credit only)
- Lt. Tracey
- (as Edward Kemmer)
- Sgt. Morgan
- (as G.V. Homeier)
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Featured reviews
"The Impostor" is an engaging and tense episode of "Combat!". The storyline is well-written and keeps the mystery to the very end. It is funny to see Lt. Hanley ordering Littlejohn to protect the rear and calling him Peabody, the real name of the actor. My vote is nine.
Title (Brazil): "O Impostor" ("The Impostor")
Lieutenant Hanley shows us that a leader is not only courageous, but a tactician. His strategies to flush out the imposter is fluid yet witty at the same time. Furthermore, one's individual mistake in the past can be construed as an element of suspicion or character flaw that, in this case, makes you a spy. Finally, Lt. Hanley's men, Caje, Littlejohn, and Kirby, as usual, show their loyalty and intelligence in order to assist him complete their mission.
It's really impressive how the screenwriter gave us insights of the minutiae of war.
Kirby, Little John and Caje are along as helpers. It takes place on wintry snowscapes, all artificially staged in the studio.
Like a whodunit, the viewer follows with Rick any clues that come up. In place of the series' usual action and violent combat, this is a very talky, fairly static show in which tension and suspense are sustained. Overwritten script is a minus, artificially and constantly pointing the most suspicion at each one of the four suspects in turn, more of a mental game than a believable story. And solving the mystery comes as an anticlimax, very unsatisfying.
After Kirby identifies a dead GI in a German captain's uniform, Hanley knows his mission has been infiltrated. The infiltrator sets a fire while all are sleeping in hopes of drawing German intervention.
Character development is excellent among the entire group, a testimony to fine screen writing by Kay Lenard & Jess Carneol. Each actor plays their role to produce a synergistic effect on the mission. The story was well researched and thought out; it flows smoothly every step of the way. Rick Jason makes an excellent mission leader and great intensity comes through in his performance.
I'm critical of 2 scenes which I felt Director Roley could have rectified ahead of shooting. In the first, the German captain is listening to Hanley & the squad from behind a virtually cover-less pine tree; he'd have been spotted immediately. In the second, the squad is crawling alongside a couple of German machine gunners who could not miss spotting them. Director Roley should have been a little more imaginative to make the scenes more believable. Other than these 2 items, the story is very believable.
A lack of heavy artillery and/or combat scenes is mitigated by high suspense levels throughout. And it was fun trying to figure out the impostor. Overall, "The Impostor" was very well done.
Did you know
- GoofsLt. Hanley was ready to lead the men on special assignment from the shack and said "Caje, take the point and Peabody, bring up the rear" (instead of saying Littlejohn bring up the rear.) Dick Peabody plays Littlejohn. For a couple seconds, Dick Peabody starts to grin, thinking the director will yell "Cut!", then stays in character to continue the scene.
Details
- Color
- Aspect ratio
- 1.33 : 1