After being mugged by four hoodlums Kimble is reluctant to deal with the police. But while leaving town, he ends up getting handcuffed to a policewoman. When she breaks her ankle Kimble has ... Read allAfter being mugged by four hoodlums Kimble is reluctant to deal with the police. But while leaving town, he ends up getting handcuffed to a policewoman. When she breaks her ankle Kimble has to help her while evading the police manhunt.After being mugged by four hoodlums Kimble is reluctant to deal with the police. But while leaving town, he ends up getting handcuffed to a policewoman. When she breaks her ankle Kimble has to help her while evading the police manhunt.
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- Lt. Philip Gerard
- (credit only)
- Narrator
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- (uncredited)
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Featured reviews
There are two emotional stories here. One is that Kimble must act like a thug, forcing Jane to come with him, and clamping his hand over her mouth anytime someone approaches. Must he become a thug in order to maintain his flight?
The other line is that (unbeknownst to Kimble) Jane was kidnapped at 15. Kimble winds up looking a lot like a second kidnapper, and she is terrified. But we find out she was not then, nor is she now, helpless. This is a very unusual female character for this series, and Shirley Knight is quite good.
Jane is small, feminine, reserved and soft-spoken. Kimble gets a big surprise when it turns out she is a policewoman and handcuffs herself to him, hoping to take him back to the station for questioning. Kimble is forced to make a desperate break through the countryside handcuffed to Jane. The police, equally desperate to find Jane, lean hard on the teens to get them to confess and identify the robbery victim so they will know who they are dealing with.
Soon after the episode begins, a group of punks jump Richard Kimbell and steal his wallet. A cop sees this happening and gives chase...and Kimble tries to just walk away nonchalantly. Well, a woman (Shirley Knight) offers to give him a ride and soon she grabs his hand and handcuffs it to hers. She's an off-duty policewoman and knows something is amiss, as why should a victim leave like this instead of dealing with a cop? Well, Kimble is NOT thrilled and doesn't come along quietly. Instead, he takes her prisoner and forces her to go on the run with him...but when she hurts her ankle, this does mess up his plans.
This is a decent episode but the change of heart that occurs in the female cop seems odd...and a bit hard to understand. Worth seeing even with this minor problem.
Did you know
- TriviaShirley Knight on David Janssen in a 2010 interview: The poor man was just overworked. He had those long, long, long hours, and a role where he was always doing physical things. There was one that was so rough, where we were handcuffed together for the whole show.
- GoofsWhen the boys are reluctantly going through the mug shots the fourth picture in the stack is Kimble's mug shot. Mug shots are pictures taken when a person is booked into a jail. The only department that would have that mug shot picture is where that person was arrested and booked into jail. While other departments in other cities and States may have a wanted poster for a fugitive they would not have the mug shot picture in their mug shot files.
- Quotes
Narrator: [Epilog Closing Narration. Viewers see Richard Kimble in a boxcar of a moving train, filing off a handcuff from his wrist] All men run the risk of being chained to their past. For Richard Kimble, that bondage is stronger than the steel that hangs from his wrist. And so he moves on, searching, knowing that for him, now there can be no freedom.
- SoundtracksTheme from The Fugitive
Music by Pete Rugolo
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- Runtime
- 51m
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- Aspect ratio
- 1.33 : 1