A headstrong young woman will undertake the long, dangerous journey to her fiancé's fort on her own if she must, so Matt nominates himself to escort her.A headstrong young woman will undertake the long, dangerous journey to her fiancé's fort on her own if she must, so Matt nominates himself to escort her.A headstrong young woman will undertake the long, dangerous journey to her fiancé's fort on her own if she must, so Matt nominates himself to escort her.
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It is not typical Gunsmoke music. Credits do not show composer. It sounds more of a Jerome Moross/Big Country, or someone imitating his style.
10lrrap
I can only second the other rave reviews here; this episode accomplishes SO MUCH in its mere 50-minute running time that it defies any attempt to describe it. Nothing is forced or rushed; the entire emotional journey of the show--from Sara Drew's first entrance to the final, emotionally restrained and eloquent scene, is perfectly paced and shaped.
This is an astounding feat, considering the production-line schedule for weekly TV production in the early '60s---when a full season actually consisted of 36 or more episodes. The script is flawlessly constructed, the direction and performances are consistently first-rate. And, considering the show's weekly (low) budget, the depiction of a prairie fire is very convincing.
Everything rings true, right down to the subtly wrought late-night talk between Matt and his wise old friend Gody. Near the end of the show, when I saw Alan Baxter shuffling around in a weird wig and beard, I momentarily feared that the spell of the drama might be broken; quite the opposite---it actually adds that extra bit of off-beat intensity that propels the show to its powerful conclusion.
FIRST-RATE episode; I am glad to have discovered it.
LR
PS-- Though uncredited, I am sure that the main musical material that dominates the soundtrack is the work of composer Jerome Moross (also a little Fred Steiner when they arrive at Gody's cabin).
This is an astounding feat, considering the production-line schedule for weekly TV production in the early '60s---when a full season actually consisted of 36 or more episodes. The script is flawlessly constructed, the direction and performances are consistently first-rate. And, considering the show's weekly (low) budget, the depiction of a prairie fire is very convincing.
Everything rings true, right down to the subtly wrought late-night talk between Matt and his wise old friend Gody. Near the end of the show, when I saw Alan Baxter shuffling around in a weird wig and beard, I momentarily feared that the spell of the drama might be broken; quite the opposite---it actually adds that extra bit of off-beat intensity that propels the show to its powerful conclusion.
FIRST-RATE episode; I am glad to have discovered it.
LR
PS-- Though uncredited, I am sure that the main musical material that dominates the soundtrack is the work of composer Jerome Moross (also a little Fred Steiner when they arrive at Gody's cabin).
A head strong beautiful Boston women, Sarah Drew, makes her way to Dodge with the expectations of meeting her lover at Fort Wallace many miles from Dodge. However, the lover forgot to tell her that there is no way to get to Fort Wallace since it is so far in the back country of the prairie. (something that would have been helpful info)
She tricks her way into making Marshal Dillon escort her to the rugged Fort Wallace. Along the way they will run into just about every disaster known to mankind. From fire, dead children, Indians, fever, starvation, mistrusting hillbillies and death- the two meet with everything the writer can throw.
There is a lot to absorb in this episode since not much time can be spent on one mayhem till another arises. But with the ending a restful calm falls over the show. Maybe not the ending we wanted but one that makes for a good watch.
She tricks her way into making Marshal Dillon escort her to the rugged Fort Wallace. Along the way they will run into just about every disaster known to mankind. From fire, dead children, Indians, fever, starvation, mistrusting hillbillies and death- the two meet with everything the writer can throw.
There is a lot to absorb in this episode since not much time can be spent on one mayhem till another arises. But with the ending a restful calm falls over the show. Maybe not the ending we wanted but one that makes for a good watch.
Sarah Drew is determined to join her fiancé at a remote fort 150 miles from Dodge. Marshal Dillon tells her the trail is very difficult for a man to traverse let alone a woman. She tries to get Matt to assist her in reaching the fort, but he declines. On his way to Hays on marshal business, he is met on the trail by her and she persuades him help her reach the fort. The rest of this episode is primarily about Matt and Sarah on the trail and is pure dynamite. Barbara Lord (in real life, the mother of Patrick 'Puddy' Warburton of the "Seinfeld" series) is terrific as the beautiful young woman who won't take 'no' for an answer. Lord retired from acting to raise a brood of four (Patrick being the oldest) and this was her last performance for 17 years. Kathleen Hite wrote numerous teleplays for "Gunsmoke" and this one could arguably be considered her best script. Although this episode was shot in black and white, it is as good or better than most of the later stories filmed in color. (Most of the usual regulars don't have much to do here)
10swog85
This Gunsmoke story, "Long, Long Trail" is among my very most beloved episodes of my most beloved series, period. James Arness, Barbara Lord and Mabel Albertson outdid themselves with their performances. The other cast members were all excellent as well. The story is about a headstrong Bostonian who needs to get to Fort Wallace, Kansas to meet with her officer fiance so they can be wed. Sarah Drew must find somebody to escort her through the harsh prairie land, with hostile Indian tribes, wilderness and all kinds of dangers that are completely foreign to a lady from Boston. The story will NOT disappoint. I want to avoid spoilers. It is a guarantee that, "Long, Long Trail" is bound to become one of YOUR favorite Gunsmoke stories, too. The ONLY sticking point for me is that her fiance is beyond a jerk for leaving such a lady to her own devices to get out to Ft. Wallace on her own. What sort of a creep man would do that?! She is a lady on her own, unfamiliar with the dangers of the area. Yet, "Mr. Wonderful" officer in the cavalry does not even arrange to have her escorted out to the fort?? Better still, escort her himself?? Granted, the story had to be this way in order for it to play itself out. Still, it would have put her intended in a better light if he HAD arranged an escort, but somehow the plan had fallen through. To simply leave her to fend for herself is a most unlikely scenario for that era, or even by today's standards. Great, great story, nonetheless.
Did you know
- TriviaFort Wallace (where Matt and Sarah are going) was actually a real US Fort from 1865-1882. All that remains of the old fort is the Fort Wallace cemetery.
- GoofsAlthough not specifically stated in this episode, the main means of transportation to and from Dodge City in the period in which Gunsmoke was set was the Atchison, Topeka and Santa Fe Railroad (which reached Dodge in 1872. Sarah Drew arrives in Dodge and wants to travel cross-country to Fort Wallace, Kansas, which was served by the Kansas Pacific Railroad even earlier (1869). She could have taken the train to her destination and not gone through Dodge.
- Quotes
Gody Baines: You young'uns today, you stand on too much ceremony. You don't know the first thing about living. You act like it's something that starts in the future somewheres.
Details
- Release date
- Country of origin
- Language
- Filming locations
- Janss Conejo Ranch, Thousand Oaks, California, USA(Front Street, Dodge City, Kansas)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
- Color
- Aspect ratio
- 1.33 : 1
- 4:3
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