Someone has placed a fabulous price on Matt's head, and there are many competing to earn it.Someone has placed a fabulous price on Matt's head, and there are many competing to earn it.Someone has placed a fabulous price on Matt's head, and there are many competing to earn it.
Featured reviews
Some of these episodes seem to lack continuity with each other, and are confusing. In this episode, John Marley plays Ben Pringle, and at the end of this episode, he claims to be the grandfather of Thad, who used to be Dillon's deputy "couple of years ago."
The character of Thad (played by Roger Ewing) had just been introduced into the show in the previous episode "Clayton Thaddeus Greenwood." Thad helps Dillon bring justice to the gang that killed his father. Thad is not in this episode. So it is bizarre and confusing that John Marley is referring to Thad as having been killed off in a range war a week after Dillon hired Thad to be a deputy. How many Thad deputies did Dillon have? Roger Ewing had been on Gunsmoke once before in Season 10, episode 21 "A Song for Dying," playing a different character.
So five gunslingers are hired to kill off Matt, or were they hired so Matt could kill them, and get perverted revenge for John Marley?? Marley usually played nasty villainous guys, and here he is no exception. The cast of gunslingers starts with Rafael Campos, who was on several westerns and always played an over-the-top bandit, sometimes Pancho Villa (on Have Gun, Will Travel and on Wanted: Dead or Alive he played young Pancho Villa). He talks a big game and calls out Dillon as they cross paths in a gorge, and Matt Dillon smokes him without skipping a horse beat. Then comes Zalman King, who had a lot of bad-ass roles in his early days, but exuded a "disco dude' look. Dillon pops him into the stone age.
Along comes Bruce Dern and Warren Oates, but they spend a couple of disappointing scenes just talking trash to each other, and trying to psych each other out. This is a western. No talking, just shooting (as Tuco- Eli Wallach said in The Good, The Bad, and The Ugly). I had hoped to see these two characters face down Matt Dillon, since they were the A guest stars in this episode, but no.
Finally it is fat Nehemiah Persoff, who gets a close-up scene of him laying in bed before the big shootout, and that big belly laying on his side makes it look like he will need a scooter to get out the door and onto main street. Really bad camera angle of the guy laying in bed. Needless to say, there was another episode of Gunsmoke, and Nehemiah Persoff was not in it.
This episode could have been one of the greatest ever, but there was time spent on the wrong things that should have been spent on Matt Dillon kicking ass and shooting bad guys.
The character of Thad (played by Roger Ewing) had just been introduced into the show in the previous episode "Clayton Thaddeus Greenwood." Thad helps Dillon bring justice to the gang that killed his father. Thad is not in this episode. So it is bizarre and confusing that John Marley is referring to Thad as having been killed off in a range war a week after Dillon hired Thad to be a deputy. How many Thad deputies did Dillon have? Roger Ewing had been on Gunsmoke once before in Season 10, episode 21 "A Song for Dying," playing a different character.
So five gunslingers are hired to kill off Matt, or were they hired so Matt could kill them, and get perverted revenge for John Marley?? Marley usually played nasty villainous guys, and here he is no exception. The cast of gunslingers starts with Rafael Campos, who was on several westerns and always played an over-the-top bandit, sometimes Pancho Villa (on Have Gun, Will Travel and on Wanted: Dead or Alive he played young Pancho Villa). He talks a big game and calls out Dillon as they cross paths in a gorge, and Matt Dillon smokes him without skipping a horse beat. Then comes Zalman King, who had a lot of bad-ass roles in his early days, but exuded a "disco dude' look. Dillon pops him into the stone age.
Along comes Bruce Dern and Warren Oates, but they spend a couple of disappointing scenes just talking trash to each other, and trying to psych each other out. This is a western. No talking, just shooting (as Tuco- Eli Wallach said in The Good, The Bad, and The Ugly). I had hoped to see these two characters face down Matt Dillon, since they were the A guest stars in this episode, but no.
Finally it is fat Nehemiah Persoff, who gets a close-up scene of him laying in bed before the big shootout, and that big belly laying on his side makes it look like he will need a scooter to get out the door and onto main street. Really bad camera angle of the guy laying in bed. Needless to say, there was another episode of Gunsmoke, and Nehemiah Persoff was not in it.
This episode could have been one of the greatest ever, but there was time spent on the wrong things that should have been spent on Matt Dillon kicking ass and shooting bad guys.
Warren Oates, Bruce Dern and Nehemiah Persoff as gunmen out to 86 Matt Dillon. With a roster of baddies like that, how could you possibly go wrong? Well, this episode doesn't. A highly entertaining, suspenseful show that ends with a bang--so to speak.
Great to see the ever-crafty Festus do some sleuthing and spying on Matt's behalf. That good ol' boy may have seemed a bit light in his loafers, but was actually as sharp as a tack.
And in the episode's opening sequence, Rafael Campos' Miguel Semando cuts a pretty fair impersonation of "Gold Hat" from The Treasure of the Sierra Madre. The slightly demented, smiling schtick comes off well. Of course, Matt wipes that smile away with a .45 slug.
PS--At this point in the series it's becoming pretty apparent that Matt's old friends--in this case played by Persoff--are nothing but trouble. Either Matt was a poor judge of character in his youth or he himself was a pretty shady customer.
Great to see the ever-crafty Festus do some sleuthing and spying on Matt's behalf. That good ol' boy may have seemed a bit light in his loafers, but was actually as sharp as a tack.
And in the episode's opening sequence, Rafael Campos' Miguel Semando cuts a pretty fair impersonation of "Gold Hat" from The Treasure of the Sierra Madre. The slightly demented, smiling schtick comes off well. Of course, Matt wipes that smile away with a .45 slug.
PS--At this point in the series it's becoming pretty apparent that Matt's old friends--in this case played by Persoff--are nothing but trouble. Either Matt was a poor judge of character in his youth or he himself was a pretty shady customer.
I would like to address some misconceptions from previous reviewers who have criticized the Gunsmoke team for airing episodes out of order or for inconsistent storytelling. One reviewer referred to a moment as an "Easter Egg," specifically when Pringle reveals that his motive for setting up the outlaws was revenge for the unlawful killing of his grandson, Thad Ewing.
It seems these reviewers have misunderstood this detail, mistakenly linking the name Thad Ewing to the new character introduced in the prior episode, Clayton Thaddeus Greenwood, portrayed by Roger Ewing. The confusion likely arises from the shared nickname "Thad," leading to a mix-up between the characters. Furthermore, Pringle's reference to his grandson, Thad Ewing, indicates that he is older and is contemporaneous with Sheriff Greenwood, who is also around the same age as Pringle.
While I don't wish to undermine anyone, it appears that some of the reviewers struggling with these details are male viewers who focus more on the action and violence typically associated with Westerns. In contrast, Gunsmoke's enduring appeal lies in its strong narrative and character development, enjoyed by both male and female fans. Women, in particular, were drawn to the emotional depth and storytelling, often requiring context for the violence shown. This is reflected in the shift from a 30-minute format to an hour-long format, which demanded more attention from viewers to fully grasp the plot.
As a female who grew up watching Westerns with male family, I often found myself frustrated by interruptions during key moments of dialogue, as my father and brother focused more on the action than the story itself. Interrupted the show with their talking "Why he do that" "Did I miss something" "Why is this one so mad at that one", it was all too clear that my dad and brother were not paying attention to the story, but watching all of the gratuitous violence; as I always had to explain a key piece of information that was in the dialogue, mind you I was only 9 or 10.
Remember, when they tried to cancel Gunsmoke after season 12, it was the producer's wife that saved Gunsmoke. So for you male viewer's that think there can be too much talking in some episodes, just remember Gunsmoke had mass appeal due to its great storytelling, so check your facts before writing your reviews.
It seems these reviewers have misunderstood this detail, mistakenly linking the name Thad Ewing to the new character introduced in the prior episode, Clayton Thaddeus Greenwood, portrayed by Roger Ewing. The confusion likely arises from the shared nickname "Thad," leading to a mix-up between the characters. Furthermore, Pringle's reference to his grandson, Thad Ewing, indicates that he is older and is contemporaneous with Sheriff Greenwood, who is also around the same age as Pringle.
While I don't wish to undermine anyone, it appears that some of the reviewers struggling with these details are male viewers who focus more on the action and violence typically associated with Westerns. In contrast, Gunsmoke's enduring appeal lies in its strong narrative and character development, enjoyed by both male and female fans. Women, in particular, were drawn to the emotional depth and storytelling, often requiring context for the violence shown. This is reflected in the shift from a 30-minute format to an hour-long format, which demanded more attention from viewers to fully grasp the plot.
As a female who grew up watching Westerns with male family, I often found myself frustrated by interruptions during key moments of dialogue, as my father and brother focused more on the action than the story itself. Interrupted the show with their talking "Why he do that" "Did I miss something" "Why is this one so mad at that one", it was all too clear that my dad and brother were not paying attention to the story, but watching all of the gratuitous violence; as I always had to explain a key piece of information that was in the dialogue, mind you I was only 9 or 10.
Remember, when they tried to cancel Gunsmoke after season 12, it was the producer's wife that saved Gunsmoke. So for you male viewer's that think there can be too much talking in some episodes, just remember Gunsmoke had mass appeal due to its great storytelling, so check your facts before writing your reviews.
Ten Little Indians is one of my favorite episodes. But it's also an episode where Matt Dillon displayed a moment of handgun dazzle. If you never noticed, watch the Marshal's gun immediately after killing Billy Cole. I've never seen him do that in any other episode.. and he nailed it.
The tension it starts with builds to no pay off.
The scenes contained some of the best acting I've seen on a western tv show but they all reduced to a weak come around resolution for the ending.
I didn't know Bruce Dern could act, I though he was just a face and a voice for a background bad guy.
Did you know
- TriviaBen Pringle tells Matt that the gunfighters killed his grandson, Thad Ewing. This name is the first name of the newly introduced character Thad Greenwood and the last name of the actor who played him, Roger Ewing.
- Quotes
Matt Dillon: [after Ben Pringle gets shot in the leg] "Get him up to Doc's, Festus. I can't stand the sight of him."
Details
- Release date
- Country of origin
- Language
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
- 4:3
Contribute to this page
Suggest an edit or add missing content