The Thirteenth Reunion

This episode caps the entire anthology for me. It has genuine horror, thrills, spills and spooky moments to please the most hardened horror fan. Brilliant turns from all the cast, from a very youthful Gerard Kelly to the ever genteel Richard Pearson who for one departs from his usual 'old buffer' roles to a sinister and evil old gentleman. Careful use of locations, mainly in and around Hammer's former HQ of Bray and Windsor add to the atmosphere, especially that the production team showed the patience in this episode to allow for clear skies above so unlike on some other episodes in the anthology, there is little disruption from aircraft noise as Bray/Windsor were very much on the Heathrow flight path as there is in a few other HHoH episodes. Where some episodes fall flat or get swallowed up in trying to be overwhelming in the 'mindtrip' themes of madness or breakdown, this one stands alone and could well have been/Should be a standalone film under the Hammer banner....

Journalist Ruth is sent undercover to a clinic for weight loss, where strange goings on are occuring, and not just revolutionary weight loss.

If I had to pick a favourite episode from the series it would probably have to be this one. It is a wonderful mix of macabre, gory and just plain weird. The story is unique, the revelation comes as a big surprise.

It had some wonderfully memorable scenes, Warren Clarke's car chase is very creepy and sinister, I remember feeling unnerved that first time I watched it, however it's the ending that really does make this one stand out.

I think Julia Foster is great as Ruth, the inquisitive and brave journalist. Kevin Stoney is suitably sinister as always.

My favourite in the series, 9/10.

Ruth, the reporter of the women page of a magazine, is assigned by her editor to participate of a ten weeks course of a new weight organization called "Think Thin". In accordance with the letter of a reader, the system would be very masochist and depressive, destructing the self-esteem of the patient. Ruth makes a friend in the course, and he dies in a car crash. In the funeral, an employee of the funeral house discloses weird events that are happening in his job. In her investigation, Ruth finds dark and macabre secrets.

Although being predictable in a certain moment, I liked very much this short story of "Hammer House of Horror". This film is very well played and directed, has many outdoors scenes, very unusual in Hammer's movies, and is very dark. My vote is eight.

Title (Brazil): "A 13a Reunião"("The Thirteenth Reunion")

The second episode to Hammer's short running series "Hammer House of Horror", "The Thirteenth Reunion" is a truly weird and morbid little tale filled with a great sense of humor - extremely dark humor, that is, I may add. Being a great fan of Hammer's Gothic Horror films, I wonder what took me until recently to start watching the series, but I sure do enjoy finally watching it now. Whereas the episodes I've seen so far (the first four) do not quite deliver the gloomy Gothic atmosphere that makes the films so great, they are all highly entertaining, creepy, and enjoyable, and should therefore not be missed by any true Hammer-enthusiast. This second episode follows reporter Ruth Cairns (Julia Foster), who is investigating undercover in a weight-watchers institution whose clients are brought to loose weight by rather unusual methods. After a fellow client with whom she has just got acquainted dies in a car-crash, his body mysteriously disappears. Ruth decides to investigate in a different direction... The episode was directed by Hammer veteran Peter Sasdy, whom fans should known for the Hammer classics "Taste The Blood of Dracula", "Hands of The Ripper" and "Countess Dracula". And Sasdy, who would direct three further episodes to this series, once again doesn't disappoint. Admittedly, this episode may not be the most unpredictable thing ever made, but it does deliver some surprises, some creepiness, and, above all, an ingeniously dark sense of humor. This dark humor is present from the beginning, when a cruel trainer (played by prolific Scottish actor James Cosmo) goes on an angry rant about a chubby lady. The film has many other moments remarkably dark and morbid humor, none of which I will give away here, since I do not wish to spoil anything. Overall, this second episode is probably my favorite of the first four that I've seen so far (all of which I enjoyed). I guess that I still have the greatest HHH episodes ahead of me, the one I am most looking forward to is the seventh episode, "The Silent Scream" starring Peter Cushing. Even if the series maintains the level of this episode, however, I will be satisfied.

The first of three episodes directed by Peter Sasdy in this series, "The Thirteenth Reunion" is an acceptable if slightly overlong horror-drama, with a surplus of recognisable faces that service a storyline that doesn't quite add up.

Ruth (Julia Foster) is a journalist tasked by her editor to investigate a controversial diet technique called Think Thin. At her first meeting she meets Ben (Warren Clarke) who has been attending for a while and they hit it off, but on the way back from their first date he's run off the road and dies. At the funeral, Ruth is approached by Andrew (Gerard Kelly) who works at the funeral home and who suggests that all at Think Thin is not above board.

It's funny, watching these anthology style shows that the pool of actors is such that people are reappearing. I'd seen both Warren Clarke and George Innes in recent episodes of "The Frighteners" I'd watched. This episode had a number of other recognisable actors, including James Cosmo, who still is in high profile projects in 2020, and Gerard Kelly who was a regular on TV until his untimely death in 2010. Julia Foster has the most to do in this one, piecing together the various threads of this story into one complete picture.

And that's perhaps my issue with this episode, it feels like three tangentially related stories pushed together in an attempt to form one, but it makes less sense the more you think about it. The storylines involving the undertakers and the stately home do sort of fit together, but why the Think Thin aspect is involved is less clear, as you'd think that their objectives would be against what the others want? (Sorry if that sounds vague, I'm trying to write without spoilers). An OK episode that struck a nice tone, particularly towards the end, but is perhaps a little longer and disjointed than it really ought to be.