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Alfred Hitchcock Presents
S4.E23
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I'll Take Care of You

  • Episode aired Mar 15, 1959
  • TV-14
  • 30m
IMDb RATING
7.0/10
553
YOUR RATING
Ralph Meeker in Alfred Hitchcock Presents (1955)
CrimeDramaMysteryThriller

After a man puts a permanent end to his dominant wife's demands for extravagance, he becomes the victim of blackmail.After a man puts a permanent end to his dominant wife's demands for extravagance, he becomes the victim of blackmail.After a man puts a permanent end to his dominant wife's demands for extravagance, he becomes the victim of blackmail.

  • Director
    • Robert Stevens
  • Writers
    • William Jerome Fay
    • George Clayton Johnson
  • Stars
    • Alfred Hitchcock
    • Ralph Meeker
    • Russell Collins
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    553
    YOUR RATING
    • Director
      • Robert Stevens
    • Writers
      • William Jerome Fay
      • George Clayton Johnson
    • Stars
      • Alfred Hitchcock
      • Ralph Meeker
      • Russell Collins
    • 9User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos2

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    View Poster

    Top cast10

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    Alfred Hitchcock
    Alfred Hitchcock
    • Self - Host
    Ralph Meeker
    Ralph Meeker
    • John Forbes
    Russell Collins
    Russell Collins
    • Dad
    Elisabeth Fraser
    Elisabeth Fraser
    • Dorothy Forbes
    Ida Moore
    Ida Moore
    • Kitty
    Arthur Batanides
    Arthur Batanides
    • Police Detective
    James Westmoreland
    James Westmoreland
    • Lester
    • (as Rad Fulton)
    Richard Evans
    Richard Evans
    • Harry
    Richard Rust
    Richard Rust
    • Detective Charlie
    Dick Gering
    • The 3rd Teen
    • (as Richard Gering)
    • Director
      • Robert Stevens
    • Writers
      • William Jerome Fay
      • George Clayton Johnson
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews9

    7.0553
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    Featured reviews

    dougdoepke

    Old Doesn't Mean Stupid

    City dweller Forbes (Meeker) with aging helper (Collins) runs a struggling used car lot, while supporting an unappreciative wife (Fraser).

    So, how are those rowdy teenagers going to figure into things and what's with the shrewish wife. Fifteen minutes into the entry and I'm still not sure where it's going, but knowing Hitch, I know there'll be a good payoff. And there is.

    One secret of the series success is expert casting. Getting the cocksure Meeker, sly old Collins, and everybody's grandma Moore, helps energize the episode. There're also a couple of good touches. Using a real car lot instead of a studio set lends good local color. But what I really like are the carnival crowds. Director Stevens could have just let the extras walk through the scenes. But he doesn't. Instead he or someone devised little bits of crowd business that are fun and colorful—like the two teens stuffing themselves like teens.

    Catch that last delicious scene with its twist on a twist and so sweetly done too. Good sneaky episode.
    searchanddestroy-1

    Above average plot

    The strongest point is that in this episode, many viewers can recognize themselves in Ralph Meeker's character; and the scheme here is not new at all. It looks actually like many other ones in the show. The twist ending is not a surprise either, but it remains efficient and will delight many audiences. Not the best ever but still excellent to discover.
    8planktonrules

    I really found myself wanting to see the guy kill his awful wife!

    John Forbes (Ralph Meeker) is a guy who has ample reason to be happy. He's a successful used car dealer and lives in a nice house. But things aren't so great, as Forbes' wife is god-awful. She spends money faster than he can earn it and when he tells her he can't, she simply couldn't care less. You get the impression that she is planning on spending everything and then leave him to find some other sucker. Well, she overplayed her hand and John realizes there's only one good option...kill her! Now I am NOT advocating murder...but I certainly sympathized with him...as did the script.

    Through this process, John has received some help from his seemingly loyal employee, an old man nicknamed 'Dad'. But following the 'accident' that killed the wife, Dad starts making blackmail demands on John.

    I loved this episode. The twist at the end is great and it ended in a most atypical way. Too often on this show, in the end the criminal is caught or Hitchcock gives some stupid epilogue about crime not paying and the guy was ultimately caught. Well, not here....and I really thought this was a dandy episode with a wonderful twist.
    8Hitchcoc

    The Old Switcheroo!

    I really enjoyed this episode. So many of the shows in this series are based on fundamental greed. This one is really fun. I like the protagonist. He has suffered long because of a marriage made in hell. This has caused him to trust people to compensate for his unhappiness. We see him as a poor sucker who just can't catch a break. Finally he acts. Granted, it is the ultimate crime, but we know how far he was driven. The nice thing about this episode is that we are really kept in the dark all the way. We trust the "nice" people, but these are Hitchcock stories.

    Incidentally, I've decided to ignore Hitchcock's little moments at the conclusion of the show where he tells us that the characters who managed to escape were ultimately punished. I wonder if this was a code thing or a literal commitment to "crime does not pay." If taken as gospel, it ruins many episodes.
    3jackbuckley-05049

    Belongs on the Junk-Heap

    I'll be honest, I didn't understand this episode, primarily in its final-resolution. Everything was fine until it reached the denouement at the carnival. I'd already gotten-lost on the back & forth conversations re: the headlight. The real problem, I think, was the ambient-noise of the carnival, which covered-up some crucial-dialogue. I just didn't get it. Enjoyed the episode for awhile, it moved-along nicely with unpredictable--and, for a time, directionless-plotline. I like Ralph Meeker but I seem never to be able to watch him without thinking how-closely he resembles & sounds like Vic Morrow of the later-in-the-60's "Combat" TV-series fame, to me, at-least. This, of course, not his fault. I DID feel he overacted somewhat in this episode, in order to convey anger & frustration. Yes, he was experiencing some serious financial & marriage-problems but nevertheless appeared a little too-over-the-top manic in his reactions & behavior. Even still, he remained a sympathetic-character throughout, so I give him credit for that. The only-other, relatively-minor, negative to this episode, was the portrayal of the male-teenagers, shown in stereotypical-fashion as loud, boisterous, hyperactive-kids, probably-older in real-life than the age-group they portrayed. Although these were "harmless" teens, trumpeting a worthy-cause, not hoodlums, they created unnecessary-movement & rather-irritating, overlapping-dialogue, tsk-tsk. I simply never-understood the connection between the beat-up old-jalopy they bought for $50 for their carnival and its relation to the crime. The past-his-prime, old-man-assistant at the car-lot, called "dad" by soft-hearted-owner-Meeker, was likably-sly & close-mouthed. The finale simply was beyond-me due to ambient-noise and confusing-actions & reasoning of the police, as well as "dad's"-wife's final-comments in the fade-out, etc., resulting in a disappointing viewing-experience, amounting to a complete-zero. I know I could re-watch the episode for possible-clarification but won't bother. Proceed at-your-own-risk with this clunker!

    Related interests

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Russell Collins was a Hitchcock favorite, appearing in no fewer than nine episodes of "Alfred Hitchcock Presents" and one episode of The Alfred Hitchcock Hour (1962).
    • Goofs
      When responding to whether the mileage on the car was correct, Dad says that they never change the speedometer. He should have said odometer.
    • Quotes

      [afterword]

      Self - Host: I'm sorry to say that Honest Alfred's Cold War Surplus Store has been forced to close. Our buyers just didn't keep up their monthly payments and it was rather difficult for us to get in touch with them after they got into orbit. Here's news from a more successful entrepreneur, after which I shall return.

      [commercial]

      Self - Host: By the way, those of you who witnessed tonight's crime will be glad to learn that the party who perpetrated it has been justly punished. I refer not to the recent commercial, but to John Forbes' murder of his wife. When I last heard, the person responsible for the commercial was still at large. The big ones always get away. Next week, I shall be back with another story. Until then, good night.

    • Soundtracks
      Funeral March of a Marionette
      Written by Charles Gounod

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    Details

    Edit
    • Release date
      • March 15, 1959 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Republic Studios - 4024 Radford Avenue, North Hollywood, Los Angeles, California, USA
    • Production company
      • Shamley Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 30m
    • Color
      • Black and White
      • Black and White
    • Aspect ratio
      • 1.33 : 1

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