A Bullet for Baldwin
- Episode aired Jan 1, 1956
- TV-14
- 30m
When an office worker is fired from his job, he shoots his boss to death, but when he returns to the office his boss is alive, and has no recollection of the incident.When an office worker is fired from his job, he shoots his boss to death, but when he returns to the office his boss is alive, and has no recollection of the incident.When an office worker is fired from his job, he shoots his boss to death, but when he returns to the office his boss is alive, and has no recollection of the incident.
- Director
- Writers
- Stars
- Walter King
- (as Philip Reed)
- Detective
- (as Bob Patten)
- Neighbor
- (as Arthur Gilmour)
- Fireman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Stepp goes home and expects to be arrested any moment. Surprisingly, no police arrive and Stepp's job calls him in the morning to ask him why he didn't come in to work! What about the dead boss? What about the blood and bullet? Here's the kicker...the boss IS there and things seem normal!! What is happening? And, what's Stepp going to do next?
Hiring John Qualen for this role was brilliant, as he as among the meekest looking actors of his age, apart, perhaps, with the exception of Donald Meek (his real name), who died a decade before this episode was filmed. After all, it wouldn't have been nearly as interesting nor surprising if John Wayne or Robert Mitchum had played such a part!
Overall, a very strange episode and one that you won't soon forget.
There are better episodes of 'Alfred Hitchcock Presents', of Season 1 (which was not always smooth sailing but was mostly solid) and overall. There are also worse on both counts. "A Bullet for Baldwin" to me is one of the high middle entries in the series. It is good and does do a lot that is highly commendable, but it didn't wow me and this is one of the half hour episodes that would have been better with a longer length with a story of this nature.
Shall start with the good. It is slickly and atmospherically made visually and Addiss' direction is tight enough as well as controlled. While not enhancing the atmosphere as such, when it is used the music doesn't distract or feel at odds either. The wonderfully devillish theme tune is a classic, and one of those that one hears in popular culture a lot before and since and recognise it without knowing what it is (Gounod's "Funeral March of a Marionette"). Hitchcock's bookends are typically droll, remember not being crazy about them to begin with but there were some inspired crackers throughout the series' run.
In terms of scripting, "A Bullet for Baldwin" is thought-provoking and doesn't have any excess fat. Liked how tongue in cheek it was too, and in a way that was amusing and not corny or too broad. The story is very compelling and never dull, it is not perfect by all means but it is also quite suspenseful and twisty. John Qualen excels in the psychologically fascinating lead role and Cabot relishes his part.
However, "A Bullet for Baldwin" did feel rushed at times, a lot goes on and sometimes at a fast rate and the final act especially could have done with a slowing down and expansion because it did start getting a little too complicated.
Furthermore, it is one of the episodes that would have benefitted from being longer by at least 15 minutes and even better feature length. Half an hour is too little for a story of this nature. The ending is very interesting and very surprising, it just could have gone into more depth.
On the whole, not great but good. 7/10.
Hitch liked John Qualen because he played the downtrodden, everyday guy to perfection. This may be one of his best tv roles. Qualen plays a used and abused office worker called Mr. Stepp, as in stepped on? Sebastian Cabot, who could play some worthy bad guys, fits the role of bossy Mr. Baldwin, who decides to fire Stepp after many years of loyal service. Goodbye and Good Luck.
At first -- and you can't blame Stepp -- he considers shooting himself. He has nothing much to live for. However, comes that brilliant bridge from the Hitchcock playbook. Why not shoot the SOB instead? And he does. Next day comes around, Stepp expecting the worst, but is instead called back to the office to find the old buzzard ALIVE and WELL? As for the shooting, there was none?
If you're a fan of the show, it's EZ to guess what happened... Still fun to watch how this bizarre mystery unfolds and lands in Stepp's lap for a second time. The ending is a real dazzler, mixed with some fitting dialogue.
Beautifully directed by Justus Addiss, who turns Cabot into a work of art -- who deserves everything he gets. And you just feel so sorry for John Qualen. Popular actor Phillip Reed guest stars, who also played his fair share of villains in a long career.
SEASON 1 EPISODE 14 remastered CBS dvd box set.
Collectors First Season box with a super color cover pix of deadpan Hitch.
Did you know
- TriviaThis takes place in San Francisco in November 1909.
- GoofsMr. King uses the word "stress" in its modern sense of mental or emotional strain, but that sense of the word did not arise until the 1920s.
- Quotes
[first lines]
Himself - Host: Good evening. I hope you'll excuse me if I appear a trifle excited but I've just come into possession of a cure for insomnia. It comes in capsule form.
[sets bullets on his desk]
Himself - Host: For best results, they must be taken internally. Here is the handy applicator.
[holds up a revolver]
Himself - Host: It is an amazingly simple device. An idiot can operate it and indeed many do. These objects play an important part in tonight's tale. It is called "A Bullet for Baldwin."
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Details
- Runtime
- 30m
- Color
- Aspect ratio
- 1.33 : 1