A young man tries to insinuate his way into a monastery in order to gain revenge on a thief he blames for ruining his life.A young man tries to insinuate his way into a monastery in order to gain revenge on a thief he blames for ruining his life.A young man tries to insinuate his way into a monastery in order to gain revenge on a thief he blames for ruining his life.
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It's not a very riveting entry. Only a little suspense builds as we wonder what the lad will do. But the casting of an innocent-looking Damon pretty much telegraphs the outcome. Still, the ending is subtly ironic if you think about it. Note too, that Brother Jared's appeal to Clements is made on humanitarian grounds, not explicitly religious as might be expected. That way the episode avoids sectarian entanglements with its audience. And I agree with the reviewer who observes that these early episodes appear very cheaply produced. My guess is the money went into casting as it does here with movie vet Sloane. Fortunately, story and acting were uppermost in this superior dramatic series.
Awesome episode about a young man Ray Clements (Mark Damon) arrives at train Station (once more Hitch applies his favorite key element, the night train) looking for a monastery where got shelter for a man who stolen his money, he was driven there by Brother Gerard (Sean McClory) and submitted to old father Vincente in charge of the order, Clements told to kindly Father the whole story, unless his real name, he presenting himself as Floyd Unser, the smart Father Vincente exposes to young boy that his physical aspects doesn't fit on the accurate description of Unser.
Distressed for be debunked by the upstanding Father at last Clements explains such hoax, the father delivers to her all money stolen to him, hence he can pay his debts and clean your name however Clements claims that his father died for deep grief, thus he ought revenge his father's dead, nonetheless Clements was raise under Christian's teaching the money recovered wasn't enough to erase his beyond repair lost.
Here Hitchcock sets out nothing about religions or something, it's a matter of awareness that all concerning the human being itself, his principles, beliefs and so on, the episode has a special meaning on the upshot!!
Thanks for reading.
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First watch: 2021 / How many: 1 / Source: DVD / Rating: 8.
This is a fair episode about revenge...not bad but no especially memorable. Which, for most anthology programs, is the norm.
Did you know
- TriviaTelevision debut of Harve Presnell.
- GoofsThe white powder used to represent snow does not melt. In the car, it remains on the actors' clothing with no sign of wetness. When they enter the monastery, there is less powder, but it still remains, appearing dry. Even though the father observes that their coats are wet, there is no sign of wetness and they appear totally dry.
- Quotes
[first lines]
Himself - Host: Good evening and thank you for allowing me to come into your living rooms. Well, I'm not easily shocked, but I did expect people to dress a bit more formally before sitting in front of their sets. Now that two-way television is here.
[sounds of a lion roaring and a woman screaming]
Himself - Host: Apparently, not everyone was aware of the incessant march of progress. The next improvement should be more to your liking. I understand that scientists will soon make it possible for any object thrown at the television screen to actually hit the performer. All of which reminds me of a story.
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Details
- Runtime
- 30m
- Color
- Aspect ratio
- 1.33 : 1