The Case of Mr. Pelham

Absolutely loved the idea of the story, which was a different one for the series at that time. There were episodes where one is immediately sucked in even reading the synopsis and having a feeling that it would be good, and "The Case of Mr Pelham" is one of them. It also has the advantage of being directed by the master of suspense himself, whose previous episode was the brilliant "Breakdown" (a season and series high point). So expectations were high.

Those expectations were absolutely filled and very nearly exceeded with "The Case of Mr Pelham". While not quite as brilliant as Hitchcock's previous entry, it has all of the things that made that episode so good and executes them just as well. "Breakdown" gets the slight edge for the atmosphere being a little more chilling and for having a more satisfying ending. "The Case of Mr Pelham" is still an excellent episode and one of Season 1's best overall, and certainly up to this point.

Some people might like that the ending is open to interpretation and ambiguous, while that was intriguing to me there was too much of an abrupt and incompletely inconclusive feel in a case where a well rounded off conclusion was needed.

Everything else is fantastic. It is stylishly and atmospherically made and Hitchcock's direction is typically exemplary. His bookending is also wonderfully droll and interesting. The music adds well to the ominous unease and have said a lot in reviews for the previous episodes about the theme tune being such a perfect pick for the series and can't get enough of it.

Furthermore, the script is lean and thoughtful and the story is laden with uneasy suspense and a truly scary atmosphere that is enough to give the chills. A good deal goes on but it doesn't feel over-stuffed and it is neither too simple or over-complicated. Flashbacks have the dangers of bogging down the momentum or distracting from the story without adding much, "The Case of Mr Pelham" does neither.

The titular character is one worth rooting for, while not being too passive, and played with absolute conviction by Tom Ewell, here playing it straight in an atypical dramatic role that could easily have been played blandly but isn't. Raymond Bailey is perfectly cast as well.

In summary, excellent. 9/10.

Alfred Hitchcock's offers to us an implausible tale, but who care anyway, the Case of Mr. Pelham is original and fresh, about a man of middle age, just single (Tom Ewell) who has his own business, living in a normal and easy lifestyle, when suddenly he realizes that someone else is trying to mimic him, he already was warned by some friends that they met him in another places, however unnoticed by Mr. Pelham, who didn't remember to be there, in fact in that moment he was out of town, then he meets his Doctor to discuss such madness, the Doctor suggest some advices, however every day is getting worst, the results is unpredictable at least, nice episode!!

Resume:

First watch: 2019 / How many: 1 / Source: DVD / Rating: 8

I have a hard time explaining to people why I love this episode so much. Tom Ewell's friendly but oddly unattractive face (as the titular character) is certainly a major force in this first-season gem. Or perhaps it's the homey nightclub where's he a member. More obviously it could just be the story, which is simple, familiar, and yet totally uncanny: a well-adjusted man believes his doppelganger is out to ruin his life. The show is a series of flashbacks as Pelham reveals his unfolding nightmare to his mustachioed psychologist, played pitch-perfect by Raymond Bailey of Mr.Drysdale fame. (For some reason, I love watching him sip the beer from his tall glass as he listens intently to Pelham's dilemma) And my god, that gorgeous black-and-white photography has never looked more scintillating. Perhaps these are mundane items, but for me they make me yearn for the golden age of Hollywood.

With its disquieting conclusion, "The Case of Mr. Pelham" defines that beautiful bygone era.

This is one of only about a dozen and a half episodes of "Alfred Hitchcock Presents" where the famous director actually directed the episode. While this is good, the ending really left me cold as I kept expected a neat payoff...but got nothing.

Mr. Pelham (Tom Ewell) is a businessman who seems to be losing is mind. Because of this, he tells a psychiatrist (Raymond Bailey) about his problem. It seemed that some time ago, it started to feel as if someone was taking over his life. For example, when he would go out, his duplicate would be home. And, when he was at work, it seems his double wasn't. Ultimately, you see him confront the double...and he looks exactly like him.

All through the episode I kept thinking how neat the set-up was for this show and it really sucked me into the episode. But there was no payoff....no explanation for any of this. And, because of this, it was so frustrating to watch. Technically well made but the script needed work.

Al Pelham is a mild-mannered, average-looking New Yorker with a small brokerage business. Then, strange things start happening. Someone is impersonating him for no apparent reason, a look-alike down to the smallest detail of appearance and memory bank. Whoever it is, he's taking over Pelham's life, easing him slowly out of existence. But why? Who could envy such a routine existence.

The premise seems more appropriate for the Twilight Zone since there appears to be no natural explanation. Even more relevant is the original Invasion of the Body Snatchers (1956), which was probably in development about the time this episode aired. Nonetheless, it's an intriguing 30 minutes, low-keyed, without hysteria or adornment as Pelham's predicament becomes ever more precarious. Lending a nice sinister touch is the predatory-lion painting that overhangs the last scene. It's thoughtful touches like this that can make the difference between a good episode and a memorable one. Those looking for a more natural explanation of Pelham's predicament might consider the emergence of a second, more assertive and success-oriented personality. But, however you take it, the premise was challengingly novel for the depths of 1950's TV, and is still one of the more memorable episodes.