Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysToronto Int'l Film FestivalHispanic Heritage MonthIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Alfred Hitchcock Presents
S4.E4
All episodesAll
  • Cast & crew
  • User reviews
  • Trivia
IMDbPro

The Crooked Road

  • Episode aired Oct 26, 1958
  • TV-14
  • 30m
IMDb RATING
8.1/10
874
YOUR RATING
Patricia Breslin and Richard Kiley in Alfred Hitchcock Presents (1955)
CrimeDramaMysteryThriller

A couple driving through a rural location discover that the police and judge of the town of Robertsville are more intent on extorting money from them than being honest servants of the people... Read allA couple driving through a rural location discover that the police and judge of the town of Robertsville are more intent on extorting money from them than being honest servants of the people.A couple driving through a rural location discover that the police and judge of the town of Robertsville are more intent on extorting money from them than being honest servants of the people.

  • Director
    • Paul Henreid
  • Writers
    • William Jerome Fay
    • Alex Gaby
  • Stars
    • Alfred Hitchcock
    • Richard Kiley
    • Walter Matthau
  • See production info at IMDbPro
  • IMDb RATING
    8.1/10
    874
    YOUR RATING
    • Director
      • Paul Henreid
    • Writers
      • William Jerome Fay
      • Alex Gaby
    • Stars
      • Alfred Hitchcock
      • Richard Kiley
      • Walter Matthau
    • 14User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos7

    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    + 3
    View Poster

    Top cast8

    Edit
    Alfred Hitchcock
    Alfred Hitchcock
    • Self - Host
    Richard Kiley
    Richard Kiley
    • Harry Adams
    Walter Matthau
    Walter Matthau
    • Off. Pete Chandler
    Patricia Breslin
    Patricia Breslin
    • Mrs. Adams
    Richard Erdman
    Richard Erdman
    • Charlie Brown
    Charles Watts
    Charles Watts
    • Judge
    Peter Dane
    • Off. Andy Bleeker
    Paul Frees
    Paul Frees
    • Off-Screen Announcer
    • (voice)
    • (uncredited)
    • Director
      • Paul Henreid
    • Writers
      • William Jerome Fay
      • Alex Gaby
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews14

    8.1874
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    10TheLittleSongbird

    Drive along the crooked road

    "The Crooked Road" was one of those episodes where this reviewer had a really strong feeling it would be at least very good. The premise is so deliciously dark sounding and suspenseful, and anybody who has read my reviews for other 'Alfred Hitchcock Presents' episodes will know of good premises being a big factor in seeing any film, show etc. Paul Henreid's output of the series has wildly varied, with almost all ranging between average and very good with few exceptional and no real misfires.

    One of the few exceptional episodes is "The Crooked Road". It is every bit as delicious as the premise promises and some and sees the whole cast at the top of their game in either roles that played to their strengths or against type. Season 4 was mostly very high quality up to this very early point, with only "Don't Interrupt" (badly) misfiring, and even after the season ended "The Crooked Road" is one of the season's finest. Of Henreid's output, it is easily somewhere around top 5 and one of not many truly exceptional episodes of his.

    Everything works here. It is very well made, not lavish but very rich in atmosphere (especially some suitably moody shots) and slick. Henreid's direction ensures that the tension does not slip and it is some of his most assured and most inspired, after seeing episodes of his where his direction was undistinguished. There are no faults with the acting, with Walter Matthau clearly having a whale of a time without being too out of kilter hammy.

    Richard Kiley beautifully portrays a character who is easy to root for. Patricia Breslin is alluring and her chemistry with Kiley helps make their couple rootable yet also unsettling the more the helplessness increases. Hitchcock's bookending is still wildly entertaining and full of his usual droll humour. The main theme has never gotten old and fits the tone of the series beautifully.

    Furthermore, the script s intelligent and as lean as beautifully cooked steak. The story is darkly suspenseful and unsettlingly really makes the blood boil in a situation that was relevant back then and not out of date unfortunately today. What is also shocking about it is how easily it happens and it is truly frightening. The ending is absolutely deliciously wicked and didn't see it coming in any way, actually it left me floored.

    Summing up, absolutely brilliant. 10/10.
    9Hitchcoc

    One of My Favorites

    This is the story of a personal nightmare. It has been done before but this is a pretty good effort.. It involves the fragile world entered by people who suddenly find themselves at the mercy of some bad cops in their personal world. From the evil Walter Matthau, a corrupt highway cop and extortionist, to a tow truck driver who his part of an organized ring, to a judge who finishes things off, our main character and his wife are subjected to brutality and fear, over which they have no control. The tension in this episode is all brought on by the helplessness they feel as the expenses mount up, from fixing a wheel bearing that is not damaged, to being beaten for "resisting arrest." The characters try to keep that pose of respectability throughout, but when push comes to shove, they are brutal. This is one of the most frightening of the episodes because it deals in a human situation which could very easily take place. A bad cop has tremendous power because people, for the most part, start with trust. This is a very good offering.
    10tcchelsey

    LICENSE, REGISTRATION AND ALL YOUR CASH!

    Love this one. Richard Kiley and Pat Breslin make a great team and a terrific match against devious copper Walter Matthau. 10 Stars.

    Actually, this story is NOT far from the truth, nevertheless fun as it takes place in a typical Hitchcock environment; a long empty road leading to some remote town. Enter wiseguy cop Matthau, and I agree with the last reviewer, he hams it up. He pulls aside Kiley and his wife (in their sharp, new Lincoln Continental) for driving a few miles over the speed limit. Legally, they didn't do anything wrong because they had to speed up to pass Matthau's slow squad car ---but tell that to the judge.

    And they do, and he's just as crooked as Matthau, also just as crooked as the garage mechanic who works on their car, which was forced off the road. What a Hitch dilemma ... Or is it?

    Paul Henreid (CASABLANCA) got the best from this cast, particularly Walter Matthau, who you just love to hate. Henreid started directing later in his acting career, and handled many prime tv shows. At the time of this episode, he directed two films.

    Unless you have seen this before... you will never guess the ending, so righteously fitting. Only debit (semi spoiler!) we don't get to see Matthau lose that smug smirk on his face. We were sooo waiting for that.

    The best of SEASON 4, EPISODE 4 remastered Universal dvd box set. 4 dvds. 15 hrs 30 min. 2008 release. All seven seasons are now on dvd in a single box. Released 2022.
    10planktonrules

    This one makes your blood boil!

    Harry (Richard Kiley) and the missus are traveling cross country when they drive through a small town run by crooks. He is pulled over for speeding and wreckless driving even though he was doing neither. He also is slapped around by the cop, run off the road and the cop INSISTS that Harry pay a local tow truck to fix the car even though it only has a flat tire...but the cop insists its badly damaged and in need of repairs! Well, Harry is furious and when they go to see the judge, he seems eager to tell his side. The judge, however, is part of this conspiracy and soon the cop (Walter Matthau) begins slapping Harry about as the judge watches. Soon Harry is assessed all sorts of fines for various crimes he never committed...and he seems powerless to do anything but pay.

    This episode is one that might make your blood boil. I have has a couple situations which have been reminiscent of this scam (trying driving through Stark, Florida and you will likely see what I mean). Fortunately, while you'll feel for Harry is does end will with a nice twist. A most unusual and worthy episode that's well worth your time. Exceptional in every way.
    7ctomvelu1

    Edgy for an early TV episode

    Kiley and Breslin star as a couple on a road trip who are waylaid in a rural Southern town by a brutal, corrupt cop (Matthau). They end up being fleeced by a tow truck mechanic who is in cahoots with the cop and a justice of the peace who serves as the town's judge and jury. Plenty of movies would later use this plot, with considerably more graphic results (especially when it involved comely young females). The discerning viewer will notice something odd about Breslin's character and the way she holds her rather bulky purse. I thought perhaps the seemingly honest couple would turn out to be bank robbers, which would be revealed once they got out of town. The actual revelation of who they are was far more interesting. Matthau puts on a suitable redneck accent for his role.

    Related interests

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Although it may seem to be a goof that the power window works in spite of the keys' having been confiscated, such isn't the case. During the 1950s and early 1960s, power windows, cigarette lighters, and radios could be engaged while engines were turned off, regardless of whether or not keys were in the ignition.
    • Goofs
      There are two apparent mistakes Mr. Adams makes regarding traffic laws. One is that no one is allowed to exceed the posted speed limit even, if he is in the process of passing a slower car, so the speeding fine was perfectly legal. Although, in most states, it is legal to increase your speed above the posted limit to pass a vehicle that's impeding traffic. What's more, anyone on the road who hears an approaching siren is legally required to pull over and stop, even if the driver believes the police are not after him. However, this is not required on a divided highway. This is a safety measure imposed on many, but not all, roadways.
    • Quotes

      [afterword - Hitchcock is sitting between the two cops again]

      Self - Host: Oh, I'm glad you came. I'm very worried. Things didn't go all well. They liked my first answer, but after that, I'm afraid I said some nasty things about commercials. It seemed to infuriate the gentleman asking the questions. I'm still not sure who he is.

      Cop #1: Quiet!

      Cop #2: Okay, it's your turn now.

      [Hitchcock is led back into the booth]

      Self - Host: Did you ever have the feeling you'd been here before?

      [Hitchcock walks back into the booth, which now has bars in the window]

      Self - Host: It's very close in here. May I open a window?

      Off-Screen Announcer: No!

      Self - Host: What's going on here and why can't I see you?

      Off-Screen Announcer: Here I am. Look!

      Self - Host: The sponsor!

      [a loud wheezing sound is heard]

      Self - Host: What's that? I smell gas.

      Off-Screen Announcer: Quiet!

      [Hitchcock loses consciousness]

      Off-Screen Announcer: Ladies and gentlemen, we now offer a special message, after which Mr. Hitchcock will attempt to return.

      [commercial break, after which Hitchcock is seen outside the booth]

      Self - Host: I'll bet you're surprised to see me. I know I'm surprised to be here. I received a last-minute reprieve. And I learned something interesting about my sponsor. He doesn't like commercials either. But the public demands them, so what's he to do? Next week, he will offer three more which promise to be enormous popular successes. Be the first one in your neighborhood to see them. There'll also be a story. Until then, good night.

    • Soundtracks
      Funeral March of a Marionette
      Written by Charles Gounod

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    Details

    Edit
    • Release date
      • October 26, 1958 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Republic Studios - 4024 Radford Avenue, North Hollywood, Los Angeles, California, USA
    • Production company
      • Shamley Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 30m
    • Color
      • Black and White
      • Black and White
    • Aspect ratio
      • 1.33 : 1

    Contribute to this page

    Suggest an edit or add missing content
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.