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Alfred Hitchcock Presents
S1.E31
All episodesAll
  • Cast & crew
  • User reviews
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IMDbPro

The Gentleman from America

  • Episode aired Apr 29, 1956
  • TV-14
  • 30m
IMDb RATING
6.7/10
941
YOUR RATING
Biff McGuire in Alfred Hitchcock Presents (1955)
CrimeDramaMysteryThriller

Rich American Howard Latimer visits London, and bets 1,000 pounds that he can spend the night in a room that is said to be haunted.Rich American Howard Latimer visits London, and bets 1,000 pounds that he can spend the night in a room that is said to be haunted.Rich American Howard Latimer visits London, and bets 1,000 pounds that he can spend the night in a room that is said to be haunted.

  • Director
    • Robert Stevens
  • Writers
    • Francis M. Cockrell
    • Michael Arlen
  • Stars
    • Alfred Hitchcock
    • Biff McGuire
    • Ralph Clanton
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    941
    YOUR RATING
    • Director
      • Robert Stevens
    • Writers
      • Francis M. Cockrell
      • Michael Arlen
    • Stars
      • Alfred Hitchcock
      • Biff McGuire
      • Ralph Clanton
    • 14User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos4

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    Top Cast12

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    Alfred Hitchcock
    Alfred Hitchcock
    • Self - Host
    Biff McGuire
    Biff McGuire
    • Howard Latimer
    Ralph Clanton
    • Sir Stephen Hurstwood
    John Irving
    • Derek
    Eric Snowden
    • Hanson
    • (as Eric Snowdon)
    Geoffrey Steele
    • Man
    John Alderson
    John Alderson
    • Attendant
    John Dodsworth
    • Calender
    Sonia Torgeson
    • Geraldine
    Jan Chaney
    Jan Chaney
    • Julia
    Herschel Graham
    Herschel Graham
    • Club Patron
    • (uncredited)
    Sam Harris
    Sam Harris
    • Club Patron
    • (uncredited)
    • Director
      • Robert Stevens
    • Writers
      • Francis M. Cockrell
      • Michael Arlen
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews14

    6.7941
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    10

    Featured reviews

    7Hitchcoc

    The Old Haunted House

    What happens when you set a guy up properly to expect a ghost? Or set him up to suspect that the people with whom he has bet a great deal of money will try to scare him away. Two men, badly in need of money, hanging around a fancy men's club, trick a rich American into betting with them. They bet a thousand pounds he cannot spend the night in a haunted mansion. They give him a gun, a candle, and one match. They also leave a book with a scary story of two sisters in it. One thing leads to another and the man is led to hysteria. What happens next is the true issue in this story. How does he handle being scared out of his wits. This is during war time and the forces at work don't meet again for five years. See this. it's a good psychological study, although it is a bit predictable.
    9tcchelsey

    BETTING ON A GHOST?

    Francis Cockrell was a master at telling a good story. Cockrell wrote many episodes for Hitch, known for a few film classics, like INFERNO, starring Robert Ryan.

    Old reliable tough guy Biff McGuire plays a wealthy American, and the perfect fool for a couple of cons who meet up with him at a club in England. They need a fast buck, so why not challenge him to spend a night in a genuine haunted house? An old challenge ... but still very interesting material.

    McGuire has a gun -- and a book of ghost stories? Not really a spooker, rather a psychological tale, a la Hitchcock in the dark. The walking ghost scene is campy stuff, reminiscent of all those low, low budget movies we grew up on. If you're thinking Ed Wood, that too. Hitch may have designed it that way. You be the judge.

    I agree with the last reviewer, there's a unique ending to the story; you actually get to see what happened to the main character. True, there could have been a few other suitable endings, but worth watching for McGuire's reactions. And he reacts.

    Hitch's opening is creative acting 101, and yes, with a few screams tossed in for good cheer.

    SEASON 1 EPISODE 31 Universal remastered dvd box set. The deadpan cover photo is the best. Why we love Hitch.
    8telegonus

    Don't Bet On Ghosts

    This first season Hitchcock half-hour is fairly typical of the earlier episodes of this long running suspense series, as to its cast, ambiance and darker than usual tone of the story it tells. It starts out as a seemingly light tory about an American abroad, a young man, not terribly intelligent, though wealthy all the same (typical Hitch take on Yanks) who has been gambling up a storm in the England of 1940, when the world war was still "phoney", to the English speaking world anyway. Two English gentlemen of medium sophistication, and low on funds, propose a wager to the young man that he cannot spend a night in a bedroom of Hurstwood manor. He is told that he must remain in the room overnight, and is given only a candle, one match, a pistol and, if he pleases, a book that tells the "terrible story" that caused the manor to become haunted. If the Yank stays in the room all night he will win a thousand pounds. Unwisely, the American takes the wager, then proceeds upstairs with surprisingly little fuss or bother.

    There is also a bit of information mentioned earlier about a nearby lunatic asylum, and I don't see this as a spoiler, as, while there is some foreshadowing of what shall happen later on in the tale, it's near impossible for a first time viewer to guess the signifacence of it. The prospect, in this story, of gambling, an early wartime setting, a young American abroad, and out of his element, a ghost, and madness, is a tantalizing one even as the first half of the episode is otherwise somewhat prosaic and unremarkable. Things turn, literally, darker, in the second half, yet there's also some confusion for even a seasoned Hitchcock show viewer, as the "set-up", or introduction (as it were) is quite complicated as to the terms of the wager, and how or whether a ghost would react to being shot at. Nor is it made wholly clear who is going to be staying in this large manor house to ensure that the American will stick to his part of the bargain, and if he doesn't, how they can know. The episode pays off in the end, though it could have been a whole lot better with some different players and a better script. Michael Arlen's short story was a good one, yet the epsode, while above average in most respects, feels a bit second tier for this particular television series.
    RResende

    bad choice

    This is not one of the examples of the series. In fact, the failure of this episode probably highlights how thin is, in this kind of story, the difference between a pleasant awkward episode, and just a cheesy goofy nonsense.

    What i do notice as a dominant fact to much of the episodes is that we are always allowed to define the degree of human manipulation or super natural unexplained events that take place (or that is revealed to us). So, in this case, we suspect the American is being manipulated, but we also wonder whether we are being manipulated as well. The plot is predictable, but it leaves some shadows, which might be enough for us to wonder enough to feel in doubt. Is there a real ghost? Would the manipulators fall in their own trap and be caught in the middle of something they didn't understand? Would the American over top his deceivers and come out with something more clever? Well, apparently they chose the dullest solution. The American does exactly what is intended by the money chasers, everything is according to the book (not the one he reads, i wish it was according to that). We have a minor twist, of finding out what happened to the American after the night in the mansion, but instead of fun irony, they moralize. Bad choice, to me.

    So it fails in the plot, and to me it fails in the building of the tension in the ghost house. That has to do with direction, but also probably due to the ghost itself, which is laughable by today's production standards, so it is badly dated.

    My opinion: 1/5

    http://www.7eyes.wordpress.com
    3planktonrules

    Is it just me, or is this one a bit dumb?

    When the episode begins, it's 1940 and an American, Mr. Latimer, is in Britain on vacation. It seems that he has incredibly good luck and is rich....and one of the locals is irritated by this. So, he makes Latimer a bet that he cannot stay the entire night in a supposedly haunted room for one night. I could give you more details, but this might give away the twist...such as it is.

    To me, this episode seemed inferior for a variety of reasons...the biggest of which is the weakness of the script. The twist didn't seem at all believable and the episode seemed more silly than anything else.

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    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      At the end of the episode, there is a promo for Alfred Hitchcock's newest film The Trouble with Harry (1955).
    • Goofs
      Hurstwood hands a gun to Latimer and tells him, "You have seven shots, in all." However, Latimer fires the gun nine times - once into the fireplace and eight more times when he's alone in the room.
    • Quotes

      [first lines]

      Himself - Host: [Hitchcock is sitting in a high chair with a lit candle, a small box, and a couple of books all on a narrow desk in front of a closed door with a hung sign marked "QUIET"] Good evening. Do you believe in ghosts?

      [the lit candle disappears]

      Himself - Host: Of course not. I knew you didn't.

      [the entire desk with the box and books disappears]

      Himself - Host: Noise is the mortal enemy of good motion picture making and television broadcasting. That is why I hired this particular house. It is deathly quiet-

      [people start screaming off screen; Hitchcock turns to look with mild annoyance]

      Himself - Host: Most of the time. And its reputation for being haunted keeps away the curious.

      [Hitchcock's high chair disappears]

      Himself - Host: The shifting of scenery also seems to be better here. The human element has been removed. So, if you would just lean back and relax, I'll tell you a little ghost story. Please don't hesitate to turn out your lights. I'm sure the warm glow from the picture tube will be sufficient to melt all your fears of the dark. But, before we view with alarm, allow us to point with pride.

    • Soundtracks
      Funeral March of a Marionette
      Written by Charles Gounod

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    Details

    Edit
    • Release date
      • April 29, 1956 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Republic Studios - 4024 Radford Avenue, North Hollywood, Los Angeles, California, USA
    • Production company
      • Shamley Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 30m
    • Color
      • Black and White
      • Black and White
    • Aspect ratio
      • 1.33 : 1

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