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Alfred Hitchcock Presents
S2.E5
All episodesAll
  • Cast & crew
  • User reviews
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IMDbPro

None Are So Blind

  • Episode aired Oct 28, 1956
  • TV-14
  • 26m
IMDb RATING
7.0/10
803
YOUR RATING
Mildred Dunnock and Hurd Hatfield in Alfred Hitchcock Presents (1955)
CrimeDramaMysteryThriller

An antiques dealer feels he should be enjoying the finer things in life, but his Aunt Muriel is the one with all the money. Finding another man's wallet gives him an evil idea.An antiques dealer feels he should be enjoying the finer things in life, but his Aunt Muriel is the one with all the money. Finding another man's wallet gives him an evil idea.An antiques dealer feels he should be enjoying the finer things in life, but his Aunt Muriel is the one with all the money. Finding another man's wallet gives him an evil idea.

  • Director
    • Robert Stevens
  • Writers
    • James P. Cavanagh
    • John Collier
  • Stars
    • Alfred Hitchcock
    • Hurd Hatfield
    • Mildred Dunnock
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    803
    YOUR RATING
    • Director
      • Robert Stevens
    • Writers
      • James P. Cavanagh
      • John Collier
    • Stars
      • Alfred Hitchcock
      • Hurd Hatfield
      • Mildred Dunnock
    • 16User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos4

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    Top cast7

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    Alfred Hitchcock
    Alfred Hitchcock
    • Self - Host
    Hurd Hatfield
    Hurd Hatfield
    • Seymour Johnston
    Mildred Dunnock
    Mildred Dunnock
    • Aunt Muriel Drummond
    K.T. Stevens
    K.T. Stevens
    • Liza
    Rusty Lane
    Rusty Lane
    • Police Detective
    Lillian Bronson
    Lillian Bronson
    • Neighbor
    Dorothy Crehan
    • Maid
    • Director
      • Robert Stevens
    • Writers
      • James P. Cavanagh
      • John Collier
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews16

    7.0803
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    Featured reviews

    8searchanddestroy-1

    Delicious episode

    Hurd Hatfield is perfect in this role that suits him like a glove; I would have seen a like of Georges Sanders in this poisonous, cynical dandy dude. The kind of heavy that you also could see in COLUMBO series as Peter Falk's nemesis planning the perfect murder. That makes me say that it's a shame that Hatfield never played against the dirty raincoat weared lieutnant. But back to this episode, yes, that's a real good one.
    7Archbishop_Laud

    See more

    This is another episode with an inheritance at stake, and a wealthy ne'er do well (Hurd Hatfield) willing to kill to get it. Our pretentious protagonist narrates a good part of the tale. He imagines he should have lived during the Renaissance. He says things like "I never worry about age. I have the sort of bone structure that lasts."

    Seymour (that's his symbol-laden name) tells us fairly early on about his plan to kill his aunt, so that's not where the suspense lies. Instead, it's about how the plan will inevitably fail (or will it succeed in the story, only to have Hitch tells us he was caught afterward?).

    It's an interesting character. The ending is kind of silly - there's a dramatic ta-da! effect - but I don't mind that.
    6TheLittleSongbird

    Blind to evil

    There are a few interest points here. One is that it is directed by the most prolific 'Alfred Hitchcock Presents' director Robert Stevens, who did do some misfires ("The Hidden Thing") but also some truly fine episodes. Two is that it starred some good talent such as Hurd Hatfield and Mildred Dunnock in the cast. Three is that there have been some inevitable comparisons to Season 1's "The Perfect Murder", which is agreed a better eisode, and can see why.

    "None are So Blind" is worth watching enough for anybody on a 'Alfred Hitchcock Presents' binge and for anybody that loves the master of suspense (count me as one of those people). Yet it falls rather short of its potential. It is not one of the worst episodes of Season 2 but also not one of the best, up to this point none of the five episodes of the season have bowled me over. Stevens did direct better and worse, this is somewhere in the middle for him, and there are better and worse episodes of the series.

    Am going to begin with the good. Hatfield is an elegant and later unnerving presence, which suited the role very well. Dunnock is in a role that plays to her strengths and she gives it plenty of grit. This is definitely a case of the cast being better than the episode. Hitchcock's bookending is intriguing and amusing as ever.

    Furthermore, "None are So Blind" is solidly made, the photography having some nice atmosphere, there is some assured if not distinguished direction from Stevens and "Funeral March of a Marionette" is never going to stop being memorable. There is some nice suspense in the middle when Hatfield's character darkens. The script intrigues.

    Having said all of that, "None are So Blind" is flawed. The story on the whole is pretty derivative, being too closely indebted to "The Perfect Murder" (except that episode was more realistic and suspenseful), occasionally silly and the suspense could have been more consistent.

    Did feel that the script is too talky and that the episode goes too far in making Hatfield's character as hard to like as possible (making the aunt being so easily manipulated hard to buy or see much appeal in him). Will agree that the episode is most let down by the truly silly and too gimmicky ending. Being memorable but not for the right reasons.

    In conclusion, acceptable but not exceptional. 6/10.
    5planktonrules

    Hatfield made a similar episode in season one...and co-starring a woman named Mildred in both cases!

    In the first season of "Alfred Hitchcock Presents", Hurd Hatfield starred in an episode called "The Perfect Murder". In it, he and his brother are upset that their aunt inherits money that they feel is rightfully theirs....so they plan on murdering her (Mildred Natwick). Here in season two in "None Are So Blind", the plot is VERY similar and the aunt is played by a different Mildred...Mildred Dunnock.

    When the episode begins, you learn that Seymour (Hatfield) did not inherit his father's estate and instead this aunt (Dunnock) did. The reason is that Seymour is very vain, lazy and irresponsible and he'd likely blow through the money in short order. Of course, he will likely inherit this upon the death of his aunt....and he then concocts a complicated plan to do away with her.

    The twist at the end seemed,...well...kind of silly. I loved Hatfield's acting...but the twist just seemed poor...at best. This and the similarity of the two episodes (too much) are why I only score this one a 5.
    6b_kite

    A good episode. But its been done better before.

    This isn't the first time this series has explored the story of the lazy descendent that decides he wants to inherit a rich loved ones wealth so he decides to kill them with there stupidity coming back to get them in the end. The same applies here and we have Hurd Hatfield pretty much doing the same thing he did in the season one episode "The Perfect Murder", funny both actresses playing the Aunts are named Mildred to. This one isn't as good as that one, but, I enjoyed it all the same the build up is fine, but, it's the twist which is lacking in my opinion.

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    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
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    Thriller

    Storyline

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    Did you know

    Edit
    • Trivia
      The driver's license that Seymour finds is for "Antonio Bertani". "Bertani" was also the name of a character in Alfred Hitchcock's 1955 film "To Catch a Thief".
    • Goofs
      Seymour puts the blackmail note in the left hand desk drawer, which is otherwise empty. Later the detective removes it from the right hand drawer, which is full of papers.
    • Quotes

      [first lines]

      Alfred Hitchcock: [Hitchcock is sitting in front of a large vanity mirror with lights and has a toupee on his head. He turns to the camera] Good evening. The entertainment industry is always crying for new faces.

      [takes off toupee]

      Alfred Hitchcock: I've decided to give them one. Not that there's anything wrong with the old one. In fact, I think it's rather good.

      [preens in the mirror, which cracks]

      Alfred Hitchcock: [turns wryly to the camera] Well, it could have been worse. What if I had cracked?

      [searching through wigs]

      Alfred Hitchcock: See, here's the one.

      [putting on a wig and glasses]

      Alfred Hitchcock: I've always wanted to be someone else.

      [looks at himself]

      Alfred Hitchcock: That won't do. I look like a near-sighted hearth rug.

      [takes off wig and glasses]

      Alfred Hitchcock: By an odd coincidence, we have a story about a man who decided to be someone other than himself. And by an equally odd coincidence, it is rehearsed and ready to start. Here it is.

    • Soundtracks
      Funeral March of a Marionette
      Written by Charles Gounod

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    Details

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    • Release date
      • October 28, 1956 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Republic Studios - 4024 Radford Avenue, North Hollywood, Los Angeles, California, USA
    • Production company
      • Shamley Productions
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 26m
    • Color
      • Black and White
      • Black and White
    • Aspect ratio
      • 1.33 : 1

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