Vicious Circle

I found Vicious Circle to be just a so-so entry in the Hitchcock series. Overall, it's below par in my book because while the story its adapted from, written by Evan Hunter, may be first rate the script for the television adaptation is simply below par, unusual for a Hitch half-hour.

The episode is also vague as to the precise nature of its villain's apparently small and tidy empire of crime. Is it a hit man for hire service,--that's all? It appears that way. Yet honcho George Macready seems an incongruously patrician and Ivy League type to be running such an enterprise.

That Macready's character comes off as unambiguously gay makes the episode unique but doesn't raise it in quality. His hit men,--nearer to hit boys, it appears, as they're all quite young--are, it's inferred in the script but not stated outright, his boy toys as well. He appears jealous of his new kid on the block Dick York's girlfriend, who's also threatening to start a one woman campaign against him and his criminal operation, and he orders York to kill her!

This is where the episode falls apart in feeling unreal and contrived. It shies away from the provocativeness inherent in its setup in favor of extreme and difficult to swallow melodrama. That the story is melodrama to begin with makes this "doubling up" of improbabilities too much for it to bear. The ending feels both telegraphed and hurried.

Still, flawed as it is, there are good things in this one, among them the performances of Dick York, an unlikely seeming criminal at first, especially if one is familiar with his later work in comedy, he handles his part well; and George Macready, with his sunglasses,--nicely suggestive of his lifestyle of concealment and secrecy--and his need for eye drops, symbolic of moral blindness and possibly sexual difficulties most of us would rather not dwell upon.

I am amazed by this short and taut, gritty story, which let me speechless by this editing work, story telling, acting. I don't even dare mentioning the ending. I let you find out by yourself. This is a very surprising story at every minute, that's the most incredible, you won't be able to foresee what will happen in the next minute. Dick York excellent, unusual.

This is pretty lightweight. Dick York plays the new favorite hit man for a sociopathic boss. He does well on a couple jobs and replaces his predecessor who carries a grudge. His girlfriend knows what he does for a living and does all she can to talk him into a new job. Of course, the big boss knows she has been blabbing and wants her gone. Guess who gets the job. Fate steps in and business is taken care of but it seems to put an end to the effectiveness of the young murderer. He becomes less than desirable to the boss. What strength this episode has is in some halfway decent acting and a fairly clever, though predictable, plot development. Dick York looks pretty buff as the murderer. The non- comedic role suited him pretty well. Otherwise, it's pretty forgettable.

Excellent episode featuring Dick York in a non-comedic role. George Macready also stars in this chilling story about a weak man who cannot say no to his boss, in this case, a criminal. In a way, it is study of the mentality of those who will commit murder on command. Now, Dick York's character has misgivings and even warns his next victim, in this case his own fiancé, but that does not stop him from obeying orders. The story has larger political implications. History is replete with those who will do the most awful things, commit the most heinous crimes, if ordered to do so. They will act without hesitation or regrets, based on the belief that they do not bear final responsibility. Well, that just does not wash. What goes around comes around, as the saying goes. Today the executioner, tomorrow the executed, while those in charge keep control. As this episode so explicitly dramatizes, the hitman is merely the agent and is not indispensable. Just the opposite is the case. The episode leaves us asking this question: why do such awful work?

Actor/director Paul Henreid, first introduced to me through one of my all time favourite films 'Casablanca', directed 28 episodes of 'Alfred Hitchcock Presents'. Of which "Vicious Circle" is the first. Like all the regular directors for the series (none of the prolific directors had all their episodes being consistently good and more, including Hitchcock himself), Henreid's 'Alfred Hitchcock Presents' outings were up and down with none of them being as good as the best of Hitchcock and Robert Stevens for instance.

"Vicious Circle" is a less than promising start for Henreid's 'Alfred Hitchcock Presents' and is a disappointing episode on the whole. Especially after being so blown away by the previous episode "One More Mile to Go", which was one of the best of the series whereas this was an undistinguished middling effort. It starts off great, but unfortunately goes downhill quite quickly and the rest of "Vicious Circle" doesn't live up to the opening's quality (the ending for example being the complete opposite).

The best thing about "Vicious Circle" is the opening, which is extremely effectively gritty and atmospheric. Not far behind is the suitably moody photography, with some nice stylish shots that show a higher budget than most episodes. The audio haunts and the theme music is some of the best use of pre existing music in television.

Furthermore, the supporting cast do well. The best performance coming from George Macready, effectively sinister. The bookending is suitably ironic.

Dick York for me however came over as out of his depth, the role required a grittier and more intense presence than what he gives. Here he came over as anaemic and one dimensional. His character is not as interesting as the synopsis indicated, very little complex or rootable here and too much of one shade. The script lacks tautness and can ramble, also leaving character motivations (especially the big one that is heavily centered around) too vague.

Moreover, the story doesn't contain that many surprises and is lacking in tension and suspense, atmosphere wise excepting the opening it's bland, too safe and needed a tighter pace. The showdown is agreed awkwardly staged and nothing really stands out about Henreid's direction. Worst of all is the ending, which is a damp squib anti-climax introduced too late and is incredibly predictable.

Watchable for completest sake but pretty forgettable. 5/10.