To celebrate his birthday 'Mother' goes to visit two elderly aunts to whom he tells a story from the Avengers' case files. It involves a criminal caper to steal art treasures. The treasures ... Read allTo celebrate his birthday 'Mother' goes to visit two elderly aunts to whom he tells a story from the Avengers' case files. It involves a criminal caper to steal art treasures. The treasures were to be held for safe keeping in an underground vault in the event of a national emerge... Read allTo celebrate his birthday 'Mother' goes to visit two elderly aunts to whom he tells a story from the Avengers' case files. It involves a criminal caper to steal art treasures. The treasures were to be held for safe keeping in an underground vault in the event of a national emergency but the criminals aimed to squirrel them away once in the vault. It is a hair colour c... Read all
- Directors
- Writers
- Stars
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Looking at one or two reviews, and hearing from fans of the show, I was expecting this to be awful, I can understand why it's not universally loved, but I have to admit, I didn't mind it.
Doctor Who had Shada, The Avengers had The Great, Great Britain crime, an episode that for one reason and another wasn't made. I can understand there were probably pressures on the producers to get episodes transmitted on time, so you can't blame them for trying to salvage the material.
You can see where they were trying to go with Tara at the time, but she wasn't Gale or Peel, I understand why there were frustrations with her character's early episodes.
Obviously it would have been better if it had been completed in its original format, but what was cobbled together here was actually quite fun. Patrick Newell's Mother was entertaining enough, but Joyce Carey and Mary Merrall are great value as the crazy Aunts.
I preferred it to Whoever shot George and Have guns, will haggle.
6/10.
This episode is a bit of a counterexample to the principle that the quality of an experience is determined by the beginning, the end, its best moment, and its worst moment:
The beginning, a spoof of Arsenic and Old Lace (1944), is extremely strong. The end, in which Steed is irritated by the fact that Mother's assistant never speaks, and tries to do something about it, is slightly better than the average Steed/King ending. The problem is that the beginning is also the high point, and is followed immediately by the low point: the set-up of the boring framework in which Mother tells the original story.
Despite these problems, I did enjoy this episode because there is enough of the original version left to be genuinely interesting. It's framed to make it ridiculous, but personally I don't mind. Ever since the days of Tara King's predecessor Mrs. Peel, the series has never taken itself very seriously anyway. I assume I would have enjoyed the original version even more, but apparently it is lost. (To be honest, the material that didn't make it into the clip show may have been awful; it seems unlikely, but we just don't know.)
The story told in the clip show concerns Intercrime, and is a continuation of Intercrime (1963), an episode of the era before the series was sold to the US, featuring Mrs. Peel's predecessor Mrs. Gale.
Did you know
- TriviaThis is one of the three early Tara King stories produced by John Bryce, originally titled "The Great Great Britain Crime". When he was dismissed and producers Brian Clemens & Albert Fennell were brought back in, they completely rewrote the show, adding the framework story featuring Mother and his two aunts and inserting various scenes from previous installments from the Emma Peel era to bolster the action. Original writers Malcolm Hulke and Terrance Dicks were decidedly unimpressed with Clemens' "salvaging" of their script, objecting to the jokey handling of work they had submitted to the series in good faith. Of particular annoyance were the barbed comments about poor plotting and weak characterisation, plus the pointedly melodramatic score used to send up the events of their edition.
- GoofsWhen Freddie Cartwright is bundled out of his car by two thugs, it appears that he has been handcuffed. But as they pass behind the car, in front of the camera, it is clear that his wrists aren't cuffed, he is just holding them behind his back as if they were.
- ConnectionsFeatures The Avengers: The Fear Merchants (1967)