Demon with a Glass Hand

This one I liked - from the very first time it was viewed. It has power - with powerful actors & actress. You "feel" the force of the episode - and brace for the surprise ending. When first viewed - it held me spellbound -all the way to the end. We just sat there & thought about it. It was awesome that people could's imaginations could bring this to the screen with such skill. It made me jealous - how they could dream this up & I couldn't. This episode endeared me to the "Outer Limits" forever. It's really incredible they could find just the "right people" in the right scenes with just the "right lines" - When VCR's came out - saw my chance to watch these episodes over & over again - and never tire of them. But - I still remember that night in the early 1960's - when we were held spellbound by this episode - a standard by which other episodes should be judged - absolutely loved it. Thank very much for the privilege of letting me comment.

Michael ml2348@att.com

This is by far the best piece of 60's television that I have ever seen... and not only in the genre of sci-fi(sorry, Harlan, "fantasist") or episode of the original The Outer Limits. You can tell that it is by Ellison, and the part this(and the almost as good Soldier) played in inspiring The Terminator is impossible to ignore; I am a fan of Cameron, and I doubt he intended to plagiarize. The story is compelling, engaging, has stunning twists and turns and is smart without being convoluted or difficult to follow. This has amazing pacing, moves fast and keeps you on the edge of your seat the entire time, not overstimulating you at any point. The action is incredible, and this is exciting, suspenseful and tense throughout it. This has a chilling and unforgettable ending, and in spite of when this was made, nothing looks silly. The effects are rather well-done, and this was ahead of its time in its concepts and the way it explores them. This has excellent cinematography and editing. The acting is marvelous, and Culp, as well as everyone else, is spot-on. There is a bit of disturbing content in this. I recommend this to any and all fans of science fiction. 10/10

One of the advantages of watching the science fiction videos before the power of inserted special effects took over is that the plot and dialog make the story, not eye-popping action. That is true of every story in "The Outer Limits Series," including this one. Robert Culp plays Trent, a man sent back through time in an attempt to save humanity from the Kyben, a species from another planet that is determined to wipe out all of humanity. Several of the Kyben have also come back through a time portal in an attempt to kill him. Trent's only advantage is a powerful computer that resides in his glass left hand. However, the computer is incomplete, as not all the fingers are present, which limits its processing power. While there are many Kyben, they are vulnerable to the bullets in Trent's gun and they can be forcibly and violently sent back to the future against their will. Written by science fiction giant Harlan Ellison, this story is largely an installment of the legend of the hero that never dies, a protector of humanity that will take on all threats, domestic and extremely foreign in origin. In this tense story, lighting, shadows, facial expressions and the quality of the set are used to develop the story rather than CGI. While this form does have weaknesses, the viewer runs no risk of overload of their visual apparatus. One can consider this story as a predecessor of the "Terminator" series.

Robert Culp with an oddball hand is chased by oddball villains.

Please don't "not useful" me for saying this, but for decades I hated this hour! The look of the guys in masks, the hand, some story elements, it just turned me off!!!!!!!!!! But now I love it!!

I will never know why some Limits shows require added screenings before they really grow on you??

Yes, I agree with the other posters, this is a knockout and one of the best episodes of the series. Too bad the writer was not totally pleased with the end product, but who cares, I love it, and so do most others. Perhaps the best thing Robert Culp ever did.

I'm the eldest son of the Assistant to the Producer of this episode of The Outer Limits. It is in my opinion one of the best episodes he was involved in (the last year of production). The show aired Saturday night on ABC. On the Monday morning following the show, the phone in the producer's office rang and my father answered it. The voice identified himself as Ray Bradbury and asked to speak to Ben Brady the producer. My father at first thought it was a joke. It wasn't. Ray Bradbury told Ben Brady that he had watched the show on Saturday night and wanted him to know how much he enjoyed it. Not a bad sci-fi recommend I would think. Harlon Ellison (writer) also called Ben Brady and demanded his name be removed from "that piece of S***!" My father said Ben calmed him down, a little.

Please remember when you watch the original (B&W)Outer Limits that the budget was very limited $100k an episode I think. And that was for everything. So the aliens in this episode wore bathing caps and the "set" was the old Bradbury building in downtown LA. Shot the entire thing in one night. At least the run around the stairs, elevator scenes. For what it was and when it was done, it pretty good.

People occasionally ask,"do you know where the glass hand is?" I do not. I doubt it exists today. Most props are made in multiples, I would imagine there was more than one, and based on the budget limitations of the time, probably returned to a pop rental company. One more piece of trivia - the 1964 season of Outer Limits was shot at what was then called The Executive Producers Studio on Sunset Blvd. That is the original location where Al Jolson's The Jazz Singer (the first talking motion picture)was shot, and they had preserved the original stage he used. The studio has gone through several changes of ownership/function, its now called Sunset Bronson Studios. I had many a good craft services meal there (Dad hated to cook.)