The Inheritors Part I

Intelligent, driving, compelling drama. I won't belabor the plot which is already described here. Don't read too much about it before viewing! (Frankly, the less you know about the plot in advance, the better.) I will say how glad I am that the producers permitted this story to stretch over two episodes. It permits detail, texture, and the buildup of suspense normally characteristic of finer motion pictures. Surprisingly, two hours are barely enough.

Of course, it doesn't hurt to have a legend on the order of Robert Duvall in the lead--and the supporting performances are just as strong. But the real credit in my view goes to Seeleg Lester, Sam Neuman, and Ed Adamson, who devised one heck of a cracking yarn, so deliberate and insistent that you aren't really distracted by some minor plot holes, or anything else frankly. On top of its entertainment value, it's genuinely disturbing.

I have no idea if Lester intended this--consciously or otherwise--as an addiction allegory but it most certainly works as one. Men forced to do things against their will, over and over--lying, cheating, stealing, "but for what purpose?...We aren't even aware of what we're doing." Because they are driven by an unseen demon. Of a sort. (A bit more far-fetched, it also works as a Cold War allegory.)

Ever since seeing "Demon with a Glass Hand" (q.v.) I sorted the series to see which other episodes got such high ratings (http://www.imdb.com/title/tt0056777/eprate). That naturally led me to this. So I was very much interested to see what OL ep would garner an 8.8 rating. Well, it turns out that the Outer Limits fanboys (and girls) on IMDb know what they're doing. Given that TOL includes some really cheesy, kitschy eps it's gratifying to see one as smart as this.

Two hours? There's barely enough time to catch your breath.

I just finished watching pt.2 of the episode. I've seen this episode at least once before. But this was the first time in a long time. And I've gained a new appreciation for it.

I just finished reading an online review. The person who wrote it praised this episode. But he also took the time to point out the sorts of flaws that are inherent in most (if not all) older sci-fi TV shows and movies. With new technology things are obviously more realistic and spectacular. But in order to appreciate some of these older programs you need to ignore those sorts dated issues.

The power of this particular episode is in the message. And in the excellent way that the viewer is kept in suspense. It's well acted, too. With Robert Duvall. And with some other very familiar faces that are playing completely out of the characters they're better known for portraying. IMO, though, the actor Steve Ihnot is the most impressive. Not wanting to give anything away I'll just say that he plays his role perfectly.

I think this is a beautiful 2 pt. episode. And I believe at it's conclusion it will leave many people with a wonderful feeling. Something that I feel is terribly lacking in much of what I see on TV these days.

Are the most amazing episodes of any television show in the entire history of television.

Written by Perry Mason writers Sam Newman and Seeleg Lester with Ed Adamson, they seem to have surpassed just about all of the science fiction and speculative fiction of that decade.

This story is like a well woven tapestry, each piece causes instant intrigue, genuine curiosity, and wonder.

The underlying mechanisms of the plot, a meteor in an enemy territory (I'm pretty sure with the Korean War in remembrance) that has unusual properties, brings an alien agenda to earth 🌎 in the minds of four soldiers, each recovering from an identical wound.

It was interesting how in the 60's we had stories where the characters openly discuss aliens and spaceships, not just within the confines of The Outer Limits, but other shows as well.

And these two episodes are the very Zenith of this type of storytelling.

We don't know why these men are affected, we don't even know what with until halfway through the 1st episode.

Robert Duvall is a government agent who is trying to make sense of all of it- and at the beginning, he is even remarkable with his characters ability to pull answers out from under rocks. But then his character shifts, back into Intelligence Operative Mode, where he stops investigating why and focuses upon using force. Whereas the target of his pursuit, Steve Inhat ("Lord Garth" from "Whom Gods Destroy" on Star Trek), is operating totally above board, with kindness.

The other affected men start questioning themselves, but that is all they can do: even when one of them in a spot of soul-searching asks himself or God: "is what we are doing, in fact evil?" - and there is no answer for that in this first part, not definitively. We also reflect on this same question, but the answer is not given, not until the 2nd part.

I remember seeing this when I was a child, the story is more relevant to the modern world.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by James Goldstone; Produced by Ben Brady; Executive Producer: Leslie Stevens, for United Artists TV, broadcast by ABC-TV. Screenplay by Seeleg Lester and Sam Neuman; Photography by Kenneth Peach; Edited by Richard Brockway; Music by Harry Lubin. Starring: Robert Duvall, Steve Ihnat, Donald Harron, James Shigeta, Ivan Dixon, James Frawley, Dee Pollock and Ted DeCorsia.

Far superior to the majority of theatrical film sci-fi releases, this 2-part "Outer Limits" movie is suspenseful and brilliantly acted and directed. Four US soldiers are shot with identical bullets and their brainwave patterns show presence of an outside intelligence. Each one becomes a specialized genius, working on an aspect of a mysterious project, with Steve a financial wizard rounding up crippled children like some slick ghoul, as Duvall is hot on their trail.

Four men, four bullets to the head, four normal soldiers now have IQ's of over 200. It is discovered that their brainwaves are doubled which means they actually have a second brain, but even more interesting is that the patterns of this second brain are identical in all of the men. Robert Duvall becomes aware that there is something afoot and begins to investigate things. The clue is a honeycomb pattern to the metal in the bullets. There appears to have been a substance within the cells that has infiltrated the brains of the soldiers, giving them super powers. What they do with it is a mystery because there is nothing dangerous about what they do. One of them even uses the stock market to get a substantial, though in some ways, modest profit. They begin to travel the world doing all kinds of seemingly unrelated things, including coming up with alloys and producing large quantities of inert gases. Duvall calls out the dogs, even though there is nothing illegal which begs the question of government interference in the lives of what should be considered war heroes. This is a worthy setup to the second half.