The Case of the Restless Redhead

This first case concerns a waitress who is chased down the highway in the middle of the night by a man with a pillow case over his head. She had found a gun in her apartment that does not belong to her, and with it she shoots two shots in the direction of pillow guy, his car swerves and goes off the road, and she continues on to Perry Mason's office. She is ultimately charged with murder. And of course there is a complex involved tale behind all of this.

The first episode establishes Mason's dedication to his clients. His office connects him to the waitress in the middle of the night when she calls wanting help. Perry is shown, suavely dressed even for bedtime, reading in his library. Of course he'll come to the office at 1 AM. I could find Vladimir Putin napping in my spare bedroom and my attorney wouldn't return my calls at 1AM.

Likewise, Perry's secretary Della Street is shown to be completely OK at coming into the office at 1AM, cheerful with handy coffee thermos in hand. Private eye Paul Drake is tossed a job to do with only an hour to do it in and of course he comes through. Lieutenant Tragg is grumpy right out of the gate, and notice he does not read anybody their rights at this point. The Miranda case is almost a decade in the future.

Perry Mason is a much more conservative lawyer as the series progresses. But here he takes some chances and walks right up to the edge of what the law allows. He plays games with the alleged murder weapon, and actually takes it out to the scene of the crime and fires it randomly into a tree just to mix things up and confuse the police.

A humorous moment occurs when Perry shows up at the scene of the accident/murder and the cop at the scene keeps saying - "Somebody get me a winch!" Hey, buddy. Nobody is interested in your dating needs right now!

This Erle Stanley Gardner based story gets this series off to a good start. Restless Redhead has just the right amount of sleight of hand and a more active Mason that it goes just for the right vein of court room drama. This first show features a Mason who takes more risks and smokes which makes sense because to build a reputation you have to start with one.

The first time we see Paul Drake in this show, Mason calls him at a poker game with some friends in a smoke filled room with Paul puffing away as well. I do not recall ever seeing Paul Drake playing poker again in the series. Still, this is symbolic of the Ace up it's sleeve CBS had here as a series. It was Mason that led the way for other great lawyer court room set series to come like EG Marshall's The Defenders.

This episode hits a full throttle. The entire series never misses a beat, even when they run short of Gardener material later on because at least one of the writing teams works with the author on later plots.

I am a fan of the Perry Mason TV series, Season 1-9. However, I find Season 1 to be superior for the reasons many have stated here. I also love the film noir quality of these episodes (and to some extent in Seasons 2-3). As the series progressed this aspect was lost as the production quality became more polished; something seen on television as a whole.

In Season 1, all but a handful of episodes were directly or adapted from Gardner's books. For the obvious reason he wrote a finite number, with each season we saw fewer from his works in favor of what came from the mind of the screenwriter. Many of those are fine episodes, but there was something special (at least to me) about the scripts based on the original source material.

The Case of the Restless Redhead was a great introduction to the series and the cast. It was not the first episode filmed; which was the outstanding episode, Case of the Moth Eaten Mink.

The first episode of perry mason is i beleive based off the case of the restless red head the perry mason novel by earl stanley gardner. It is a decent first episode with a decent reveal of the killer. But in the cast pf charectors in this particular story other charectors with stronger motives against the victim might have made a more interesting reveal. I did find the killers break down in court quite funny at one point though. Funny acting.

If your interested to know a full spoiler review you may find it on my utube channel. Luke's video game lets plays. It was decent for a first one but i would have preferred one of the stronger motives. Regular cast does a good job. Raynond burr is on screen the majority of the time. I think his screen time gets cut back to more formulatic scenes over the years, with the majority of the first half of the episode focusing on the guest star that will come to need mason's defense. But with raymond burr still being the star of course. I imagine the cut back of scenes must have been to not over work raymond burr who must have been exuasted from the work load. Granted this episode is just as much formulatic and procedural as the later episodes, just with more raymond burr.

And with that i conclude my thoughts on the case of the restless redhead. Case one is closed.

This first entry, a good one, shows how much the series changed over the nine years (1957-1966). Note how Mason (Burr) sports a loud jacket, smokes conspicuously, shakes his devious client, and generally acts in ways contrary to his later ultra-conservative demeanor. That's understandable, since at this point Mason's not yet the embodiment of the criminal justice system that he came to be with his button-down suits, professionally serious manner, and flawless manuevering. Also, the plots do not yet follow the later whodunit formula. Note in this initial 60 minutes how the guessing game concerns the murder gun more than who used it. Note too, how several of the interviews occur outdoors, probably on the studio lot, and not indoors on a sound stage. Later episodes tended to over-use the indoors (even the same staircase set), probably for cost-cutting reasons.

As one fan of the series, I do prefer these earlier entries since they're generally livelier, more colorful, and less predictable in format. Nonetheless, it's understandable that the Mason character would have to evolve in a conservative direction with the show's success. After all, as a defense attorney who never loses, he's showing up the prosecution week after week. On one hand, such positive outcomes prove that the system works-- the innocent are exonerated when the guilty confess. On the other hand, the prosecution puts innocent people on trial week after week who might otherwise be convicted without Mason's superb skills. The viewing public would never have tolerated a wise-guy in the Mason role for very long. And it's a tribute to Raymond Burr, the actor, that he manages the changes over the nine years as well as he does.

This first entry plays more like How-can-I-get-my-client-off than the trademark whodunit. Surprise, surprise, Mason's client is a shapely redhead (Blake). At one time or another, it seems Mason rescued about every starlet in Hollywood from Berger's well-intentioned clutches. This one sets that pace.