Perry's client is menaced by a car driven by a hooded man, whom she shoots at with a gun that was planted in her room. When the guy winds up dead from a bullet, Perry confuses matters by fir... Read allPerry's client is menaced by a car driven by a hooded man, whom she shoots at with a gun that was planted in her room. When the guy winds up dead from a bullet, Perry confuses matters by firing an identical gun later at the scene.Perry's client is menaced by a car driven by a hooded man, whom she shoots at with a gun that was planted in her room. When the guy winds up dead from a bullet, Perry confuses matters by firing an identical gun later at the scene.
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In Season 1, all but a handful of episodes were directly or adapted from Gardner's books. For the obvious reason he wrote a finite number, with each season we saw fewer from his works in favor of what came from the mind of the screenwriter. Many of those are fine episodes, but there was something special (at least to me) about the scripts based on the original source material.
The Case of the Restless Redhead was a great introduction to the series and the cast. It was not the first episode filmed; which was the outstanding episode, Case of the Moth Eaten Mink.
When Evelyn Bagby finds a handgun in her apartment, she calls Perry and he tells her to leave the apartment with the gun and be at his office in the morning. On her way to a hotel she is nearly wrecked by a man with a hood driving right beside her. For some reason, she fires two shots from the gun near the car. Later the police find the man and he was shot. Perry will defend Evelyn Bagby is court against the charge of murder brought by Hamilton Burger's office.
When we go to court the proceedings, the program becomes somewhat complex as Perry introduces two identical guns that seemed somewhat confusing as we try to keep the two guns separate. But through more cross examination and some evidence twisteroo, Perry is able to get his client acquitted and the true killer arrested.
It was nice to see the first episode. It was like meeting the characters for the first time. Was not too thrilled with the case that Perry defended but the episode is worthy of a watch. For the started episode is was a good watch.
The first time we see Paul Drake in this show, Mason calls him at a poker game with some friends in a smoke filled room with Paul puffing away as well. I do not recall ever seeing Paul Drake playing poker again in the series. Still, this is symbolic of the Ace up it's sleeve CBS had here as a series. It was Mason that led the way for other great lawyer court room set series to come like EG Marshall's The Defenders.
This episode hits a full throttle. The entire series never misses a beat, even when they run short of Gardener material later on because at least one of the writing teams works with the author on later plots.
i recall being surprised during my viewings of the series - to see how Perry Mason would be so actively involved behind the scenes - visiting the scene of the crime - manipulating the people involved - to me - it seemed unrealistic - like the more recent tv series of forensics technicians or medical examiners in later tv series - where they would interact with the people involved in ways that i thought only a police investigator should
but this episode was based on a novel written by a lawyer - Earle Stanley Garner himself - if i assume it is faithful to the novel - i'll just have to accept the appropriateness of that behavior in Perry
this plot pivots on a clever trick he pulls - involving the 2 revolvers - i won't give it away - but i had difficulty anticipating the final result of that trick - and was immensely impressed
like most of the PERRY MASON episodes i've seen - this script has a simplicity and clarity - to match the visual clarity of its direction and cinematography - in the same way that the black & white photography suits the theme and style of the show.
Did you know
- TriviaThe early episodes of the TV series were very much like the radio series and the movies from the 1930s in that conversations are more dramatic, Perry is generally tougher on his clients, and he walks a fine line on legal ethics and the law (such as firing a gun identical to his client's at the murder scene in order to confuse matters). Beginning with the third or fourth season the series had a mellower tone and Perry took fewer liberties with ethics and the law.
- GoofsIn Evelyn Bagby's apartment in scene one, (at 01:45) there is no entry button to buzz open the building's door. When Mason visits her at 17:43, there is still no entry buzzer. But, at 19:12, a small square box with a white button has appeared next to the front door intercom which Evelyn pushes to admit Tragg to the building.
- Quotes
Lt. Tragg: What were you doing on Sunset Canyon Road in the middle of the night?
Perry Mason: What was homicide doing... same place?
Lt. Tragg: Well, we have an unnatural interest in murder.
- Alternate versionsThe version of this episode on DVD ran longer than an hour (1.5.hours?). ME-TV trimmed it down to fit into a 1 hour time slot.
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- 550 South Flower Street, Los Angeles, California, USA(The Brent Building)
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- Runtime
- 52m
- Color
- Aspect ratio
- 1.33 : 1