The Tragedy at Marsdon Manor

It's ok. None of them are bad but a few aren't very faithful adaptations. This is one of them. The plot lines and sub plots felt very contrived for TV. It didn't feel too much like Poirot or Christie.

The Tragedy at Marsdon Manor isn't my personal favourite but it is one of them. It is very atmospheric and has some funny little things too("Doctor, there is a gentleman outside who seems to be suffering from Hercule Poirot" is one of the funniest moments in a Poirot episode). Plus it is very well made with beautiful production values and fluid photography, almost film-noir-like, and the music is very good. As is the writing and the story is never less than compelling. The direction is good enough, while the acting especially from David Suchet who is yet to give a bad performance as Poirot is excellent. So all in all, a fine episode and one of the best. 9/10 Bethany Cox

Like many of the Poirot episodes, this came from a short story, and the writers needed to invent a number of details in order to fill things out. In this case they chose to add details both spooky and silly. On the spooky side, the wife of the dead man seems to be obsessed with the ghosts that allegedly haunt the house. The atmosphere is made darker through the effective use of both the soundtrack and an especially sinister looking cedar tree. On the other hand, comic relief comes in by way of a local innkeeper who invites Poirot and Hastings to have a look at the mystery novel he's in the middle of writing. Add in a painting and a local wax museum (where a room with statues of Poirot and Charlie Chaplin provides an excellent backdrop for the amusing final moments of the episode) and you have all the elements of a charming case for our favorite detective to solve.

Hercule Poirot enjoys his visits to estates and stays at country manors. But, put him in the rural town and local lodging, and he is out of his element. For, Agatha Christie's famous Belgian detective is not a country boy. As in some other episodes, when he has to deal with the smells and droppings of animals in the middle of town, Poirot's patience and normally genteel manner are tested in "The Tragedy at Marsdon Manor."

This is a fine mystery with much intrigue. But now add a local inn proprietor, Samuel Naughton, who is a writer of mysteries and it's almost too much to ask of Poirot to keep his calm. All is not lost, though because Naughton is a source of information as well as a good-hearted chap who helps lend some comedy to this episode.

Otherwise, it would tend to be dark. Is there haunting at the old manor, as a legend has it? Is there something of the occult that Susan Maltravers encounters? The music in this episode reminds one of the constant threatening undertone in the movie, "Jaws." Poirot solves a murder of a most unique method.

Here are a couple favorite lines from the film. For more dialog, see the Quotes section under this IMDb Web page of the episode film.

Captain Hastings, "Ah, Poirot. Sleep well?" Hercule Poirot, "Like a top, Hastings. I am turning and spinning all of the night."

Innkeeper, Samuel Naughton, "Was the accommodation all right?" Hercule Poirot, "No, Monsieur Naughton. The accommodation was all wrong. The duck feather pillows - I fear the little ducks are still in them."

I would list the Tragedy at Marsdon Manor as one of my favourite Poirot episodes. It has so much to it, so many wonderful ingredients in the mix, great characters, great location, humour, a supernatural element, and of course we see Poirot's ego take a small beating.

I can't fault the story at all, it's so clever, so detailed, you wonder how the murderer could possibly have done it, and what possible motive they'd have had. I love the ending, the way it's put together and played out. Poirot is at his very best, his grey cells are put to good use as he discovers the flaw in the evidence.

It's visually very appealing, the house and location work look superb. I especially enjoyed the scenes where the villagers are receiving gas mask training, the authenticity is exceptional.

Terrific performances, Geraldine Alexander is fantastic, no stranger to quality Agatha Christie dramas of course, how her character differs here to the soft Gwenny in Sleeping Murder.

I loved Poirot's scenes with the Hotel owner, that whole conversation about kippers and Grimsby is hilarious, you can see David Renwick's influence on the writing, truly very funny.

One of my favourites. 10/10