Country Boy
- Episode aired Feb 19, 1974
- 1h
IMDb RATING
8.2/10
54
YOUR RATING
Cadets Crawford, Ryan, and Keegan struggle to get through the Police Academy.Cadets Crawford, Ryan, and Keegan struggle to get through the Police Academy.Cadets Crawford, Ryan, and Keegan struggle to get through the Police Academy.
- Director
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Kenneth O'Brien
- Psycho
- (as Ken O'Brien)
- Director
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Featured reviews
I enjoy watching old "Police Story" reruns and one of the reasons is that it excelled at realism. Instead of the typical TV cops, the officers in this one often seemed more like the real thing. However, in this one, the writing just isn't up to snuff and the folks often seem more like caricatures than real men.
The setting for this installment is the Los Angeles Police Academy. It mostly focuses on three officers, Crawford (Kurt Russell), Ryan (Gary Collins) and Keegan (Gulager). Crawaford is the most one- dimensional of them and is a city boy who's come to the country. He seriously comes off like a country bumpkin and not a police candidate. And, Keegan is also rather one-dimensional, a hot-shot who is good but also thinks he's even better! He's a know-it-all who often manages to rub his fellow candidates as well as his wife the wrong way. As for Ryan, well, he's got many of Keegan's skills but a lot more humanity. But the quality of the characters isn't the only problem...some parts of the show seem downright shoddy, such as the scene where the two veteran cops tangle with a big, angry bald man.
So is this one terrible? No. It's worth seeing....but it IS a relatively bad show and is noticeable because the rest are so incredibly good. A rare disappointment, though there are some excellent scenes as well, such as when Crawford shines in his first situation involving live fire.
The setting for this installment is the Los Angeles Police Academy. It mostly focuses on three officers, Crawford (Kurt Russell), Ryan (Gary Collins) and Keegan (Gulager). Crawaford is the most one- dimensional of them and is a city boy who's come to the country. He seriously comes off like a country bumpkin and not a police candidate. And, Keegan is also rather one-dimensional, a hot-shot who is good but also thinks he's even better! He's a know-it-all who often manages to rub his fellow candidates as well as his wife the wrong way. As for Ryan, well, he's got many of Keegan's skills but a lot more humanity. But the quality of the characters isn't the only problem...some parts of the show seem downright shoddy, such as the scene where the two veteran cops tangle with a big, angry bald man.
So is this one terrible? No. It's worth seeing....but it IS a relatively bad show and is noticeable because the rest are so incredibly good. A rare disappointment, though there are some excellent scenes as well, such as when Crawford shines in his first situation involving live fire.
Kurt Russel plays the rookie in this episode. We have already seen him in another story of this series, in a different character, although a cop too, a more experienced one, if I remember. It is not a classic routine daily cop burden here but it focuses, in the first part, on the cop instruction, drills and so on. And of course of the friendship between the rookie and another policeman. It emphasizes on the training for the patrolmen, with of course some tensions between the lead and some of his colleagues, fellow police academy academy colleagues. Some funny moments, not a total noir tale, but not a POLICE ACADEMY story either...It explains how hard it may be for a young cop to belong to the force and learn his new job. Interesting but nothing special. I will point out that this episode doesn't talk only about the rookie, but also about some of his partners.
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