The Sign of Four

ACD's novel of a mysterious treasure and the weird folk seeking it could not have a better retelling.

We can take the exquisite performances of Jeremy Brett and Edward Hardwicke for granted.

Ronald Lacy ("Raiders of the Lost Ark") perfectly captures the Sholto Brothers (yes, both) and his Thaddeus can't be beat.

Jenny Seagrove would not have been my first choice for Mary; but in retrospect she's a positive choice for what she became in the Holmes' canon. A flashier actress simply wouldn't have done. It's to my everlasting regret the producers didn't follow the novel's conclusion.

And I love seeing Gordon Gostelow in whatever he does. He's the perfect guardian of Toby.

Then there's John Thaw. He also played a fictional detective on TV but I can't recall which. My late father always liked the mysteries in modern dress while I preferred the historical ones (Holmes, Campion, Poirot, Marple, Wimsey, etc.)

This whole production reeks of class. It's what we knew the Brett/Holmes was capable of. It's too bad all the stories (especially in the last two series) couldn't have maintained this level of perfection. This is a high-water mark for the series.

Sherlock Holmes is a brilliant crime series, and has a brilliant star in the name of Jeremy Brett, who was without doubt the best Sherlock Holmes.

What is excellent about this adaptation, is the closeness to the book, and of course the acting of Brett and Hardwicke. And the fine camera work and period detail. Jenny Seagrove and Ronald Lacey did very well in their roles.

But for me, the highlight was the boat on the river chase, and the introduction of Jonathan Small(the flashback sequences were very interesting and beautifully played too), who was brilliantly played by the late John Thaw. He was the best actor in the adaptation, apart from Brett. It must be really uncomfortable with a wooden leg though. Great music too, very haunting at the beginning especially.

This is really good, if a little creepy, Tonga was very scary. The Ian Richardson version is also good, but not as effective. 9/10 Bethany cox

This is an extremely faithful adaptation of the original Doyle novel, and for purists, it can hardly be objected to (although the novel does start and end with Holmes' drug usage -- but is clearly eliminated in this adaptation, apparently by Jeremy Brett who thoroughly objected to that aspect of Doyle's character). As for the uninitiated, or general viewer, it's a bit of a slog. Brett is snappish and somewhat rude at times, unlike the Holmes of the stories, but otherwise excellent, with a gritty baritone that is quite commanding. Ronald Lacey almost steals the show as the Sholto brothers (and it's sad that he would die only a few years later). The real problem with this film is the slack editing and low key direction. Many scenes provide opportunity for dramatic punch but are handled matter-of-factly, with no help from an equally low-key music score. Also, the series of requisite backstories presented in the novel is too much for the film, getting to a point where we're even given a flashback-within-a-flashback. And to top it off, the climax of the story is yet another backstory flashback. It IS Doyle and it IS faithful, so you can't complain that the filmmakers took liberties and fouled things up... but the weakness of the novel as film material is also exposed. Purists though, should be delighted.

Of all the Granada Sherlock Holmes presentations, I believe this to be the best. It has an intricate plot with an amazing story behind it. It is full of unforgettable characters. It has action. It has the Baker Street Irregulars. It has a dog named Toby. Mostly, it is full of life. Jeremy Brett is never better than in this presentation. The British imperialists in India must have been an interesting lot. There's that whole thing with entitlement through domination and power. The four men who become embroiled in the plot are dedicated to each other, even unto death. The two brothers, whose father turns out to be the fly in the ointment, are incredible, both physically and in terms of character. What is the revenge about? It's betrayal, but what is it based on? Where is the treasure? What is the treasure? Where did those strange footprints come from? It all unfolds with hardly a wasted moment in the almost two hour feature. There's also the romantic intentions of Watson who marries the young woman later, if you read the books. This is the young woman he leaves behind constantly as he and Holmes run off on their adventures. If you have an opportunity, see this.

Out of all feature films with the great Jeremy Brett as Sherlock Holmes this is by far the best. It has great elements in it such as Imperialist India, Missing Treasure, Baker Street Irregulars, and a Dog named Toby. What is not to like? The story is complex, colorful, and intricate and as it progresses in words of Watson "it grows darker than clearer" but the solution to the case is clever and quite powerful. It is faithful to the original story and it is beautifully crafted and realized. Like many Granada Adaptations it creates a marvelous atmosphere. Edward Hardwicke is superb as Dr. Watson with Ronald Lacey, Jenny Seagrove, and John Thaw (best known for playing Colin Dexter's grouchy and very cultured Inspector Morse) providing fine support as well. The production values, music, and photography are excellent. The only complaint is that it slogs a little bit towards the end but it is only a minor complaint. In my opinion, this two hour adaptation of the classic Sherlock Holmes novella is one of Granada's finest hours.