The Pearls of Peace
- Episode aired Nov 8, 1962
- 49m
Simon helps subsidise a man's dream of adventure and excitement, but the dream becomes a nightmare until a woman's devotion brings the man back to happiness.Simon helps subsidise a man's dream of adventure and excitement, but the dream becomes a nightmare until a woman's devotion brings the man back to happiness.Simon helps subsidise a man's dream of adventure and excitement, but the dream becomes a nightmare until a woman's devotion brings the man back to happiness.
- Man leaving Cantina
- (uncredited)
- Cantina patron
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- Cantina patron
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- Cantina patron
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- Cantina patron
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Featured reviews
The true beauty capable in the human spirit is the dominant theme of the episode, and toward the end, that spirit is sent soaring. Along the way, those obsessed with material things are shown in all their sallowness, and more importantly, those who value what is truly dear, reveal the height of their character.
This truth is summed up in the coda scene, where perhaps some of the wisest counsel is served up in the closing narration.
It's a bit slower than most and, unusually, the Saint is really only a bit part in the story until the last 15 minutes or so; but it has some elements of the two Humphrey Bogart "Sierra" movies: greed, avarice, double-cross, disfigurement, pity, caring, and the nature of beauty.
Perhaps a bit much for a one-hour show, but I though it was an honest try - although I have to admit, I could have done without the last 2 minutes of syrupy "summing up".
Perhaps kmoh isn't quite as old as me - I started watching 'the Saint' around 1965 - so what he sees as "sexist" I just see as 1962 (the year this episode came out). Perhaps if he could look past that, he'd see what I did: a nicely-crafted story, well played.
I doubt if he'd say the same if it was a Bogie movie he'd been watching. :-)
Pun fully intended.
The story simply stands out well, even amongst a decent serial like The Saint.
Double crosses, femme fatale, saintly stranger, there's so much to enjoy in this episode.
The central plot surrounding pearls in Mexican California is strong and rounded. Another pun there, sorry.
The cast perform admirably in their given roles. To the extent that this doesn't have to be an episode of The Saint. This easily could be a standalone feature of some sort.
The production is authentic, if a tad claustrophobic but that lends a certain charm to the piece.
Oh, and the "saintly stranger" I mentioned early - plot twist, it isn't Simon Templar.
Highly recommended.
I know I'm only six episodes into The Saint, but The Pearls of Peace is not what I've come to expect from the series. For lack of a better word, it doesn't feel like the other episodes I've seen. Not that that's necessarily a bad thing, it's just different. Instead of the usual action/crime/drama genre classification I would use to describe The Saint, this episode is more like a drama/romance w/ a dash of crime. The story is told in flashback style with Simon little more than a background character for most of the episode. He really doesn't do much until the episode is almost over. Again, not that any of this is bad, just different. One thing that's not different is that, in the end, Simon's on-hand to save the day. However, the little switcheroo that he pulls wasn't nearly as clever as it was meant to be. The con was way too easy to predict. And, I could have done without that sappy final monologue. It's a real low point for me.
There are a couple of acting highlights I want to point out. First, Dina Palsner is fantastic as Consuelo. She gives a very refined, dignified performance and creates a believably loving character. Second is Erica Rogers. Has there ever been a more uncaring, selfish gold-digger than Rogers' Joss Hendry? I think that the contrast between these two characters is a real strength of The Pearls of Peace.
6/10
Did you know
- TriviaSeason One episodes The Pearls of Peace and The Golden Journey share the same guest star (Erica Rogers), as well as two sets: the village square/Hotel Perla exterior, and the bar/cantina. Certainly both episodes were filmed during the same session.
- Quotes
Simon Templar: I think that when Brad sees Consuela, if he sees her, he won't see merely the plains of light and shade that are caught with the camera. He'll see her with his caring. And that's all that really matters. It has something to do with beauty being in the eye of a beholder, or being able to see the Kingdom of Heaven in a mustard seed. What do you think?
- SoundtracksOut to Get You
by Chris Andrews
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- Runtime
- 49m
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- Aspect ratio
- 1.33 : 1