The Subway
- Episode aired Jan 8, 1992
- TV-PG
- 23m
IMDb RATING
8.7/10
5.5K
YOUR RATING
Everyone has an uncommon experience while going their separate ways on the subway; Kramer overheard a hot tip on a horse on his way to pay a traffic violation.Everyone has an uncommon experience while going their separate ways on the subway; Kramer overheard a hot tip on a horse on his way to pay a traffic violation.Everyone has an uncommon experience while going their separate ways on the subway; Kramer overheard a hot tip on a horse on his way to pay a traffic violation.
- Director
- Writers
- Stars
Daryl Keith Roach
- Blind Violinist
- (as Daryl Roach)
- …
Larry David
- Subway Announcer
- (voice)
- (uncredited)
Peter Mehlman
- Smelly Passenger
- (uncredited)
Jennifer Winter
- Woman on Subway with Elaine
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Funny episode but also get wokeez get broke :P
could done better back then , we will be on Mars now !
could done better back then , we will be on Mars now !
For the first time since The Chinese Restaurant, not a single scene of a Seinfeld episode takes place in one of the usual locations (Jerry's apartment, the café, Elaine's office, the comedy club, yada yada yada). In fact, there are no buildings involved at all: the gang's misadventures are all linked to a fateful subway ride.
Each of the protagonists has to go someplace important, but as is often the case, the journey is more interesting and fun than the destination. Therefore we get Jerry meeting an overweight exhibitionist, Kramer hearing tips about a horse race, George skipping a job interview because he meets a woman and, most hilarious of the lot, Elaine missing a lesbian wedding due to a series of delays.
The key to the episode's success is, typically enough, the dialogue, like when Jerry talks to his fellow passenger ("You have something against a naked body?" "I have something against yours!") or George makes a brilliant statement about how he identifies certain women: "I can always feel when lesbians are looking at me. They see me and think "That's why I'm not a heterosexual!"". This time, however, it's Lulia Louis-Dreyfus who steals the show with an outrageous combination of physicality (her exasperated facial expressions) and voice-over, the latter predating Arrested Development by eleven years for its use of bleeped cursing. That scene most certainly qualified as a shocker back in 1991, and it still stands out as a textbook moment of unsurpassed small-screen comedy.
Each of the protagonists has to go someplace important, but as is often the case, the journey is more interesting and fun than the destination. Therefore we get Jerry meeting an overweight exhibitionist, Kramer hearing tips about a horse race, George skipping a job interview because he meets a woman and, most hilarious of the lot, Elaine missing a lesbian wedding due to a series of delays.
The key to the episode's success is, typically enough, the dialogue, like when Jerry talks to his fellow passenger ("You have something against a naked body?" "I have something against yours!") or George makes a brilliant statement about how he identifies certain women: "I can always feel when lesbians are looking at me. They see me and think "That's why I'm not a heterosexual!"". This time, however, it's Lulia Louis-Dreyfus who steals the show with an outrageous combination of physicality (her exasperated facial expressions) and voice-over, the latter predating Arrested Development by eleven years for its use of bleeped cursing. That scene most certainly qualified as a shocker back in 1991, and it still stands out as a textbook moment of unsurpassed small-screen comedy.
10Hitchcoc
What a clever concept to show each of the four friends, set into action after being on the subway. George is going for a job interview. Elaine is the best man at a lesbian wedding. Jerry is on his way to Coney Island to retrieve his stolen car. Kramer is just there but trying to exist in his own crazy world. So Elaine's train gets stalled. George ends up handcuffed to a hotel bed. Jerry ends up talking with a naked fat man. And Kramer gets a hot tip and goes to the OTB. Of course, they are all hilarious.
Sienfeld has always been about life. It's known for their tackle on everyday situations, things that anyone can relate. To be more specific, Seinfeld has always been about the life of adults in NYC. This has being a key element in the series and a character in its own. But I can't think of a better episode about New York City than "The Subway".
It surely isn't the funniest episode, but there's no arguing it is one of the most clever, boldest and important episodes in its entire run. I believe that this one has three key factors: experimentation, humor and New York.
Experimentation: it may not seem as wild on this day and age, but making a sitcom episode about subway rides was pretty wild. Okay, they made The Chinese Restaurant and The Parking Space before but here there's so much to grab in this location. And it's not only the fact of the location, the writers showed some pretty literal inside of New York's characters (robbers, exhibitionists) not common for a sitcom. And of course, Elaine's story line with the lesbian wedding AND the use of bleeped cursing. They were miles ahead of its time.
Humor: it's phenomenal. From Jerry's reactions to Elaine's outburst, George being the ultimate loser and Kramer's fantastical riding motion show. More than ever, it is incredibly clever. The shifts between stories is relentless and every one is in pair with the other, no overshadowing. And, for our pleasure, the episode makes the full circle: the episode starts and ends at the coffee shop with everyone distinctively changed by the events of the day.
New York: here more that ever it is a character in its own. From the subway trains to every single secondary character: the woman Elaine speaks with, the street artist/cop that saves Kramer, the woman that robs George, the exhibitionist that ends up being friends with Jerry, the two guys that unintentionally give Kramer the tip on Pampernik. It's a beautiful painting about the incredibly diverse set of characters the city has.
One of the best realized episode on the show. Way ahead of its time.
It surely isn't the funniest episode, but there's no arguing it is one of the most clever, boldest and important episodes in its entire run. I believe that this one has three key factors: experimentation, humor and New York.
Experimentation: it may not seem as wild on this day and age, but making a sitcom episode about subway rides was pretty wild. Okay, they made The Chinese Restaurant and The Parking Space before but here there's so much to grab in this location. And it's not only the fact of the location, the writers showed some pretty literal inside of New York's characters (robbers, exhibitionists) not common for a sitcom. And of course, Elaine's story line with the lesbian wedding AND the use of bleeped cursing. They were miles ahead of its time.
Humor: it's phenomenal. From Jerry's reactions to Elaine's outburst, George being the ultimate loser and Kramer's fantastical riding motion show. More than ever, it is incredibly clever. The shifts between stories is relentless and every one is in pair with the other, no overshadowing. And, for our pleasure, the episode makes the full circle: the episode starts and ends at the coffee shop with everyone distinctively changed by the events of the day.
New York: here more that ever it is a character in its own. From the subway trains to every single secondary character: the woman Elaine speaks with, the street artist/cop that saves Kramer, the woman that robs George, the exhibitionist that ends up being friends with Jerry, the two guys that unintentionally give Kramer the tip on Pampernik. It's a beautiful painting about the incredibly diverse set of characters the city has.
One of the best realized episode on the show. Way ahead of its time.
Did you know
- TriviaJulia Louis-Dreyfus was visibly pregnant at this time. Throughout this episode, Elaine carries a large present in front of her stomach, concealing Louis-Dreyfus' pregnancy. When Louis-Dreyfus went on maternity leave she was not available for the first two episodes of season four. Her absence was explained by saying that Elaine was vacationing in Europe.
- GoofsJerry states that he is heading to Coney Island Amusement Park to ride the rides. However, being that everyone is dressed in coats, it is either fall or winter, in which the amusement park would be closed for the season. It is further depicted that it is the off season in the wide shot of Coney Island in the background as the train that Jerry and the naked rider are riding pulls into the station. You can clearly see that the Wonder Wheel is devoid of the passenger cabins (which are removed at the conclusion of the each operating season).
- Quotes
Elaine Benes: I'm not a lesbian! I hate men but I'm not a lesbian!
- ConnectionsFeatured in Seinfeld: The Highlights of a Hundred (1995)
- SoundtracksSeinfeld Theme Song
Written by Jonathan Wolff
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