A defense attorney is murdered hours after his client accused of shooting a cop is acquitted. Detectives suspect that a right-wing militia group is involved, and that the lives of other atto... Read allA defense attorney is murdered hours after his client accused of shooting a cop is acquitted. Detectives suspect that a right-wing militia group is involved, and that the lives of other attorneys may be in jeopardy.A defense attorney is murdered hours after his client accused of shooting a cop is acquitted. Detectives suspect that a right-wing militia group is involved, and that the lives of other attorneys may be in jeopardy.
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Featured reviews
In the last day or so, avoiding watching the news for now and seeking a sort of justice, I've pored through these sharp, well-written and elegantly conceived episodes of L&O. This very episode was created almost 25 years ago.
Here is the map I ignored; the legend of a clan of patriots whose love of country is defined in contrasting sub-dermal definition to my own.
Here is the patois and belief, the pungent attractant that calls people to rally in large metropolitan meeting halls calling for exclusion, making promises to take back their country.
Here is the population of voters for whom a sea of variegated hue is not welcome and for whom legal trials with their Constitutional nuänce and protectorship of the most unlikely of opinions are a toxic nuisance.
Here is the dappled religion of a Messiah melded to a slim slice of civic comprehension. Here is a religion that forks "America" over to those who stand in line with their bone white paper plates, waiting for the piece of the pie they were promised, waiting to get their portion back, electing someone who will set it all right again, someone who, in this episode might have lacked yet the following to make this Messianic dream come true, electing someone whose figure was even then, at the crafting of this episode surging through these transmitted American characters towards deliverance.
When a noted defense attorney who just got off a cop shooter is shot down after the trial, suspicion falls on the cop's family and associates. But later on Jerry Ohrbach and Jesse Martin zero in on a white supremacist group that has made a point of killing liberal judges and defense attorneys.
This man is a terrorist make no mistake about it and the authorities don't treat him like any other prisoner. But that offends Feldshuh's ACLU trained soul. She breaks restrictions in her communications with him and in turn Dillahunt uses her to innocently communicate information that enables another hit on a judge in another state.
This is a very special prisoner says Sam Waterston and Feldshuh has innocently been drawn into his world just doing her job as a passionate advocate. What's great about this episode is that it takes absolutely no sides. Both Waterston and Feldshuh have well established characters from Law and Order and both perform within the parameters of those characters.
As Waterston says about Feldshuh, the Bar Association ought to name an award for her.
This episode is not so far from the truth. Criminal Defense Attorney and prosecutors fear for their lives because they have to deal with the worst kind of people who have nothing to lose and you can't trust them at all.
This is a brilliant episode and one of the best of Season 13, while the season was a solid one not many episodes were outstanding. "Open Season" is one of those, and it was remarkable that a difficult subject matter (one of the season's most difficult) was handled so uncompromisingly but also tastefully too (not easy at all to get this balance right). This could easily could have turned into too much of a political statement but luckily did not.
So many truly fine things here. Have nothing to fault the production values for, which are suitably slick and gritty without being static or gimmicky. Or with the music, used relatively sparingly and didn't sound over-scored or over-emphasised. It is a dependably directed episode that hits its stride in the second half and excels in the character interaction, especially between McCoy and Melnick.
Dialogue is taut and thought-provoking with a nice amount of edge, especially in the increasing tensions in the legal scenes. There is a lot of information to take in but it doesn't feel like too much and absolutely no sides are taken. The story maintains full attention throughout and has real tension and emotional impact, especially later on as things get more complex without being convoluted. There were to me a number of 'Law and Order' episodes where the second half was better than the first, but "Open Season" is one of those episodes where the two halves were equally strong (though the more complex second half gets the slight edge). It pulls no punches but also sensitive enough to avoid preachiness.
Melnick is fascinatingly written here and is more fleshed out than most defense attorneys. She could easily have been another defense attorney that makes ridiculous or offensive arguments or have been as bad in attitude as the perpetrator (think John Laroquette's character in a 'Special Victims Unit' episode). While it is on paper inconcievable at how anybody could defend somebody who should never be worth defending, her point of view is more understandable than most defense attorneys, she comes over as a flawed character doing her job and doesn't resort to either of those mentioned traps.
All the acting is excellent, Sam Waterston and Tovah Feldshuk with the meatiest material taking the acting honours. Jerry Orbach and Jesse L Martin are spot on too, as is their chemistry, while Garret Dillahunt guarantees chills.
In conclusion, brilliant. 10/10.
Did you know
- TriviaThis episode appears to be based on two separate cases/incidents:
- The Lynne Stewart case.
- The life of William Kunstler.
- GoofsSerena says that Mark Featherstone was murdered in Florida but then says that he was vacationing in North Carolina.
- Quotes
Judge Harrison Taylor: How does your client plead, Mr. Clemens?
Judge Harrison Taylor: I don't have all day.
Matthew Clemens: My client instructs me to stand mute.
Judge Harrison Taylor: Mute?
Matthew Clemens: He claims any response will be an admission of jurisdiction.
Judge Harrison Taylor: Is he 730 material, Mr. Clemens?
Matthew Clemens: [Clemens asks Preuss] Are you crazy?
Matthew Clemens: No, Your Honor.
Judge Harrison Taylor: Swell. I'm entering a plea of not guilty on the defendant's behalf. People on bail?
Serena Southerlyn: Your Honor, not only did the defendant ambush and murder an officer of this court, but he's also a member of a terrorist group.
Julian Preuss: I object.
Judge Harrison Taylor: So do I, Mr. Preuss. The only difference is, I'm allowed to.
Serena Southerlyn: Your Honor, Mr. Preuss has acquired all of Mr. Grodie's personal files. We believe that makes him a threat to other innocent people. The People ask for remand.
Judge Harrison Taylor: Do you want to respond, Mr. Clemens?
Matthew Clemens: Is there any point?
Judge Harrison Taylor: Actually, no.
Julian Preuss: Is this what I get? Some liberal hippie gypsy lawyer.
Judge Harrison Taylor: The court appreciates your color commentary, Mr. Preuss. And to show that appreciation, not only am I going to grant the People's request for remand without bail, I'm also imposing special administrative measures. That means that pending trial you will have no contact with anyone except for the gypsy fellow beside you. No phone calls. No mail. It looks like you should have gone with your first instinct, Mr. Preuss. You know, the one about standing mute.
- ConnectionsFeatured in The 55th Annual Primetime Emmy Awards (2003)
- SoundtracksMine For The Takin
Written by Todd Jones
Performed by Scott Nickoley & Jamie Dunlap
Courtesy of Marc Ferrari / MasterSource