Homecoming
- Episode aired Oct 31, 2004
- TV-MA
- 57m
Major Colvin instructs his men to use brute force to get the message out to street dealers about his free zone. Avon Barksdale and Stringer Bell discover that real estate development has its... Read allMajor Colvin instructs his men to use brute force to get the message out to street dealers about his free zone. Avon Barksdale and Stringer Bell discover that real estate development has its own pitfalls. McNulty and Greggs ask Daniels to let them renew the Bell and Barksdale inv... Read allMajor Colvin instructs his men to use brute force to get the message out to street dealers about his free zone. Avon Barksdale and Stringer Bell discover that real estate development has its own pitfalls. McNulty and Greggs ask Daniels to let them renew the Bell and Barksdale investigation.
- Detective Lester Freamon
- (credit only)
- Detective Roland 'Prez' Pryzbylewski
- (credit only)
- Preston 'Bodie' Broadus
- (as JD Williams)
- Omar Little
- (as Michael K. Williams)
Featured reviews
"Homecoming", sixth episode of 'The Wire" season 3 was beyond good - it was pulse pounding excellents. There are plotlines which eventually I think will lead to a conflict - especially one with boss not sharing same views on how to do business. This one is my favorite in this season so far. Hamsterdam plot line on the other hand has some parallel with previously mentioned one - both men trying to do something differently to avoid violence.
Overall, so far six episodes in season 3 were all outstanding. Writing is basically flawless as well great acting and etc. This is highly addictive show.
This is one of the best episodes, with great plot development and awesome character moments.
There are some classic scenes of The Wire in this one. Firstly, the dynamic between Avon and Stringer starts to get very compelling, with great development by the writers and scenes that embody the third season themes about change and reform brilliantly. Closely linked is the arc of Cutty, who goes through an important turning point that for me is not just a high point of the episode, but the entire show. Wood Harris, Idris Elba, Chad Coleman and Anwan Glover are all excellent.
It is such clever writing and filmmaking to generate audience sympathy with violent criminals. Even Avon comes across as decent in one scene and you wonder how this is even possible!
Bunk has an iconic exchange with Omar that is well written and exceptionally well acted by Michael K Williams and Wendell Pierce. You can feel the writers frustration with audiences romanticising about Omar in every word of Bunk's rant.
The politics within the chain of command in the Baltimore PD suffers another Jimmy McNulty special. His character, plus Daniels, Greggs, and Colvin all have some great scenes.
Carcetti's ambition starts to get interesting with the reveal of a strategy and more insightful moments into his narcissism. You could quite believe this is a personality type that would want power.
As ever, there is so much going on in just one episode it would take an essay to cover it all.
Did you know
- GoofsWhen the van load of dealers is unloaded in the country their hands are cuffed behind their backs. Just before the van leaves their hands are free without anyone having released them. As the van pulls away they are cuffed again.
- Quotes
Omar Little: Shoot, the way y'all looking at things, ain't no victim to even speak on.
Det. William 'Bunk' Moreland: Bullshit, boy. No victim? I just came from Tosha's people, remember? All this death, you don't think it ripples out? You don't even know what the fuck I'm talking about. I was a few years ahead of you at Edmondson, but I know you remember the neighborhood, how it was. We had some bad boys, for real. Wasn't about guns so much as knowing what to do with your hands. Those boys could really rack. My father had me on the straight, but like any young man, I wanted to be hard too, so I'd turn up at all the house parties where the tough boys hung. Shit, they knew I wasn't one of them. Them hard cases would come up to me and say, "Go home, schoolboy, you don't belong here." Didn't realize at the time what they were doing for me. As rough as that neighborhood could be, we had us a community. Nobody, no victim, who didn't matter. And now all we got is bodies, and predatory motherfuckers like you. And out where that girl fell, I saw kids acting like Omar, calling you by name, glorifying your ass. Makes me sick, motherfucker, how far we done fell.
- ConnectionsFeatures Oz: Sonata da Oz (2003)
Details
- Runtime
- 57m
- Color
- Sound mix
- Aspect ratio
- 4:3