The detail has a setback. Russell and Bunk revisit Philly, looking for evidence. Brother Mouzone talks with Stringer Bell regarding their agreement, leaving Bell to contend with Avon Barksda... Read allThe detail has a setback. Russell and Bunk revisit Philly, looking for evidence. Brother Mouzone talks with Stringer Bell regarding their agreement, leaving Bell to contend with Avon Barksdale. McNulty and Greggs return to the Westside, where they discover new connections.The detail has a setback. Russell and Bunk revisit Philly, looking for evidence. Brother Mouzone talks with Stringer Bell regarding their agreement, leaving Bell to contend with Avon Barksdale. McNulty and Greggs return to the Westside, where they discover new connections.
- Detective Roland 'Prez' Pryzbylewski
- (credit only)
Featured reviews
The Wire S2: 9/10.
One of the biggest things to me was this had initially started because Valchek, an old and arrogant official, wanted to settle a score with Frank Sobotka. One has to consider that illegal activity and hustling happens every day, it is only because of revenge and allocating so much police resource to an area that it exposed so much. Would Bunk and Freamon been able to solve the 14 girl murder with no resourcing or detail? They likely wouldn't have got far enough.
Strong 7 out of 10.
I highly enjoyed the finale of The Wire seasons 2, called Port in a Storm. It was indeed a storm in a port, and liked the story of how things ended. And while technicaly they did not end, i found it to be a great finale of a great season. This season brought a character, new and old ones which i will never foget. I liked the pacing and writing of this particular episode the most - at its running time 1 hours it felt like a 10 minutes episode - it was that good. And yet if had to give some criticism to this episode and series overall it would be somehow inconsistent editing. It kinda works and not because some scenes are lasting like second or two and it cuts to another scene. But this is minor complaint to a series that i would call brilliant in every possible way.
'Port In A Storm' is a profound conclusion to the second season with a number of memorable scenes.
As a finale it nicely summarises the season (and show) themes, wraps up a number character arcs, and lays more foundation for what comes next. How the plot unfolds is compelling, tragic and full of insightful observations about the decline of a working class community, the ever present vice culture, and both government and capitalist systems that perpetuate it.
The opening scene is a brilliant piece of visual storytelling and the cinematographers, editor and director deserve a lot of credit for this sequence and many other visuals in the episode.
There are many great scenes involving all characters, but my favourites involve Louis and Nick Sabotka, Stringer's exchanges with both Avon and Brother Mouzone, and everything involving Stan Valchek. I will mention no details to avoid spoilers.
It ends with a typically brilliant montage sequence I associate with the great HBO television shows.
For me Pablo Schreiber gives his best performance of the season and as always, everyone else is on great form.
Did you know
- TriviaDirected by the show's producer Robert F. Colesberry, this proved to be his last piece of work as he died of a coronary shortly afterwards.
- GoofsWhen Frank Sobotka's body was pulled out of the river, he had been stabbed a number of times and his throat had been slashed, meaning that he ultimately bled to death. Were that so, his skin pallor should have been virtually sheet white, but both his upper torso and particularly his face were still a very rosy pink.
- Quotes
Spiros 'Vondas' Vondopoulos: He knows my name, but my name is not my name. And you... to them you're only "The Greek".
The Greek: And, of course, I'm not even Greek.
- ConnectionsFeatures Solitaire (1981)
- SoundtracksFeel Alright
Composed and Performed by Steve Earle
Details
- Runtime
- 1h 3m(63 min)
- Color
- Aspect ratio
- 4:3