Born Again
- Episode aired Apr 29, 1994
- TV-14
- 45m
IMDb RATING
7.1/10
5.6K
YOUR RATING
An 8-year-old girl is the prime suspect in a series of bizarre, seemingly unrelated deaths.An 8-year-old girl is the prime suspect in a series of bizarre, seemingly unrelated deaths.An 8-year-old girl is the prime suspect in a series of bizarre, seemingly unrelated deaths.
- Director
- Writers
- Stars
Eddie Hardy
- Police Officer
- (uncredited)
Jonathan Walker
- Charlie Morris
- (uncredited)
- Director
- Writers
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Featured reviews
I struggled to concentrate on this one, meaning only one thing, that I was somewhat bored. The opening scenes were brilliant, what a dramatic beginning, the scene on the bus was also terrific, pretty nasty, the trouble is the rest of it was just a bit flat somehow.
We've had shadows, we've had Lazarus, it's a very long first series, and somehow it feels tired here, have they recycled some of the material, or is there a bit of an obsession with Reincarnation.
It's not a bad episode per se, but it just never seems to come to life. After Darkness falls and Tooms, my expectations are high, this one was just totally forgettable. 6/10.
We've had shadows, we've had Lazarus, it's a very long first series, and somehow it feels tired here, have they recycled some of the material, or is there a bit of an obsession with Reincarnation.
It's not a bad episode per se, but it just never seems to come to life. After Darkness falls and Tooms, my expectations are high, this one was just totally forgettable. 6/10.
Season 1 of the X-Files is, in my mind, one of the greatest first seasons of any show ever. It was a cultural institution, giving us something we had never seen before and inspired the next generation to build on this formula (Supernatural being the most obvious example).
I have fond memories of almost every episode in the first season, but in rewatching it I realise just how weak some episodes were, especially in relation to the really strong episodes of this season, and of what will come in future seasons.
This episode, to me, is the weakest of the whole bunch and I think never should have been made. Unless you're a completionist like me, who insists on watching every episode, taking the exceptional with the awful, I would give this a hard pass. It makes no sense.
I've given it a couple extra stars because I love Scully and Mulder so much so they're adding at least 2 stars to every episode. (It goes down to 1 star when we have no Mulder for a while) Also, there's Janice too, but without Chandler she's just as pointless as this episode is.
I have fond memories of almost every episode in the first season, but in rewatching it I realise just how weak some episodes were, especially in relation to the really strong episodes of this season, and of what will come in future seasons.
This episode, to me, is the weakest of the whole bunch and I think never should have been made. Unless you're a completionist like me, who insists on watching every episode, taking the exceptional with the awful, I would give this a hard pass. It makes no sense.
I've given it a couple extra stars because I love Scully and Mulder so much so they're adding at least 2 stars to every episode. (It goes down to 1 star when we have no Mulder for a while) Also, there's Janice too, but without Chandler she's just as pointless as this episode is.
Only on a very rare occasion does an episode of the x-files fail to generate any excitement or does the episode contain anything which is just totally boring to watch.A detective and his former partner both die in unexplained circumstances.The deaths are linked to the presence of a little girl who was there when the deaths took place.Mulder has devised a theory that a policeman murdered by his colleagues has come back reincarnated as the little girl and is exacting revenge.Now for the bizarre bit.The little girl has no connection at all and seems to just a random person chosen as the reincarnation.I think this was slightly lazy writing by the writers and this episode ranks as one of the worst in x-files history!
The twenty-second episode of "The X-Files," titled "Born Again," directed by Jerrold Freedman, grapples with themes of reincarnation, unresolved trauma, and the consequences of past actions. The episode centers on a young girl named Michelle Bishop (played by Melanie Silver), who exhibits disturbing behavior following the murder of a police officer, Charlie Morris. As agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) investigate the case, they uncover a connection between Michelle and Morris, suggesting that she may be the reincarnation of the slain officer seeking revenge on those responsible for his death.
The episode opens with a gripping prologue that introduces viewers to the events surrounding Morris's murder. The scene effectively establishes an atmosphere of tension as it reveals the brutal circumstances under which he died. Following this introduction, Mulder and Scully are called in to assess Michelle's claims about seeing the killer, leading them to investigate the circumstances surrounding Morris's death. The pacing is uneven at times; while some moments build suspense effectively, others feel rushed or underdeveloped, particularly in how quickly Mulder connects Michelle's behavior to the unresolved issues surrounding Morris's murder.
Visually, "Born Again" retains the series' signature aesthetic, utilizing shadows and dim lighting to create an unsettling ambiance. Freedman's direction builds suspense throughout; scenes where Mulder interviews Michelle's psychiatrist and witnesses her erratic behavior are particularly impactful. The cinematography captures both the sterile environment of the psychiatric facility and the darker undertones associated with the investigation into Morris's death. However, some critics have noted that certain plot points feel predictable or lack depth, particularly regarding how quickly Mulder and Scully arrive at their conclusions about reincarnation.
The performances in this episode are noteworthy, especially from Anderson and Silver. Anderson's portrayal of Scully showcases her emotional range as she navigates her skepticism about reincarnation while also expressing concern for Michelle's well-being. Silver delivers a compelling performance as Michelle; she effectively conveys both innocence and an unsettling aura as she grapples with her past life memories. Duchovny's Mulder serves as a rational counterbalance; his fascination with the supernatural elements allows for an engaging exploration of belief and doubt. However, some critics argue that Mulder's character feels less dynamic in this episode compared to earlier installments, lacking his usual charisma and warmth.
Thematically, "Born Again" explores profound questions about identity and morality within the context of reincarnation. The character of Michelle serves as a representation of unresolved trauma; her experiences reflect the emotional scars left by violence and loss. The episode raises critical questions about justice and accountability; while Michelle seeks retribution for Morris's murder, it becomes evident that such vengeance may not lead to healing or closure. Additionally, it examines societal perceptions of childhood innocence; Michelle's violent tendencies challenge preconceived notions about children being inherently good or innocent. "Born Again" stands out as a thought-provoking entry in "The X-Files," successfully blending elements of horror with psychological drama while addressing important social issues related to trauma and justice.
The episode opens with a gripping prologue that introduces viewers to the events surrounding Morris's murder. The scene effectively establishes an atmosphere of tension as it reveals the brutal circumstances under which he died. Following this introduction, Mulder and Scully are called in to assess Michelle's claims about seeing the killer, leading them to investigate the circumstances surrounding Morris's death. The pacing is uneven at times; while some moments build suspense effectively, others feel rushed or underdeveloped, particularly in how quickly Mulder connects Michelle's behavior to the unresolved issues surrounding Morris's murder.
Visually, "Born Again" retains the series' signature aesthetic, utilizing shadows and dim lighting to create an unsettling ambiance. Freedman's direction builds suspense throughout; scenes where Mulder interviews Michelle's psychiatrist and witnesses her erratic behavior are particularly impactful. The cinematography captures both the sterile environment of the psychiatric facility and the darker undertones associated with the investigation into Morris's death. However, some critics have noted that certain plot points feel predictable or lack depth, particularly regarding how quickly Mulder and Scully arrive at their conclusions about reincarnation.
The performances in this episode are noteworthy, especially from Anderson and Silver. Anderson's portrayal of Scully showcases her emotional range as she navigates her skepticism about reincarnation while also expressing concern for Michelle's well-being. Silver delivers a compelling performance as Michelle; she effectively conveys both innocence and an unsettling aura as she grapples with her past life memories. Duchovny's Mulder serves as a rational counterbalance; his fascination with the supernatural elements allows for an engaging exploration of belief and doubt. However, some critics argue that Mulder's character feels less dynamic in this episode compared to earlier installments, lacking his usual charisma and warmth.
Thematically, "Born Again" explores profound questions about identity and morality within the context of reincarnation. The character of Michelle serves as a representation of unresolved trauma; her experiences reflect the emotional scars left by violence and loss. The episode raises critical questions about justice and accountability; while Michelle seeks retribution for Morris's murder, it becomes evident that such vengeance may not lead to healing or closure. Additionally, it examines societal perceptions of childhood innocence; Michelle's violent tendencies challenge preconceived notions about children being inherently good or innocent. "Born Again" stands out as a thought-provoking entry in "The X-Files," successfully blending elements of horror with psychological drama while addressing important social issues related to trauma and justice.
I saw this when I was a teenager, living in Buffalo, who constantly did origami so that was pretty funny. It was pretty obvious it wasn't filmed in Buffalo, no one has a thick NY accent and there's no Chinatown. I did appreciate the Bills banner on the bus though.
Did you know
- TriviaDavid Duchovny has openly stated that he hates this episode.
- GoofsThe corpse blinks quite noticeably during an autopsy.
- ConnectionsReferences Captain Kangaroo (1955)
- SoundtracksThe X-Files
(Credited)
Written by Mark Snow
Performed by John Beal
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