One Son
- Episode aired Feb 14, 1999
- TV-14
- 44m
Everyone prepares in their own way for the alien rebels' bloody endgame after which nothing will ever be the same again. Mulder and Scully try their best to stop the bloodshed and save Spend... Read allEveryone prepares in their own way for the alien rebels' bloody endgame after which nothing will ever be the same again. Mulder and Scully try their best to stop the bloodshed and save Spender's mother.Everyone prepares in their own way for the alien rebels' bloody endgame after which nothing will ever be the same again. Mulder and Scully try their best to stop the bloodshed and save Spender's mother.
Featured reviews
I watch this for the first time, and for me it felt like quite a monumental episode.
I will aim to keep this review spoiler free, as there are so many things happening here, I won't give anything away.
To begin with, it's quite an epic story, it has the feeling of a season finale about it, they could easily have left us with a cliffhanger, that kind of big, monumental vibe. Incredibly well made, filmed, with a great score, it has movie like qualities once again.
The story arc of the black oil has been running a long time, it may seem like, but I get the feeling that it isn't quite done yet. Lots of changes, it'll be interesting to see where this is picked up next.
William B Davies was once again fantastic as Smoking Man, throughout this two parter you may begin to see him in a slightly different way, but of course, you're left in no doubt by the conclusion.
9/10.
As the story unfolds, Mulder (David Duchovny) and Scully (Gillian Anderson) find themselves embroiled in a high-stakes confrontation involving Cassandra Spender (Veronica Cartwright) and her son, Jeffrey Spender (Chris Owens). The tension escalates as Mulder learns that his own mother was part of a government cover-up regarding alien abductions, forcing him to confront painful truths about his family and the larger conspiracy at play. The pacing of "One Son" is brisk and engaging, effectively maintaining suspense as Mulder and Scully navigate through layers of deception while trying to save Cassandra from the Syndicate's machinations. A particularly striking moment occurs when Mulder confronts Jeffrey about his loyalties, leading to an emotional exchange that underscores the complexities of their relationship.
Visually, "One Son" employs a dark and atmospheric aesthetic that enhances its themes of betrayal and moral ambiguity. Manners's direction captures both the sterile environments of government facilities and the emotional turmoil experienced by characters caught in a web of lies. The cinematography utilizes shadows and muted colors to evoke feelings of dread, particularly during scenes involving confrontations with Syndicate members. Critics have noted that this visual storytelling effectively immerses viewers in a world where trust is scarce and danger lurks at every turn.
The performances in this episode are particularly noteworthy, especially from Cartwright as Cassandra. Her portrayal captures the character's vulnerability and desperation; she embodies both strength and fragility as she navigates her complicated relationship with her son. Duchovny delivers a compelling performance as Mulder, showcasing his character's unwavering determination to uncover the truth while grappling with personal doubts about his mission. Anderson's Scully provides essential support; her skepticism grounds Mulder's theories while emphasizing her concern for Cassandra's well-being. The chemistry between Duchovny and Anderson continues to shine throughout this episode, adding depth to their partnership as they confront complex challenges.
Thematically, "One Son" raises significant questions about loyalty, identity, and the nature of evil within governmental structures. The episode critiques how individuals can become complicit in immoral actions under the guise of patriotism; it examines how personal relationships can be strained by external pressures and conflicting loyalties. Additionally, it highlights societal attitudes toward authority; characters like Mulder represent those who seek to expose hidden truths despite facing ridicule from skeptics. This exploration invites viewers to reflect on their beliefs regarding justice, morality, and the ethical implications surrounding power dynamics.
In conclusion, "One Son" stands out as one of The X-Files' more intense episodes, successfully blending elements of suspenseful drama with social commentary while exploring complex themes related to loyalty and moral responsibility. While it may not resonate with all viewers due to its heavy reliance on established mythos from the series, it effectively maintains an engaging pace throughout its runtime. The exploration of these themes within a modern context encourages viewers to consider their perceptions of truth and morality in society while enjoying a richly layered narrative that showcases both character development and thrilling storytelling.
Did you know
- TriviaLittle girls in masks played the aliens.
- GoofsDean Haglund's name is misspelled in the credits as "Dean Haglung."
- Quotes
Mulder: Scully, you're making this personal.
Dana Scully: Because it is personal, Mulder. Because without the FBI, personal interest is all that I have. And if you take that away, then there is no reason for me to continue.
- ConnectionsFeatured in The Cigarette Smoking Man Revealed (1999)
Details
- Release date
- Country of origin
- Official sites
- Language
- Filming locations
- Marine Corps Air Station Tustin, Tustin, California, USA(opening of the episode and the climactic scene)
- Production companies
- See more company credits at IMDbPro