Release
- Episode aired May 5, 2002
- TV-14
- 45m
An eerily brilliant cadet from Scully's class directs Doggett to a current murder case that may have something to do with a case that went unsolved 9 years prior - the murder of Doggett's yo... Read allAn eerily brilliant cadet from Scully's class directs Doggett to a current murder case that may have something to do with a case that went unsolved 9 years prior - the murder of Doggett's young son.An eerily brilliant cadet from Scully's class directs Doggett to a current murder case that may have something to do with a case that went unsolved 9 years prior - the murder of Doggett's young son.
- Perp
- (uncredited)
Featured reviews
I have to take issue with some of the fans that told me I'd loathe series nine, there have been some excellent episodes, and this is yet another. A very, very good, action packed episode, fast paced and gritty, it felt as though we get some resolution for Agent Doggett.
Very, very well written, and immaculately produced, it's hard to pick fault here with anything, more along the lines of a thriller this one.
Robert Patrick was fantastic here, what a great actor he is, he's been terrific this series, he gave a wonderful performance in particular in this episode.
Jared Poe was awesome a Hayes I thought, what a fascinating character, a shame we didn't get to see more of him, but having just checked, the show is very close to its original end.
8/10.
We were introduced to John Doggett's son in season eight's "Invocation" with the equally brilliant Rodney Eastman ("Sammael" from the Millennium episode "Powers, principalities, thrones and dominions"). All we knew from that episode, was that Doggett had a son who had passed away, sparking Doggett's special interest in children's cases, which was part of his work when he was a cop in New York.
Poe is apparently an FBI cadet "Rudolph Hayes" who has special insight into violent crime, he can piece together a profile from microscopic pieces of evidence garnered from things like bodies and photographs of murder scenes. Even the dirt underneath a corpses fingernails, with this person every detail paints a larger picture, The smaller the detail, the larger the picture.
As we go along we realize that this person is highly obsessive, there is a reason for this.
The lid is also blown off of A. D. Follmer's relationship to a New York City mafia thug who apparently never gets charged with any crime worse than jaywalking even though he is constantly involved in heinous crimes. There is a reason for this as well, and as Monica Reyes was dating Follmer during that time, she starts piecing together things that she has seen, and it paints another ugly picture.
But all things being equal, nothing is as it seems. Not Hayes, not Follmer, and not this case, where a tip sent to Doggett is the very small beginning of a huge avalanche.
This episode is the culmination of a slow burn introduction that over the course of several episodes in season eight and nine, we get told the entire story about Doggett's son and the grisly circumstances and people surrounding his death. This was cleverly seeded in episodes like "Invocation", "Empedocles" and "John Doe". And because the story was told over a length of time and in small pieces, it gives this episode revelatory power, which would have failed if the wrong actor had been selected to play Hayes. Everything about the portrayal was perfect, Poe added a permanent scowl to the character of Hayes which gives an impression of seriousness. And when the doors are blow off of this case, we find out exactly how serious.
Robert Patrick's real life wife Barbara appears as John Doggetts ex-wife, and this little bit of reality adds more believability.
Fantastic characters, especially Cadet Hayes....
One of my all time favourite X-Files episodes.
For all those who are complaining about season 9, I recommend them watching the four last episodes (William, Release, Sunshine Days & The Truth) - they are all some of the episodes I remember best from this brilliant TV series.
This episode is not about aliens and UFOs, it's a kind of mystery/detective episode - where Dogget is trying to find a serial killer. Everything in this episode is so well made, the acting is brilliant and the story is truly fascinating. And then it's the music...
.. simply one of the best classical scores I've heard. I get goosebumps whenever I hear the classical anthem in this episode.. it should probably have been played even more. It get's you into the right mood right from the very beginning to the last emotional scene..
I recommend Release highly, even for those who don't like X-Files as well.... Full score from me. A must see!
Did you know
- TriviaJared Poe, who plays FBI Cadet Rudolph Hayes, was a WGA intern working in the writing staff office. He asked Frank Spotnitz for permission to audition for an acting role, and Spotnitz reluctantly agreed. Despite his lack of formal training, Poe beat out the approximately 30 other actors who auditioned for the role.
- GoofsTowards the end, Dogget is walking towards a Washington, DC bar. To the left, the street sign says Hollywood Blvd.
- Quotes
Barbara Doggett: Agent Scully? I'm Barbara. John's ex-wife.
Scully: Hi. I'm Dana. Nice to meet you.
Barbara Doggett: He said you'd be coming by.
Scully: You weren't able to make an identification?
Barbara Doggett: I didn't expect to. You know he doesn't think clearly about this. He can't.
Scully: He blames himself.
Barbara Doggett: He thinks he failed Luke. In his mind, he can never do enough, never suffer enough, for what happened. I think if you could help him find the man who did this, maybe... he could move on. He and Monica could have something together. He just won't let her in.
- Crazy creditsIn the main title for the ninth season, a piece of paper flashes across the screen listing "FBI Contacts: Witnesses and Contributors." The names on the list are screen names of the series' on-line fans. For episodes #9.01-#9.11, the names were randomly picked from various X-Files message boards. For episodes #9.12-#9.19, the names came from contest entries.
- SoundtracksThe Release (Doggett's Theme)
Written and Performed by Mark Snow