Gender Bender

Gender Bender sexes things up a bit for the x-files. This episode has an interesting premise, a good story, but an ending that is wanting. Gender Bender is also the x-files debut for actor Nicholas Lea, better known as Alex Krycek. In this episode he plays Michael, a man attacked by one of "The Kindred". You need to see this episode just to see Nic Lea's less than spectacular beginning. An interesting thing about the Kindred's "power of seduction". When Marty does it to his victims, they become turned onto him/her. However, when Andrew seduces Scully, she only because disoriented and groggy, and does not become attracted to Andrew. Maybe it's because Marty has more experience at it than Andrew. This episode reminds me of why it would sometimes be miserable to film up in British Columbia. Throughout the episode it is so wet, soggy, and muddy, it could not have been that much fun. Despite the disappointing ending, Gender Bender is still a decent episode to view.

I was thrilled watching this show when it first aired and now am enjoying having all the episodes on DVD, but I'm noticing something that I guess didn't bother me before.

As has been generally noted, each episode has incredible production values and structure - enough for a full length movie and therein is where perhaps I am seeing the problem now. Everything is too rushed. Has to be to squeeze (pardon the pun) everything in in less than an hour.

For example in this episode, the banter between Mulder and Scully is quite rapid - first Mulder says something and Dana replies almost instantly. Would have been better (and more dramatic) if more time had been taking by each to reply. Also more realistic as it takes time to think through what someone else says and come up with a reply. Also this episode is over too quickly without having the time to more fully explore and expand all the details. We see the cult member "Marty" transform several times - how interesting it could have been if towards the end we saw him/her transform to his/her "real" form - also perhaps more of the sect leaving: glimpse of their craft or cut to a military base's radar operations in the area:

"Sir, I just notice an anomaly in sector 6." "Yes?" "Sir, object appeared on my screen at low altitude, then quickly shot up and out of range." "Identification?" "No sir, didn't match anything I'm familiar with and when it left, nothing I know of can move that fast."

The fourteenth episode of "The X-Files," titled "Gender Bender," directed by Rob Bowman, is a provocative exploration of gender identity, sexuality, and the complexities of human relationships. This episode introduces viewers to a mysterious cult known as The Kindred, who possess the ability to change their gender and are linked to a series of murders following sexual encounters. As agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) investigate these bizarre occurrences, they confront their own beliefs about sexuality and identity in a narrative that blends horror with social commentary.

The episode opens with a gripping prologue that sets the stage for the unfolding mystery. A couple leaves a nightclub, only for one partner to undergo a shocking transformation after a sexual encounter, resulting in death and chaos. This chilling start effectively establishes an atmosphere of danger and intrigue. As Mulder and Scully delve deeper into the investigation, they discover that the victims were all connected to The Kindred, a religious sect that embodies both traditional values and radical beliefs about gender fluidity. The pacing is brisk, allowing for moments of tension while also providing insight into Mulder's fascination with the case and Scully's skepticism.

Visually, "Gender Bender" maintains the series' signature aesthetic, utilizing shadows and dim lighting to create an unsettling ambiance. Bowman's direction builds suspense effectively; scenes where Mulder interacts with members of The Kindred are particularly impactful, showcasing their eerie rituals and enigmatic behavior. The cinematography captures both the vibrant nightlife of the city and the more sterile environments associated with the cult, creating a stark contrast that enhances the narrative's tension. However, some critics have noted that certain plot points feel predictable or lack depth, particularly regarding how quickly Mulder connects his findings to the cult's practices.

The performances in this episode are strong, especially from Duchovny and Anderson. Duchovny's portrayal of Mulder captures his characteristic charm and enthusiasm for uncovering hidden truths; he embodies a sense of urgency that drives the narrative forward. Anderson's Scully provides a rational counterbalance; her skepticism grounds Mulder's wild theories while showcasing her growing curiosity about their cases. The guest performances by Brent Hinkley as Brother Andrew and Amanda Pays as a member of The Kindred add layers to the story; they effectively convey both allure and danger, enhancing the episode's tension.

Thematically, "Gender Bender" explores complex issues surrounding sexuality and identity in a way that was particularly bold for its time. The ability of The Kindred to change genders serves as a metaphor for societal anxieties surrounding sexual fluidity and the fear of the unknown. This exploration raises critical questions about how society perceives gender roles and sexual orientation, inviting viewers to reflect on their own beliefs. Additionally, Scully's interactions with Brother Andrew highlight her internal struggle between professional skepticism and personal curiosity about attraction; this dynamic adds depth to her character as she navigates her feelings in an unfamiliar context.

In conclusion, "Gender Bender" stands out as an ambitious entry in "The X-Files," successfully blending elements of horror with psychological drama while tackling themes that remain relevant today. While it may not reach the emotional heights of later episodes or fully develop all plot points, it effectively maintains tension and intrigue throughout its runtime. The exploration of gender identity within a modern context invites viewers to reflect on their perceptions of sexuality and societal norms, setting a precedent for future episodes that balance levity with deeper themes.

This episode from the first season slightly edges towards controversy with the whole gender bending angle.I imagine there would have been a significant amount of editing before this was finished to appease censors.

The story itself is original and well written and the directing is complemented by the fine acting.(Nicholas Lea makes his X-Files debut though not as Agent Krycek but as a victim called Michael) I especially enjoyed the built up to and the ending itself.

Its different but enjoyable.Ignore any bad reviews you may hear.Watch it for yourself and make judgement then

Why are healthy young men dying after having random sex with an attractive young woman, who has a touch to die for?

You really have to hand it to the whole team, this first series is the exact opposite of formulaic, there is a breadth of story, and originality of idea, unmatched to this day in any other show.

There have been psychological thrillers, horrors, dramas, and good old fashioned science fiction, I'm not quite sure which bracket this one falls into, but who cares, Gender bender is daringly different, it combines club life, sci fi and a aerial killer all into one story, it is very well put together.

I'm surprised by some of the negativity surrounding this one, it scores highly for originality. 7/10.