Sein und Zeit
- Episode aired Feb 6, 2000
- TV-14
- 45m
IMDb RATING
7.9/10
3.6K
YOUR RATING
The strange disappearance of a little girl leads Mulder to make connections with previous unexplained cases of missing children. Scully believes he is becoming obsessed with the case by asso... Read allThe strange disappearance of a little girl leads Mulder to make connections with previous unexplained cases of missing children. Scully believes he is becoming obsessed with the case by associating it with the abduction of his sister.The strange disappearance of a little girl leads Mulder to make connections with previous unexplained cases of missing children. Scully believes he is becoming obsessed with the case by associating it with the abduction of his sister.
Ashlynn Rose
- Young Samantha Mulder
- (uncredited)
Featured reviews
Okay, so this was a good episode except for one thing. They once more did the bs with Mulder deciding his sister wasn't abducted by aliens but was instead taken like these other kids. Are we to believe he's that stupid after all of this? He freaking met her clones on more than one occasion! That includes clones of her as a child as she was when she was taken! He's seen enough about the alien conspiracy and learned from Cassandra about those that were taken by the aliens. They can't keep milking the whole "Mulder hangs onto hope that something else happened to his sister" when he's seen too much evidence to the contrary. They could've used her as fuel for Mulder's delving into the case without him rethinking her disappearance. It's just becoming a huge plot hole. This is otherwise a great, suspenseful episode. But I had to take points for the previously mentioned points.
Mulder demands to be given the case of abducted little girl Amber-Lynn LaPierre, who's parents are prime suspects, Mulder remembers another case, and finds a link.
It's a good episode, it feels like one that's adapting to a new phase of X Files mythology. I'll start with the gripe, I didn't enjoy the side story of Mulder's mother, and subsequently I really didn't like the way that Samantha's disappearance was linked to the case, it was so tenuous.
On the plus side, the story was different, and it was good to see Mulder returning to the kind of work he did prior to The X Files, there were some really chilling elements to the story.
I thought Mulder's scenes with Kathy Lee were excellent, and I thought Kim Darby was the standout, Duchovny was terrific here.
They changed the direction of the show earlier in this particular series in regards to Aliens, and it feels a little like they've done that with Samantha here.
It's good, but I have the same frustrations here that I had with Biogenesis, and for that it has to be 7/10.
It's a good episode, it feels like one that's adapting to a new phase of X Files mythology. I'll start with the gripe, I didn't enjoy the side story of Mulder's mother, and subsequently I really didn't like the way that Samantha's disappearance was linked to the case, it was so tenuous.
On the plus side, the story was different, and it was good to see Mulder returning to the kind of work he did prior to The X Files, there were some really chilling elements to the story.
I thought Mulder's scenes with Kathy Lee were excellent, and I thought Kim Darby was the standout, Duchovny was terrific here.
They changed the direction of the show earlier in this particular series in regards to Aliens, and it feels a little like they've done that with Samantha here.
It's good, but I have the same frustrations here that I had with Biogenesis, and for that it has to be 7/10.
"Sein und Zeit," the tenth episode of the seventh season of The X-Files, directed by Michael Watkins and written by Chris Carter and Frank Spotnitz, delves into the series' overarching mythology while exploring themes of loss, obsession, and the search for closure. The episode's title, which translates to "Being and Time" from German, references Martin Heidegger's influential book and sets the stage for a narrative that grapples with existential questions. While the episode has been praised for its exploration of Mulder's character and its suspenseful atmosphere, it has also faced criticism for its slow pacing and reliance on familiar plot elements.
The episode centers on Mulder (David Duchovny) as he becomes obsessed with the disappearance of a young girl named Amber Lynn LaPierre, drawing parallels between her case and the abduction of his sister, Samantha. Scully (Gillian Anderson) fears that Mulder is becoming emotionally involved, especially after his mother, Teena Mulder, dies, apparently by suicide. The investigation leads Mulder to a Christmas-themed ranch, where he uncovers a disturbing collection of videotapes and graves of missing children. "Sein und Zeit" was conceived as the first part of a two-part arc intended to finally resolve the mystery surrounding Samantha Mulder's disappearance. The episode shares stylistic similarities with the fourth-season episode "Paper Hearts," but unlike that episode, "Sein und Zeit" and its follow-up, "Closure," aim to provide definitive answers about Samantha's fate.
Visually, "Sein und Zeit" employs a grim and unsettling aesthetic that reflects the dark themes of the narrative. While specific details about the cinematography are scarce in the search results, the episode is likely to feature the series' signature use of shadows and muted colors to create a sense of unease. One of the production difficulties mentioned was the limited budget for the faux newscast scene.
The performances in "Sein und Zeit" are generally strong, with Duchovny receiving particular praise for his portrayal of Mulder's intense mania and emotional vulnerability. Anderson provides essential support as Scully, offering a skeptical perspective while also expressing concern for Mulder's well-being. The guest cast, including Mark Rolston and Rebecca Toolan, also deliver compelling performances, adding depth to the episode's themes of loss and grief.
Thematically, "Sein und Zeit" explores the complexities of grief, the power of belief, and the search for truth. The episode critiques how individuals can become consumed by their past traumas and how difficult it can be to let go of hope, even in the face of overwhelming evidence. Additionally, it highlights the importance of human connection and the need for support during times of loss. The episode features the concept of "walk-ins," which some critics found to be patently ridiculous.
"Sein und Zeit" is a complex and emotionally resonant episode that delves into the heart of The X-Files' mythology. While it may not be a perfect episode, it offers a compelling exploration of Mulder's character and sets the stage for a dramatic resolution to the Samantha Mulder storyline. "Sein und Zeit" prompts the audience to contemplate the meaning of closure and the impact of loss on the human psyche, reminding viewers that sometimes the search for truth can lead to both devastating discoveries and profound insights, encouraging empathy and understanding for those grappling with grief.
The episode centers on Mulder (David Duchovny) as he becomes obsessed with the disappearance of a young girl named Amber Lynn LaPierre, drawing parallels between her case and the abduction of his sister, Samantha. Scully (Gillian Anderson) fears that Mulder is becoming emotionally involved, especially after his mother, Teena Mulder, dies, apparently by suicide. The investigation leads Mulder to a Christmas-themed ranch, where he uncovers a disturbing collection of videotapes and graves of missing children. "Sein und Zeit" was conceived as the first part of a two-part arc intended to finally resolve the mystery surrounding Samantha Mulder's disappearance. The episode shares stylistic similarities with the fourth-season episode "Paper Hearts," but unlike that episode, "Sein und Zeit" and its follow-up, "Closure," aim to provide definitive answers about Samantha's fate.
Visually, "Sein und Zeit" employs a grim and unsettling aesthetic that reflects the dark themes of the narrative. While specific details about the cinematography are scarce in the search results, the episode is likely to feature the series' signature use of shadows and muted colors to create a sense of unease. One of the production difficulties mentioned was the limited budget for the faux newscast scene.
The performances in "Sein und Zeit" are generally strong, with Duchovny receiving particular praise for his portrayal of Mulder's intense mania and emotional vulnerability. Anderson provides essential support as Scully, offering a skeptical perspective while also expressing concern for Mulder's well-being. The guest cast, including Mark Rolston and Rebecca Toolan, also deliver compelling performances, adding depth to the episode's themes of loss and grief.
Thematically, "Sein und Zeit" explores the complexities of grief, the power of belief, and the search for truth. The episode critiques how individuals can become consumed by their past traumas and how difficult it can be to let go of hope, even in the face of overwhelming evidence. Additionally, it highlights the importance of human connection and the need for support during times of loss. The episode features the concept of "walk-ins," which some critics found to be patently ridiculous.
"Sein und Zeit" is a complex and emotionally resonant episode that delves into the heart of The X-Files' mythology. While it may not be a perfect episode, it offers a compelling exploration of Mulder's character and sets the stage for a dramatic resolution to the Samantha Mulder storyline. "Sein und Zeit" prompts the audience to contemplate the meaning of closure and the impact of loss on the human psyche, reminding viewers that sometimes the search for truth can lead to both devastating discoveries and profound insights, encouraging empathy and understanding for those grappling with grief.
Did you know
- Trivia"Sein und Zeit" is the original title of German philosopher Martin Heidegger's influential 1927 book "Being and Time."
- GoofsInterstate 74 does not go all the way West to California; it ends at a junction with Interstate 80 in Davenport, Iowa. It also does not run North-South, as the sign indicates. It runs East-West, as all even-numbered highways do. Odd-numbered highways run North-South.
- ConnectionsFeatures Harsh Realm (1999)
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