Terma
- Episode aired Dec 1, 1996
- TV-14
- 45m
Mulder tries to stop a Russian supersoldier from destroying the site in North America where the black oil virus can be excavated. Scully is jailed after she refuses to reveal Mulder's wherea... Read allMulder tries to stop a Russian supersoldier from destroying the site in North America where the black oil virus can be excavated. Scully is jailed after she refuses to reveal Mulder's whereabouts at a Senate subcommittee hearing.Mulder tries to stop a Russian supersoldier from destroying the site in North America where the black oil virus can be excavated. Scully is jailed after she refuses to reveal Mulder's whereabouts at a Senate subcommittee hearing.
- Vassily Peskow
- (as Jan Rubés)
- Truck Driver's Wife
- (uncredited)
Featured reviews
While this episode and the previous one "Tunguska" are well-directed lore expanding ones, they still make me laugh at times just because of how nonsensical they are (mostly because of how inaccurate they are in terms of representation).
There are just too many wrong things. The geography is all messed up, British Columbia landscapes don't correspond well with ones in Taiga, Tunguska site is closer to Krasnoyarsk, not Norilsk, Mulder also asks help to get to Saint-Petersburg to leave the country, while Moscow would've been a much closer and more convenient city to fly out. While I give them credit for hiring actual Russian actors with no accents, the dialogue itself is clunky, Krycek accent was funny though.
That GULAG thing was also weird and overly politicized. Russians in the 90ties were not as barbaric as they were shown (horses were ok though because they are much more convenient as transport in Taiga conditions).
What saved these two episodes from just becoming post-cold war shlock was the direction. I'm sure that the ending monologue by Mulder was much easier to accept in the 90ties, but now, in 2020, it just puts a smile on my face.
Great storytelling, I loved the way it picked up with Scully's court case scene, and explained it. I have really enjoyed this two part story. I think the first half had all of the horror element, this second part focuses more on the action. It's well paced, it's quite exciting.
I thought Jan Rubes was great here as Vassily Peskow, he was silent, but deadly, I'd love to know more about this guy.
Today, I thought I was having a bad day, then I compared it to poor Krycek, he's become that comedy guy that steps on a garden hoe, then bangs his head, then puts his hand on a hot barbecue, he's truly had no luck here at all.
The whole story of black cancer, that was really quite chilling, I can't help but wonder if they'll return to this in the future.
Enjoyed that, 8/10.
The senate hearing felt really obtuse. Mulder shows up just in time but it never seemed like he was truly in danger from the hearing in the first place. The "black cancer" threat was,,, resolved? Mitigated? Covered up? With like,, barely any effort. Mulder seems to be immune from it because of,, plot armor? I don't know. I really genuinely have no idea what was going on for most of this and come away frustrated.
Thankfully it's not a massive slog full of padded runtime like some of the worst episodes are. And thankfully there is still drama to be engaged with and stakes to the "mystery" unlike more boring episodes are. I can't say this truly goes nowhere like some frustrating episodes do, but I can say it fails to resolve in ways that feel satisfying or even engaging. Maybe it's laid some tracks for the meta-plot to follow but as of right now I feel like this episode was a big let down.
The pacing of "Terma" is notably brisk, moving quickly from one tense situation to another. The episode opens with a gripping escape sequence, showcasing Mulder's resourcefulness as he navigates the treacherous environment of the gulag. This scene effectively sets the tone for the episode, establishing a sense of urgency that is maintained throughout. As Mulder reunites with Krycek (Nicholas Lea), who has his own agenda, viewers are treated to a complex interplay of betrayal and reluctant alliances. A particularly memorable moment occurs when Mulder confronts Krycek about his past actions, highlighting the moral ambiguities that define their relationship.
Visually, "Terma" employs a dark and foreboding aesthetic that enhances its themes of paranoia and danger. The direction captures both the oppressive atmosphere of the gulag and the emotional turmoil experienced by Mulder as he grapples with his captivity. The cinematography effectively utilizes shadows and dim lighting to evoke feelings of dread, particularly during scenes where characters confront their fears regarding the black oil and its implications. Critics have praised this visual storytelling for its ability to immerse viewers in a world where trust is scarce and danger lurks at every corner.
The performances in this episode are particularly strong, especially from Duchovny and Lea. Duchovny delivers a compelling portrayal of Mulder's determination to uncover the truth while grappling with moral dilemmas surrounding his discoveries. His interactions with Krycek add an intriguing layer to the narrative; Krycek's duplicitous nature serves as both an ally and an adversary for Mulder. Anderson's Scully provides a rational counterbalance; her skepticism grounds Mulder's theories while emphasizing her concern for his well-being. The chemistry between Duchovny and Anderson remains strong, adding emotional weight to their partnership as they navigate the complexities of their investigation.
Thematically, "Terma" raises significant questions about morality, sacrifice, and the nature of truth. The episode critiques how individuals can become entangled in webs of conspiracy; it examines how personal relationships can be exploited within larger political machinations. Additionally, it highlights societal attitudes toward authority figures; characters like CSM embody the complexities of moral ambiguity within government conspiracies. This exploration invites viewers to reflect on their beliefs regarding accountability, truth, and the ethical implications of power.
Did you know
- TriviaThe title of this episode also refers to the city where the showdown takes place: Terma, North Dakota.
- GoofsThe guards in the Russian prison camp are wearing surplus Swedish military uniform coats of the m/59 type. In one close-up, a guard even wears the insignia of the Swedish Army engineers.
- Quotes
Fox Mulder: Why is this so hard to believe? When the accepted discovery of life off this planet is on the front page of every newspaper around the world? When even the most conservative scientists and science journals are calling for the exploration of Mars and Jupiter? With every reason to believe that life and the persistence of it is thriving outside our terrestrial sphere? If you cannot get past this, then I suggest that this whole committee be held in contempt for ignoring evidence that cannot be refuted.
- Crazy creditsThe tagline in the opening credits reads "E Pur Si Muove," which translates from Italian to "And still it moves," a phrase ascribed to Italian astronomer Galileo Galilei after his arrest, trial, and conviction for defending the Copernican heresy by the Catholic Church. According to legend, he would utter this after his prayers in quiet protest against the Church, although the stories of this occurring did not surface until a century after Galileo's death.
- ConnectionsFeatured in The X-Files: The Truth (2002)
- SoundtracksPiano Trio No 2, 3rd Movement
Written by Dmitri Shostakovich
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