Year of the Dog

I'm a sucker for movies about people and their pets. This film stars former SNL player Molly Shannon as a secretary whose personal life revolves around her beagle, Pencil. When he passes away unexpectedly, she has to find another reason to go on. The film first hints that she'll discover the world of humans around her, particularly men, as two new ones (John C. Reilly & Peter Saarsgard) enter her life. But it smartly steers away from the obvious and veers into a more original voyage of self-discovery. My only real problem with the film is that a lot of the supporting characters are a little too caricature-esquire (notably Shannon's boss, played by Josh Pais), but writer/director White does a good job of redeeming them for the most part. A very touching, gentle film that's well worth your time.

"Year of the Dog" is by no means a Hollywood movie. No "perfect" characters here. No "perfect" story. Don't get me wrong, I love a good Hollywood movie. By all means, bring on the popcorn! We do, indeed, need that sort of entertainment in this day and age. I truly love it!

I'm just saying that this film is another breed altogether. "Year of the Dog" deals with situations, realities, and characters one might actually encounter in real life.

This film is brilliant in that it doesn't take sides. An animal lover (like myself) can watch it, and feel fulfilled and amused. A non-animal-lover (unlike myself) can likewise watch it, and feel fulfilled and amused.

Quite a tightrope writer/director Mr. White has created for himself. . .and completely succeeded at traversing. Bravo sir!

It's ultimately a story about how different sorts of people find a way of dealing with the painful events in their lives.

The actors are all on top form (particularly Regina King, Molly Shannon, Laura Dern, Josh Pais, and Peter Saarsgard--not to mention all the beautiful animals).

One could view this story as an exploration of "Dysfunction in modern America". Or, one could view this story as an exploration of "How to deal with dysfunction in modern America".

Take your pick...

"Year of the Dog" is by no means a Hollywood movie. No "perfect" characters here. No "perfect" story. Don't get me wrong, I love a good Hollywood movie. By all means, bring on the popcorn! We do, indeed, need that sort of entertainment in this day and age. I truly love it!

I'm just saying that this film is another breed altogether. "Year of the Dog" deals with situations, realities, and characters one might actually encounter in real life.

This film is brilliant in that it doesn't take sides. An animal lover (like myself) can watch it, and feel fulfilled and amused. A non-animal-lover (unlike myself) can likewise watch it, and feel fulfilled and amused.

Quite a tightrope writer/director Mr. White has created for himself. . .and completely succeeded at traversing. Bravo sir!

It's ultimately a story about how different sorts of people find a way of dealing with the painful events in their lives.

The actors are all on top form (particularly Regina King, Molly Shannon, Laura Dern, Josh Pais, and Peter Saarsgard--not to mention all the beautiful animals).

One could view this story as an exploration of "Dysfunction in modern America". Or, one could view this story as an exploration of "How to deal with dysfunction in modern America".

Take your pick...

I am actually tempted to call it "heartwarming" though I've never used that term to compliment a film. Each character is a balance between an exaggerated stereotype and frighteningly accurate portrayal. White treats his characters with subtlety and respect while allowing them to be as ridiculous as we modern humans are. Laura Dern is a genius with her painful and precise rendition of a sterile post-modern mother. As are all the leads; wonderful to see so-called "character actors" given space to breathe. If you were looking for "school of rock" or "orange county" you may be disappointed, but if you were intrigued and moved by "chuck & buck" "year of the dog" might hit the mark. This film felt, at times, reminiscent of the work of Todd Solondz, in that the characters can be both absurd and realistic simultaneously, and (as I see it) both directors are careful to avoid exploiting their characters. White's story is more traditional and warm than most of Solondz's work, though, many viewers will likely find "dog" exclusively "too depressing" or just "funny", and probably not "funny" enough.

Overall: Really lovely and well crafted little film that is both serious and silly, without being melodramatic or wacky: a triumph considering the subject matter. It has already landed a spot near the top of my short list of favorite recent films (its a desert out there these days, this is a glass of pink lemonade).

This was probably not a good movie for me to watch. I have had to put two dogs down and one just died on me. If you are out digging a grave at 5.am., bawling your eyes out, then you know what someone goes through when they lose a pet.

So, I could empathize with Peggy (Molly Shannon) and see how she could be easily swayed by Newt (Peter Sarsgaard). She was vulnerable and was easily pushed over the deep end.

It is unrealistic to think that friends, family, and co-workers will be so understanding. That only happens in the movies.

But, it was nice to see her follow her passion. That was the plus of the movie that focused just a bit too much on animal abuse.