Love & Other Drugs

In 1996, the womanizer salesman Jamie Randall (Jake Gyllenhaal) loses his job in an electronic store after shagging her coworker. Jamie is hired by Pfizer to sell Zoloft with his colleague Bruce Winston (Oliver Platt) and he uses his charm to seduce the receptionists and reach the doctors to convince them to prescribe Pfizer's drugs.

When he meets the twenty-six year-old Maggie Murdock (Anne Hathaway), they have sex on the first date. Maggie is a free spirit that has stage one Parkinson's disease and does not want to have a steady relationship. However, after a period, they both have a feeling that they have never felt before: love. But Jamie is promoted and need to move to Chicago and Maggie is afraid of her degenerative disease.

"Sex & Other Drugs" is a pleasant romance where the former Disney movies' actress Anne Hathaway shines with a bold role of a young woman that loves sex having to deal with Parkinson disease. Her character is very hot and her love scenes have a high level of eroticism. The bitter criticism to the pharmaceutical industry and corrupted doctors is unusual in American films.

Jake Gyllenhaal is a good actor in action films but he has a wooden performance in the role of a wolf that uses his appeal to be an efficient salesman. Josh Gad is annoying and his inconvenient character is never funny. Oliver Platt has a minor participation. My vote is seven.

Title (Brazil): "Amor e Outras Drogas" ("Love and Other Drugs")

Jamie Randall (Jake Gyllenhaal) is a womanizing stereo salesman who got fired for sleeping with the bosses' girl. He's the black sheep of a successful family, and turns to selling pharma for Pfizer in 90s Pittsburgh. During a visit to a doctor, he meets Maggie Murdock (Anne Hathaway) who is suffering from early onset Parkinson's.

The backdrop of pharmaceutical sales may not be the best for a comedy. There are attempts at jokes especially some Viagra montages, but it's more eye opening than funny. Jake Gyllenhaal is a great actor who is trying to give humanity to this relatively unlikeable guy. Anne Hathaway adds on a layer of cynicism and anger. It's not an easy silly rom-com. Although I try to like this movie, the tone changes are just too difficult to take.

This is one of those movies that have a weird marketing campaign, the studio wants to sell it like a romantic comedy when its more like a drama with complex and real characters. Anne Hathaway and Jake Gyleenhaal have good chemistry on screen and secondary characters help to bring equilibrium to a movie that other way could turn to be a little depressing. I also think that this movie doesn't deserve the R rating just because it deals with sex ( I live in Mexico and here we have something like PG-15)hopefully people don't feel to uncomfortable with the sex scene because it gives more credibility to the story.In the end the film works better than others of its genre and its worth a look ( probably not for a first date) but if you are already on a relationship it will give you something to think and talk about.

The movie starts out as a generic and even pedestrian romantic comedy and appears to be headed in the typical cliché driven direction but, fortunately, evolves in to something more. Jake Gyllenhaal's character and his alleged "funny" fat side kick are established almost purposefully as illustrations of what's wrong with most romantic comedies. It's Anne Hathaway's character that is the catalyst for the transformation from two dimensional rom-com to something deeper and more enjoyable. As she is fleshed out (pun intended because the more Anne Hathaway nudity the better) her character forces both Gyllenhaal's character and the film itself to grow (almost Viagra like). What follows is a deep, sometimes moving and genuinely interesting film. Commentary about battling illness, life and enjoying the moment are all relevant and poignant. Even supporting characters are given moments to shine. Oliver Pratt's drug rep has a wonderful scene delivered over dinner and there's even a smart drunken ramble explaining what is wrong with being a doctor and a commentary on the state of the Hippocratic Oath. From an emotionless and even tedious start, this film surprised me and is worth the price of a ticket.

Love stories are essentially the same -- it's a matter of how you dress them up. Many will see through "Love and Other Drugs" and count the romance clichés and formulaic characters, others will find the 1996 setting and the pharmaceutical angle refreshing. Both forces are hard at work in this film, but the tipping point goes in favor thanks to the leads, Jake Gyllenhaal and Anne Hathaway. There's a reason most romantic films are judged based on the chemistry of their lead actors. When it comes to romance, it's not about how cleverly written the two characters are and how unique and special they feel to us. What counts is whether they can convince you of their attraction/love and get you to -- without blunt coercion -- invest in what happens to them. Gyllenhaal and Hathaway have what it takes to do just that in spite of a script that sometimes tries to lean too hard on conventional tactics of boys meets girl. Gyllenhaal plays Jamie, an expert salesman who lands a gig as a pharmaceutical sales rep for Pfizer, right before Viagra hit the market. He's also adept at landing any woman he desires. He epitomizes a Don Juan and he's plays the type well, but when you can predict that he'll end up in bed with the next attractive woman that shows up on screen, the writing has taken it a bit far. As good of a filmmaker as Edward Zwick is, his best credits include "Glory," "The Last Samurai" and "The Blood Diamond" -- not exactly romance. He co-wrote the script (based on Jamie Reidy's memoir) with longtime collaborator Marshall Herskovitz and thriller writer Charles Randolph ("The Interpreter"), so no real romantic comedy prowess exists among them, hence the tendency to stick with genre conventions. One such convention is Jamie's brother (Josh Gad), who plays the little brother crashing on Jamie's couch who has a porn addiction and makes clueless statements, usually to the tune of no laughs, but he does help break the tension. Enter girl. Jamie meets Maggie, a bit of a free-spirited cynic who (in a unique twist) has way early onset Parkinson's. Many will be quick to jump on the "diseased girl" archetype, but don't judge Hathaway's prowess that quickly. As completely pathetic as Maggie's self-esteem might be and how strictly anti-commitment she is, when her character caves in to the romance as they all do, Hathaway gives Maggie a believable fragility rather than a melodramatic tone. Jamie's motives for wanting to spend more time with Maggie and not simply continuing his streak of banging all who possess lady parts are reduced to the reason of "she's playing hard to get," which is not the best of reasons. The same can be said about Maggie constantly accusing Jamie of having pity sex with the diseased girl. However, watching these two charm each other and overcome the cliché has a definite appeal. The two spend a lot of naked time together, making "Love and Other Drugs" the best date movie this holiday season. But on a serious note, the drug angle and the "recent past" setting give us something else to chew on, which is nice. Zwick never truly marries that story line with the romance except "Jamie sells drugs and Maggie has a disease that lacks an effective one." The thematic ties are not quite there despite the plot coincidences and the fitting title. "Love and Other Drugs" is hardly the cure for the common romantic comedy, but the consistent dosage of its two stars by and large pushes away those symptoms. ~Steven C