IMDb RATING
3.1/10
7.4K
YOUR RATING
After a seemingly undead man is bound and buried alive, he digs himself back to the surface and seeks bloody vengeance on those who caused him his suffering.After a seemingly undead man is bound and buried alive, he digs himself back to the surface and seeks bloody vengeance on those who caused him his suffering.After a seemingly undead man is bound and buried alive, he digs himself back to the surface and seeks bloody vengeance on those who caused him his suffering.
- Awards
- 2 wins total
Jodelle Ferland
- Emily
- (as Jodelle Micah Ferland)
Vincent Walker
- Inmate #1
- (as Vince Walker)
William 'Big Sleeps' Stewart
- Inmate #2
- (as William 'BIGSLEEPS' Stewart)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Violence in the raw would be a good way to describe this movie. The opening disclaimer tells us that some of the initial documentary style footage is supposedly real... it may be, but that's not the point. The point is that it's a very upfront presentation of violence and whoever seems to be doing it, also seems to be enjoying it to a degree. The remainder of the film is to a degree just like that. The shaky camera hovering all about over people's shoulders in longer than usual shot lengths is actually us watching in. Nosing in and out and all about trying to get a peek at how a criminal to be executed is tied to the final chair that he will ever sit in. Or the long, painfully long, shot of a woman getting beaten with her head eventually winding up as a gory stub.
Uwe Boll was never too good with carrying plots, but he sure has ideas and he is getting better at presenting them. There is no real plot here really, but more of a series of disturbing gruesome events. Perhaps surprisingly, the film is not exploitative like a typical slasher movie and the gore is hardly enjoyable. In fact, as far as marketing goes, that effectively makes the film bite its own foot, but it's an interesting decision. Infamous Uwe is developing as filmmaker and with a film like this I am actually kind of eager to see what he has next after this Anti-"slasher film" Film. --- 6/10
BsCDb Classification: 16+ --- violence/gore, brutality
Uwe Boll was never too good with carrying plots, but he sure has ideas and he is getting better at presenting them. There is no real plot here really, but more of a series of disturbing gruesome events. Perhaps surprisingly, the film is not exploitative like a typical slasher movie and the gore is hardly enjoyable. In fact, as far as marketing goes, that effectively makes the film bite its own foot, but it's an interesting decision. Infamous Uwe is developing as filmmaker and with a film like this I am actually kind of eager to see what he has next after this Anti-"slasher film" Film. --- 6/10
BsCDb Classification: 16+ --- violence/gore, brutality
Short Version: Seed isn't worthless. It's just derivative and inferior. And soulless.
Long Version: If you have never seen any of the films comprising the vaguely-defined "psychological horror" genre, this movie will probably melt your face off. Maybe not, but it will give you a good burn. The opening montage of real animal abuse will be sufficient to open your eyes to possibilities of brutality-on-video, and the (only) memorable gore scene later in the film will perhaps be more than you can handle. The climax will play with your emotions in a way that perhaps no other film has.
But that's if you don't have much experience with the genre. If you've seen the real thing..."August Underground's Penance," for example, you will, as I did, find it terribly difficult to stay awake until the end of the film.
Other reviewers have compared this to the video nasties of old. I understand this comparison. Like the video nasties, "Seed" is more violent than a mainstream horror film and less subtle. But the reason the video nasties are still known to us is not only for the above reasons--those that are still popular had something special. Permit me to be ambiguous, I think you will understand: those that have stuck around had "soul".
Take this quote from Gabriele Crisanti, director of "Burial Ground," on an interview on the new-ish DVD: "...we will never have more films like these, because today, technology has surpassed imagination. And technology is cold. So many things will disappear because small films like these won't be produced anymore. Today we have great, exceptional tricks that are very expensive, but they are cold. Today a horror, a terror film of this kind costs more than a million dollars. These films were not so expensive...they are real effects, made with our hands".
Perhaps it is wrong to take the comparison to old school horror so seriously. But Crisanti has hit the nail on the head. Even at their most seemingly exploitational, the best of the video nasties were pursuing a primitive "truth." And this is where Boll falls short. It's like he's seen the movies and not understood them. Everything on the checklist is there...BS about "making a statement about humanity," an obscene torture scene, etc. But it is, as Crisanti puts it, "cold." The gore is all CGI. The whole thing feels like scenes pieced together from other movies of various genres. And the pacing is sooooo slow. Man, so slow.
Another interesting note: the one gore scene really reminded me of a video game.
Anyway, enough BS. Weak movie.
Long Version: If you have never seen any of the films comprising the vaguely-defined "psychological horror" genre, this movie will probably melt your face off. Maybe not, but it will give you a good burn. The opening montage of real animal abuse will be sufficient to open your eyes to possibilities of brutality-on-video, and the (only) memorable gore scene later in the film will perhaps be more than you can handle. The climax will play with your emotions in a way that perhaps no other film has.
But that's if you don't have much experience with the genre. If you've seen the real thing..."August Underground's Penance," for example, you will, as I did, find it terribly difficult to stay awake until the end of the film.
Other reviewers have compared this to the video nasties of old. I understand this comparison. Like the video nasties, "Seed" is more violent than a mainstream horror film and less subtle. But the reason the video nasties are still known to us is not only for the above reasons--those that are still popular had something special. Permit me to be ambiguous, I think you will understand: those that have stuck around had "soul".
Take this quote from Gabriele Crisanti, director of "Burial Ground," on an interview on the new-ish DVD: "...we will never have more films like these, because today, technology has surpassed imagination. And technology is cold. So many things will disappear because small films like these won't be produced anymore. Today we have great, exceptional tricks that are very expensive, but they are cold. Today a horror, a terror film of this kind costs more than a million dollars. These films were not so expensive...they are real effects, made with our hands".
Perhaps it is wrong to take the comparison to old school horror so seriously. But Crisanti has hit the nail on the head. Even at their most seemingly exploitational, the best of the video nasties were pursuing a primitive "truth." And this is where Boll falls short. It's like he's seen the movies and not understood them. Everything on the checklist is there...BS about "making a statement about humanity," an obscene torture scene, etc. But it is, as Crisanti puts it, "cold." The gore is all CGI. The whole thing feels like scenes pieced together from other movies of various genres. And the pacing is sooooo slow. Man, so slow.
Another interesting note: the one gore scene really reminded me of a video game.
Anyway, enough BS. Weak movie.
While Uwe Boll is a terrible technician this movie, like many of his others, has an amazing take home message and awesome aesthetic. I always feel that I could shoot this on my black magic. Yet you cannot underestimate how in touch he is with contemporary feelings.
what a waste of time! i do like horrors but this one is just no good. only thing thats OK is the suspense sounds and music...special effects and sounds when body parts brake is OK. The movie is also way to dark, and it's the wrong sort of violence! there is no story telling! even a 2.8 is to much for this! PLEASE, do not make any more of these! Hopefully the votes are enough to keep people from making this! Was there any type casting involved btw? Hope not..
If u need some pointers, just let me know.. Or watch some European movies first. Like 'rec'for instance..
thanks for trying
If u need some pointers, just let me know.. Or watch some European movies first. Like 'rec'for instance..
thanks for trying
SEED is yet another Uwe Boll film. If it had been made by any other Director, it would be pure cinematic slurry. However, as Boll movies go, it's almost, sort of worthwhile.
From its nonsensical, graphically-real animal cruelty opening, to the eternal, CGI-laden, head pulverizing sequence, it's a brain-dissolving experience. Still, compared with other offerings from the maestro, it's an absurd masterpiece!...
From its nonsensical, graphically-real animal cruelty opening, to the eternal, CGI-laden, head pulverizing sequence, it's a brain-dissolving experience. Still, compared with other offerings from the maestro, it's an absurd masterpiece!...
Did you know
- TriviaThe film contains documentary footage provided by animal rights organization Peta.
- GoofsAll convicts given the electric chair must have their hair shaved to prevent them from catching on fire.
- Crazy credits[Before opening credits] WARNING This movie contains graphic and disturbing footage of real events. We have incorporated this footage into the context of the film to make a statement about humanity.
- ConnectionsEdited into Seed 2 (2014)
- SoundtracksPour Me Out
Music by Robert Bartha, Lyrics by Mark R. Polak
Performed by Mark Polak
Published by Robert Bartha Music Publishing and Edition X-tended c/o Arabella Musikverlag GmbH
Produced by Robert Bartha
Courtesy of Music2Gold Records Ltd
- How long is Seed?Powered by Alexa
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross worldwide
- $262,014
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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