An alien child is evacuated from his dying world and sent to Earth to live among humans. His peace is threatened when other survivors of his home planet invade Earth.An alien child is evacuated from his dying world and sent to Earth to live among humans. His peace is threatened when other survivors of his home planet invade Earth.An alien child is evacuated from his dying world and sent to Earth to live among humans. His peace is threatened when other survivors of his home planet invade Earth.
- Nominated for 1 BAFTA Award
- 7 wins & 46 nominations total
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Featured reviews
Zod Help Us, It's Actually Good
Man of Steel gets more hate than it deserves, and honestly, I don't get it. Snyder knew exactly what he was doing, this wasn't about bright colors and corny speeches. This was Superman dragged through a philosophy class, set on fire, and launched into a midair fistfight with a war criminal. The action was brutal in the best way, like watching gods beat each other into drywall for two and a half hours. And say what you want about the chaos, but visually? It slapped. The fight choreography was insane, the effects still hold up, and the destruction felt earned. When Zod and Superman leveled half of Metropolis, it wasn't just noise, it was inevitability. This was what it should feel like when titans go to war.
And yeah, you could feel Nolan's touch in the pacing. The flashbacks, the quiet tension, the weight of Clark trying to figure out who the hell he is. It wasn't a cartoon. It was a guy raised in Kansas trying not to vaporize people every time someone cut him off in traffic. Cavill was solid, not quirky, not chatty, just tired and trying, which made him way more interesting than the clean-cut boy scout we're used to. Zimmer's score deserves its own star rating. The whole thing felt like a reboot that finally took Superman seriously without sucking the fun out of it. Eight stars, easy. Let the purists cry. This one held up.
And yeah, you could feel Nolan's touch in the pacing. The flashbacks, the quiet tension, the weight of Clark trying to figure out who the hell he is. It wasn't a cartoon. It was a guy raised in Kansas trying not to vaporize people every time someone cut him off in traffic. Cavill was solid, not quirky, not chatty, just tired and trying, which made him way more interesting than the clean-cut boy scout we're used to. Zimmer's score deserves its own star rating. The whole thing felt like a reboot that finally took Superman seriously without sucking the fun out of it. Eight stars, easy. Let the purists cry. This one held up.
The Day I Stopped Trusting Critics
This movie was dishonestly mauled by critics and reviewers simply because it was directed by Snyder. Watching this again in 2020, I have to say this will go down as a classic in years to come. It's an absolute blast from start to finish and is one of the most loyal adaptations and faithful to the Superman lore found in DC comics. One of its greatest achievements was the magnificent depiction of Krypton and giving Zod the gravitas and motivation that he lacked in Superman II. You felt empathy for him. Shannon was outstanding in his portrayal of Zod; up there with Ledger's Joker.
I remember people actually complained about the level of destruction in this movie and the excessive use of special effects, but for me this is what makes a Superman movie. Take off your nostalgia tinted glasses and watch this with an open mind. This is the greatest Superman movie bar none.
I remember people actually complained about the level of destruction in this movie and the excessive use of special effects, but for me this is what makes a Superman movie. Take off your nostalgia tinted glasses and watch this with an open mind. This is the greatest Superman movie bar none.
Powerful and emotional superhero origin story
"Man of Steel" is a bold and visually stunning take on Superman's origin. Henry Cavill delivers a strong and emotional performance as Clark Kent, giving the character real depth and humanity. The action scenes are massive and intense, and Zack Snyder's direction brings an epic, cinematic tone. While the pacing can feel uneven at times, and the destruction in the final act is over the top, the movie successfully reimagines Superman for a modern era - darker, more grounded, and emotionally driven.
The Weight of Being Superman
Man of Steel is Superman reintroduced for a world that's more suspicious than star-struck. Instead of the classic confident hero who already knows how to be a symbol, this movie gives us Clark Kent still figuring out who he's supposed to be - and whether humanity even wants him around. Henry Cavill plays him with this quiet heaviness, like a guy who has to shrink himself so he doesn't break the world. The parts of the movie feel almost like a sci-fi drama - he's an alien first, a superhero second. That angle makes his struggle feel more personal, not just another origin story checklist. ... It's huge. You can feel the impact whenever Kryptonians hit each other. It looks amazing, but it also makes you nervous because the movie doesn't pretend there wouldn't be consequences. When the fights tear through Smallville and Metropolis, the destruction is intense enough that you can't ignore it or pretend it's harmless comic-book chaos. That leads to the most talked-about part- the way Superman finishes the fight with Zod. Some fans hated that choice, because they see Superman as someone who always finds another way. Others appreciated that this moment is what pushes him to become the hero with stronger boundaries later on. The film ends with him still learning, not already perfect - and that makes him feel more real. And Hans Zimmer's score? It carries the whole thing. It's big and hopeful, but also kind of anxious, like the music knows Superman is one bad day from being seen as a threat. So yeah, Man of Steel isn't a warm, feel-good take on Superman. It's messy and serious and not trying to please everyone. But that's also what makes it memorable. It leaves you thinking about the weight of being Superman instead of just the cool moments of being him.
Ignore the critics
I am old enough to have seen the original 2 Christopher Reeve Superman movies, and the idea of combining them is great. Henry Cavill is a better Superman, Amy Adams is a better Lois Lane, the script is far stronger, the baddies are more believable, I honestly can't understand the negatives; with the exception of the first 20 minutes, which just didn't work. A great attempt, far better than most DC movies, except the Nolan ones.
Soundtrack
Preview the soundtrack here and continue listening on Amazon Music.
Did you know
- TriviaHenry Cavill refused to take steroids to muscle up for the role. He also refused any digital touch-ups or enhancement to his body in his shirtless scenes. He said it would have been dishonest of him to use trickery while playing Superman, and he wanted to push his body to the limits, to develop his physique into one that was worthy of the character.
- Goofs(at around 1h 3 mins) When the ships arrive and broadcast the message to the world, multiple cities across the planet are shown, but it is nighttime in all of them.
- Crazy creditsThe Warner Brothers, Legendary Pictures, DC Comics and Syncopy Inc logos are shaded steel gray and appear in swirls and bends of Kryptonian metal.
If you look closely, the Warner Brothers, Legendary Pictures and DC Comics logos have Kryptonian writing.
- ConnectionsEdited into Superman 75th Anniversary (2013)
- SoundtracksRing of Fire
Written by June Carter Cash (as June Carter) and Merle Kilgore
Produced by Allison Crowe and Larry Anschell
Performed by Allison Crowe
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- El hombre de acero
- Filming locations
- Ucluelet, British Columbia, Canada(Alaskan fishing town)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $225,000,000 (estimated)
- Gross US & Canada
- $291,045,518
- Opening weekend US & Canada
- $116,619,362
- Jun 16, 2013
- Gross worldwide
- $670,145,518
- Runtime
- 2h 23m(143 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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