Gangster's Paradise: Jerusalema

I have just watched the movie for the first time just this past Friday, I was blown away and touched by it. i don't know if there is such a thing as a good thief, but I fell in love with Rapulano in this movie all over again, for me it had that James Bond element, except that his black and a thief, but that untouchable notion of 0007... Great story and acting. I felt sad for the white chick (grilfriend), not because of her colour, but as a women I could relate, when you think you know somebody but and realising that you don't and in such a matter is just so painful....., but on another hand....there was that element for me, of our black brothers going for white chicks... when they are loaded....even though in this movie that wasn't what brought them together.... interesting story indeed...

If you thought Tsotsi was brilliant, Jerusalema will blow you away. It's about determination and hope. I've never seen such an apt depiction of township life. Big -up 2 the producers for the angle they took. I loved the music and how they tied Jerusalema with the lead characters' praying mother! A must see, for inspiration if nothing else!

Guys lets praise SA for producing such an magnificent movie in the international screens, u better start going to the cinemas to watch the awesome job did by our camera men, editors and directors etc. Big up Mzantsi Big up.

If Jerusalema, the latest film about life in South Africa's underbelly of Hillbrow, can make a film like the award winning Tsotsi look like child's play, you need to ask yourself the question: "Why haven't I seen it yet?" Even more disturbing is that Jerusalema premiered at the Berlin Film Festival earlier this year, and has already been raking in the awards.

Star of the film - Lucky Kunene's motto in life is taken from an Al Capone movie "If you're going to steal ... steal big, and hope like hell you get away with it!" Like a fly on the wall, we get to watch how an innocent youth from Soweto, a victim of circumstance, turns to crime and works his way up to become the hoodlum of Hillbrow.

The acting is superb and will have you engrossed in the film in no time. The script is watertight, and quite probably the most accurate account of South Africa's criminal underworld that you're ever going to see.

The scary part about all of this? It's based on true events! (But don't be put off SA, this is a small part of a big country)

I saw this film previewed on CNN and went to see it at the Zurich Film Festival with some American friends of mine. Being South African one could see that this film was simply a labour of love for the beloved country. Ralph Ziman, the self effacing director was on hand to talk about the film after the movie and I asked him how he got all the original footage of the Mandela inauguration etc, which he has cleverly weaved into the movie. His answer was amazing: He shot it himself over the years, which means that Ralph has single handedly created parts of a record of SA history no one else has. At the end of the day the film is broad enough and topical enough to override Tsotsi on many levels, dealing with the integral white black relationship in South Africa (the main black criminal building hijacker in the movie has an affair with a well to do white Jewish girl from the burbs) and how these parts of society interrelate. Last but not least, as it is not stuck in the modality of "Tsotsi only" it manages to look refreshingly at a broad swathe of the themes and reality affecting SA society today. Though Ralph denies it :) (correct me if I am wrong Ralph) Tsotsi has inevitably influenced the making of Jerusalema but on many levels is radically different. In a sense I missed the whimsical sadness of Tsotsi and Jerusalema pans through the skyline and scenes of our Johannesburg far too fast to really do it justice. More of that please. However, its a fast moving film that was enjoyed not just by me but by some Americans I dragged along to it. They really liked it proving that it scope and graphic talks to a worldwide audience. Bravo Ralph. Your country has cause to be very proud of you. You are a true son of South Africa.

A movie that speaks to the core of the human spirit. As much as the movie is South African, anyone who has been faced with hardship will relate. Our dreams, when they shatter and fade painfully silently and the dark talents we discover in desperation for a moment to live the life we once aspired to. Seiphemo, Zekele and the supporting cast are brilliant on a script that pulls no punches, with impeccable direction. The overall execution leaves no vague on what goes wrong and how it becomes celebrated as fruits of crime are reaped and shared by even the most moral in our lives. South African cinema has moved to the next stage in evolution i.e. reflection on some of the darker sides of the new South Africa. A masterpiece.