The First Grader

A good retelling of a valiant journey for a hero in the twilight of his life.Great depictions of African people and culture.Stunning photography.

Glorious acting by the leads, a charming yet affecting screenplay, taut direction and above all stunning cinematography - all making for a gem of a film.

Due the nature of the story (daww, an 84 year-old guy in Kenya learning his ABCs with all the little kids...) some scenes skim dangerously close to being too cute and sentimental but thankfully the harrowing background to the story and gutwrenching depiction of conflicts in the past, along with the personal tragedy at the heart of the story make this such a moving film. Both Naomie Harris and Oliver Litondo deliver phenomenal performances, the latter in particular I think deserves Oscar consideration.

The first grader is a true story about an 84 year old Kimani Maruge (Oliver Litondo) who decides to go back to school after learning that the Kenyan government has introduced free education. He was a MauMau soldier a fact that prevented him from getting an education he so desired due to the war. He goes back to school so he can learn how to read the bible and a letter he received. This decision takes him on a journey full of struggles, which he has to overcome. The head teacher Jane Obinchu (Naomi Harris) undergoes the struggles with Maruge, which rocks her marriage and also gets her transferred to another school. The movie's theme is the struggle a person undergoes when attempting to accomplish his or her goals. The movie's plot combined with good acting from Oliver Litondo and Naomi Harris shows his journey and struggles. Maruge and Obinchu fight the parents, villagers, education board, and teachers that are against his going back to school as they see do not see the reason why an old man about to die needs education. To them this is a waste of the schools scarce resources. Conviction, a movie about Carl Upchurch, a felon who turns his life around while in prison by getting an education and discovering his identity has a similar theme to that of the First Grader. In his mission to help out people who are in the same situation he was in he faces a lot of opposition and mockery from people due to his past, but never gives up hope. The first grader uses low-key lighting to create a somber mood and especially when Maruge has flashbacks of his days in the forest as a MauMau soldier and the torture he endured. The movie also uses high-key lighting with the difference between light and dark areas being wide thus creating powerful dramatic images. The movie also employs motifs, which is in form of Marugue's struggle and journey. The flashbacks about Maruge's days as a MauMau veteran and the suffering he and others endured in order to help Kenya achieve its independence is the motif that reflects the movies theme. In the movie, Maruge is suffering and is also being ridiculed by other due to his decision to get an education. The first grader is an inspirational story that takes the viewer through the struggle of a man to achieve his goal of learning how to read so he can understand the bible and a letter he received.

This film is about a 84-year-old man who insists on attending primary school, when the Kenyan government announces that there is free education for all.

"The First Grader" is about an elderly man who wants to be educated. His action provokes debate within the viewer, as we have to decide on how to interpret the Kenyan government's promise, ethical issues, effective allocation of public resources and opportunity costs. This topic is already very interesting and intellectually stimulating. There is also a subplot about the dark colonial history of Kenya, which probably aims to enhance the viewers' connection with the protagonist. However, I find the subplot ineffective without more detailed background history of Kenya, and more development on this subplot. Despite the shortcoming, "The First Grader" is still a touching and inspiring tale.

This is a very good movie which operates at various levels. Ostensibly about an 84 year-old man going to primary school for the first time, it also covers (in graphic detail) a dark period in Kenya's and Britain's past: The Mau Mau Rebellion.

The issues raised are complex: the right for an old man to an education even if it excludes another child in a country of stretched educational resources; the fight for freedom and the integrity of an oath; and the battle against officialdom are but a few. Above all, it's a struggle against adversity on a variety of levels, both past and present.

The Mau Mau Rebellion is often overlooked in histories outside Kenya and this is well portrayed in the film. At times it is frightening and certainly very threatening and the director contrasts the flashbacks of the past with those of the present.

The acting, cinematography, editing are excellent. As is the beautiful yet unobtrusive soundtrack. And even though it becomes a tad clichéd, it is still an impressive and inspiring story. I was very moved by it—not least the dignity of the old man given all the injustices he suffered. Certainly worth a watch and better than a lot of movies I have seen this year.