Mamma Mia!

This movie is two hours of music and happiness. This movie is an easy 11/10 method of being happy and one of my all time favourites. There is no ingenious plot or thought provoking question, and that's fine. Just sing along and enjoy.

That kind of film who is so easy to define as superficial. Before you see it. Because it is only ... charming. Surprising charming. For musical scenes. For the feel of summer holliday. For impressive cast and beautiful performances. For locations. And, off course, for...ABBA. The best point - the feeling to see an old fashion comedy. And that is the serious motif. For see it. Time by time.

As a musical, pure and simple, 'Mamma Mia' has the briefest and silliest of stories, backed up by a large selection of Abba songs (Super Trouper, SOS, Voulez Vous, Gimme Gimme Gimme, Money Money Money, Dancing Queen, The Winner Takes It All, Lay All Your Love On Me, Our Last Summer, Mamma Mia, etc.).

Meryl Streep has a daughter about to marry, and a cloudy past which has left three possible dads - Sam (Pierce Brosnan), Harry (Colin Firth), and Bill (Stellan Skarsgard). Now you can imagine that when Brosnan was James Bond he never thought he'd be cavorting along to Swedish pop on the big screen - but despite his weak voice, he does OK - the same can be said for Firth, who seems to choose roles with such little discrimination it is no longer a surprise to see him in anything.

Donna (Streep) also has two friends to support her - Julie Walters and Christine Baranski. Walters is as fun as ever, cavorting in her headscarf and singing appallingly; while Baranski is another Samantha from Sex and the City - chasing young barmen and struggling in her high heeled boots. Their scenes together and apart are hilarious - and Streep's singing cannot be faulted.

Is the film any good? It is hard to tell. It is certainly fun, and funny. The direction isn't particularly inspired, nor is the screenplay clever or profound - but then, neither is the music of Abba. Taken purely as bubblegum, feel-good cinema, it does OK, and isn't as bad as you might have expected.

Mamma Mia! Does the mention of anything Abba-ish send you cringing to a corner? Or are you already joining in and dancing on the tabletops? Maybe another few drinks . . .

In short, if you are not allergic to Abba, book your tickets now. If you are, why would you be reading this? At a pinch, it is worth seeing for Meryl Streep alone, who not only throws herself headlong into every refrain with unashamed gusto, but adds a touch of class and nuance to what otherwise could be a one-dimensional adaptation. Streep vacillates engagingly between playing herself and not taking herself too seriously. Pierce Brosnan just about keeps up, and manages more expressions than he ever did as James Bond. Colin Firth and Julie Waters trail behind somewhat. Yet Mama Mia! is a roller coaster of emotion, careering colourfully from the blue waters of the Adriatic, bursting 'like Aphrodite's Fountain' into the lives of Donna (Meryl) , her lovers and friends, and her soon-to-be-wed daughter. It is the party spirit that says kick your shoes off and sing silly cheesy songs. Altogether now.

And yes – there's a story. Donna's daughter Sophie is getting married. To the buff-looking Sky. Only – where's her dad? She's never met him. A sneak-peek at Mom's diary shows Mom had three lovers before Sophie was born and Sophie secretly invites all of them. This is a film of threesomes. Three past lovers (Sam, Bill and Harry). Three close friends (Donna and two best pals). And, not to be outdone, Sophie meets up with two other young girls at the start of the film.

The breakneck pace still allows for brilliantly put together shots. Like Streep doing a 'Titanic' with drapes blowing in the wind. Or a pier-load of young hunky stag night crew doing a dance in trunks and deep-dive flippers. Moonlit boats and beaches to "I Have a Dream." Filmed on location, the views won't disappoint. And like a favourite song whose ending we know, the drama is in the details and execution.

As with many adapted-from-stage musicals, two young leads are played by talented singers, and the older parts by serious actors can sing well enough. Streep manages extremely well. Her performance is so professional and assured it leaves others standing. Fortunately, it is perhaps easy to paper over any cracks in musical comedy. Sweeney Todd relied heavily on Depp's charisma and stunning cinematography. Across the Universe, too heavily on the songs. Mamma Mia!, on the other hand, simply tailors everything to its joyous headlong rush. The songs fit naturally to the action. Streep even manages to sing them with her tongue firmly in cheek. She confesses to having been a "stupid reckless little slut" but then says she "grew up". (To which her pals chime in, "Well grow back down again!") The film is not without faults. There is a notable lack of chemistry between the people that throw themselves rapturously against each others' faces. Even Streep looks less than convincing in a brief lips-mash. And the men are a bit croaky in the singing department (Hugh Grant might even have been a preferable casting choice). And some of the time-line is wobbly. For instance, strange as it may seem, music from more than twenty years ago does not all come from the same era. So reminiscing about flower power (early sixties) in the same breath as a Johnny Rotten t-shirt (Sex Pistols, mid-late seventies) is either anachronistic or wishful thinking.

Sadly, I am of a generation that can remember Abba-mania. The records would shoot to number one. Yet even then few people would admit to buying them. I used to manage a night club, and Abba was great music to ask a girl up to dance. My entire chat-up repertoire at that time consisted of, "Would you like to dance?" and "Do you want to come back for a coffee?" But girls would be so happy dancing to Mamma Mia they'd say yes anyway. I'd fall in love with a new girl each week. Ah, those were the days! Now there's a new generation of Abba fans who have no need to 'come out of a closet'. Abba is retro-chique. Even Madonna segued an Abba riff into one of her songs. From karaoke to hen nights. From '70s' nights to gay dance-floors. Dress up. Camp it up. Sing it up. Get sassy and cheesy. Or, if you're old enough to remember, fly back in time to wonderful memories.

Mamma Mia!, whatever detractors might say, has been one of the most successful stage shows of recent times. Supported by the same director and original band members, the movie may well reach the similar fan bases. Or just the party spirit in all of us.

I did enjoy this romp in the Greek Islands and was surprised at how well Meryl Streep sang. It's light, full of froth and bubble and perhaps has some aspects of Grease and Bollywood in it. The reason the music works I feel is that they haven't really messed with the arrangements of the songs keeping them generally faithful to the Abba originals. But Pierce Brosnan's vocal efforts were abysmal, almost laughable. Perhaps it was meant to be a send up of the original songs all the way through but he really did manage to mangle the vocals in my opinion. If you have seen the musical on stage you will know what to expect and there are some funny moments in the film and the Greek islands are as always a superb backdrop for the action.