Numb

i just saw this film at the Austin film festival. I had no idea what to expect and i was delighted with the results. Mathew Perry delivers a fantastic understated performance. I really wasn't a fan of his and when I heard he was in it, truthfully i wanted to see it less. But i've changes my tune completely, l'm a definite fan now, he sunk his teeth into this role and really let go of his usual bag of comedic tricks.

The writer/director knows what he is doing. He injected just enough, just just enough comedy into the movie to make the disturbing and hard to handle subject matter palatable. I really found the movie a delight and the the whole theatre was laughing in agreement with me. Go see it, its really something!

Since the 'friends' era (someone was bound to bring it up), Perry's films have always shared the typical romance/comedy element, although I must nuance by saying the emphasis tended to differ, but now it seems that Matt has chosen a different path, trying to prove himself as a serious actor in drama's, although he hasn't fully abjured comedy (not that he should, as long as it remains tasteful). The recent 'The Ron Clark Story' proved to be a big hit in the rose and 'Numb' was the next logical step, providing him with a more challenging and diverse role even namely a screenwriter having to deal with a peculiar form of depression; 'depersonalization'.

Judging the authenticity of his performance is very hard, seeing that I, like most people, have never heard of the condition in question. I do believe most reviews coming from people suffering from it or having suffered from it in the past were predominantly positive. Perry's natural charm and his impression of being clumsy have to be suppressed, and having dealt with depression in real life the actor can dig into his own experience to come up with a real life character, and he does so with furore, wisely underplaying and steering away from his typical comedy style, meanwhile the film still has a lot of off beat comedy moments to lighten the material at hand a bit, certainly a welcome comical relief.

The low-key tone of the film might make it difficult for some people to access, but I would still recommend it to most people.

7.7/10

Goldberg's 'Numb' tells an intense and funny 'tale' of a writer suffering from depersonalized disorder while facing other difficulties (his kleptomania, his dysfunctional family, his love). This is no disease-of-the-weak movie that preaches about a sickness because Goldberg adds plenty of humour that is dark, satirical, subtle, dry and adult while keeping us entertained from start to finish. He also keeps us involved in Hudson's life. I wonder how much of it is based on Goldberg's own experience. The dialogues are funny, witty and clever. Though the movie does sort of mock psychologists and psychiatrists (in a hilarious way) but the problems surrounding the disorder and the central character's anguish is well depicted and people will recognize them as almost everyone has felt depersonalized at least for one moment or another. Matthew Perry's excellence in comedy is already well known and here it was great to see him act on a more intense level. The actor can definitely do more than comedy (as was also evident in 'Birds Of America'). I think it is the first time I heard him say the 'F' word. His understated performance as Hudson draws sympathy from the viewer but also laughter during the lighter moments. Of the 'Friends' lead cast, only Perry along with Lisa Kudrow and Courteney Cox seem to have 'grown' as actors. Lynn Collins holds her own and has a good screen presence. Mary Steenburgen is laugh-out-loud hilarious as the steamy 50+ psychologist who hasn't done 'it' in seven years. Thus, 'Numb' was a fun and enlightening watch. Goldberg and Perry have done a superb job and this is one movie I definitely would be revisiting soon.

Hudson Milbank, who is a screen writer, gets to knows that he has depersonalization disorder, tries to change his isolated lifestyle and starts to socialize to cure it, and the decisions that Hudson takes, whether as part of the treatment or not is all about the movie.

Having someone who loves and accepts the way that you are without proving or without showing any gimmicks to be attractive is the soul of this movie.

A small movie about accpetance, whether it's good or bad.

Overall it's a good movie which mostly driven by Mathew Perry's performance as Hudson which is the main postive of this film.

It's highly recommended.

I picked this up on a whim after having only seen a brief trailer for it on another movie. I am SO glad I did. As one of the other commentators pointed out, depersonalization disorder is a real problem for some people. Unlike Perry's character, I smoked weed everyday for a little over two years before it suddenly flipped a 180 on me and threw me into a panic/anxiety disorder coupled with what I was calling dissociation (not feeling right in your own skin, as they say in the movie, is spot-on). I felt "out of pocket" for over two years after my incident and never really went completely back to normal. I eventually managed to get over the chronic anxiety (after six months on Lexapro and about a year spent seeing a psychologist). Anyway, sorry to go on about myself, but it is just such a relief to see this on film! I'm even a writer as well (fiction not screenplays), but this is uncanny. My doctor also told me there was nothing physically wrong with me, just like in the film. I had an MRI and multiple other tests which all yielded nothing, like in the film. I had read some blog entries of people experiencing this, but my doctor had no idea what was wrong with me and my shrink had never really heard of it either. I felt just as alone and helpless as Perry's character does.

This movie did an amazing job of showing the effects of this little-known disorder. That whole part about looking at your hand or an object and not feeling like it's actually there, even though you can physically feel it -- completely true. I wanted to crawl out of my skin at times, and it is just so cathartic to see this film now, years after the fact. Perry is brilliant in this role and didn't even slip into Chandler-esquire tropes that have somewhat become his trademark (although, unfortunately, he will always be compared to that character). The dialog is actually quite good and the romanticism in this film isn't overbearing and contrived like so many other rom-comedies. In fact, I normally avoid rom-comedy for that very reason. Numb avoids the pitfalls and cuts right to the uncontrived truths. It doesn't rely on cuteness or sentimentality and the wittiness shines. Of course it's not perfection, but I couldn't have asked for more. Thank you Harris Goldberg. You did well.