On a Maine college tour, Meadow presses Tony about the Mafia while he stalks a protected informant--balancing parental pride with ruthless business; at home, Carmela's confession tests her f... Read allOn a Maine college tour, Meadow presses Tony about the Mafia while he stalks a protected informant--balancing parental pride with ruthless business; at home, Carmela's confession tests her faith.On a Maine college tour, Meadow presses Tony about the Mafia while he stalks a protected informant--balancing parental pride with ruthless business; at home, Carmela's confession tests her faith.
- Junior Soprano
- (credit only)
- Salvatore 'Big Pussy' Bonpensiero
- (credit only)
- Silvio Dante
- (credit only)
- Paulie 'Walnuts' Gualtieri
- (credit only)
- Livia Soprano
- (credit only)
- Irina Peltsin
- (as Oksana Babiy)
- Peters' Wife
- (as Lisa Arning)
Featured reviews
However, this episode here; "College", perhaps is the most boring episode I can think of in the entire show... 😓
Tony is motoring around New England taking Meadow to various colleges so she can tour them and talk to school officials so that she can decide where she wants to apply. Carmela is home recovering from the flu, when her priest comes by, seemingly always looking for good food and a good movie on laserdisc, the premiere video format of the time.
During this trip Tony sees someone he thinks is a "rat" - somebody in the mob who twelve years before turned state witness and sent a bunch of his crew to jail and then went into witness protection. Would Tony jeopardize not only a trip that is supposed to be about his daughter but perhaps his daughter's life to whack the rat? Of course he would! And there is no doubt that if Tony loves anybody, that he loves his daughter.
Carmela becomes all weepy with the priest, confessing that she knows living off of Tony's life of crime is wrong but that she is attracted to what is easy versus what is good. She gets in these confessional moods several times over the life of the series, especially when she is facing some kind of crisis, but nothing ever changes. Over the years she talks to at least one other priest and a therapist, but in the end she continues down the same path.
I feel that this episode is underrated as it may feel like filler, but it is in fact quite revealing. And it is probably the only time in which Ronald Reagan's lips have served as a plot device.
Did you know
- TriviaDavid Chase has described this as "the ultimate Sopranos episode" and James Gandolfini and Jamie-Lynn Sigler also agreed this was one of their favorite episodes in the series. Chase and co-writer James Manos Jr. won Emmy Awards for their script. Also, for her performance as Carmela in this episode, Edie Falco won her first Emmy for Outstanding Lead Actress in a Drama Series.
- GoofsWhen Tony brings the drunk Meadow to her motel room, the number on the door is 22. But the next morning when they leave, it's marked room 20. Earlier, Fred Peters had read on the cleaning lady's list that Meadow was staying in room 20 and Tony in room 21.
- Quotes
[Christopher calls Tony from a phone booth, while it's raining]
Tony Soprano: What do you got?
Christopher Moltisanti: Wet shoes.
Tony Soprano: You chose this life. You don't want to work in the rain, try for the fucking Yankees.
- ConnectionsFeatured in The Sopranos: Down Neck (1999)
Details
- Release date
- Country of origin
- Official site
- Language
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 57m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1