Shore Leave
- Episode aired Dec 29, 1966
- TV-PG
- 50m
The past months have left the crew exhausted and in desperate need of a break, but does this explain McCoy's encounter with a human-sized white rabbit or Kirk crossing paths with the prankst... Read allThe past months have left the crew exhausted and in desperate need of a break, but does this explain McCoy's encounter with a human-sized white rabbit or Kirk crossing paths with the prankster who plagued his days at Starfleet Academy?The past months have left the crew exhausted and in desperate need of a break, but does this explain McCoy's encounter with a human-sized white rabbit or Kirk crossing paths with the prankster who plagued his days at Starfleet Academy?
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- Black Knight
- (uncredited)
- White Rabbit
- (uncredited)
- Lt. Brent
- (uncredited)
- Don Juan
- (uncredited)
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Looking for a place to chill out for a while, the Enterprise happens across a seemingly idyllic M Class planet, and sends an exploratory team down to take a closer look. Soon enough all kinds of absurdities begin to take place - some seemingly perilous - but it all seems a morass of human emotional extremities played out in a weird blend of fantastic mystery (McCoy has gone through the looking glass), psychological thriller (Kirk is stalked by an indefatigable bully from his past), and romantic comedy (no comment).
TOS was the least serialized of all of the series in the Trek franchise, so it is easy to forget how many episodes in the first season focused on heavy-handed, potentially calamitous drama. Unlike later series franchise writers, TOS' production team was not afraid to literally go where no TV series had gone before. And Shore Leave, despite its occasional problems, is an example. My only criticism of this episode is that the cast (particularly Shatner - ironic given his legendary sense of humor) didn't seem to know how to handle this new wrinkle on ST's themes. The last scene is possibly one of the worst scenes I can remember from the entire TOS run - both compositionally and in terms of acting.
'nuff said. My recommendation - see it while watching the entire first season as it was meant to be seen - it order.
This episode is another honorable mention, this one is a bit of a light one though at the same time a bit of a fantasy suspense thriller which is part of what makes the episode unique for once getting a toe into the fantasy genere. I really like how we're all on the same boat as everyone else, as there are a bunch of things just appearing out of nowhere, I remember when McCoy was seeing the White Rabbit and Alice, I thought "What the Hell?" That of course is Kirk and the crews first step down the rabbit hole.
Just a lot of crazy things are happening like we this young couple Angela and the guy in the blue uniform forgot his name. We see a couple of World War 2 planes appear and shoot at them; though the weardest thing about it how they just apeared and reacted once the blue guy thought and said it.
Same with Kirk when he recalls someone at the Acadamy whom beat him in a fist fight, that guy appears. This is the highlight of the episode as it results in probably one of the best one on one fights in "Star Trek" in my book it's also one of the longest up there with the street fight in the film "They Live". I really like that this fist fight is fun and funny because both guys in the tussle look like their having fun. You just see the guy constantly goating Kirk and seeing that firery look on Kirk's face I thought "Ah, man your just asking for it."
You might be able to figure it out a little earlier before the end what's going on but it didn't deter anything where just like in any recreation time actually gave me a good feeling.
Rating: 3 and a half stars.
Diverting from the show's tradition, the Enterprise isn't on any proper mission in this episode. Instead, Kirk has found a perfect planet for his crew to spend some time off duty: a well deserved break after three months of incessant work. The Earth-like planet (a budget-related fact) is very appealing, but it only takes a few minutes before something weird happens: Dr. McCoy starts having visions of a white rabbit that seems to come straight out of Lewis Carroll's work. Soon, other people begin experiencing similar things: a woman meets a Don Juan-like character, Sulu has a run-in with a samurai, and Kirk faces a double encounter with the past, in the shape of almost love and the guy who used to pick on him at the Academy. Throw in a freakishly real-looking tiger, and it's easy to see why Kirk and Spock are determined to figure out what's going on before anybody gets hurt.
The idea is a classic one: idyllic place turns out to be far from heavenly. The episode's humorous take on the topic is rather successful, weren't it for a dark turn of events that doesn't sit well with the rest (of course, everything works out fine again come the end) and the cast's general unwillingness to show a funnier side of themselves (most notably, and ironically, the otherwise hilarious William Shatner). And yet Shore Leave deserves recognition for being another good example of the writers trying new, previously unseen things: the definition of Star Trek's success.
7,5/10
Some viewers might think it was too silly, but like shore leave itself, it did give the series a rest from the serious stuff. Not that I would have known that at the time. All I know is that this episode hooked me and I became a fan for life.
Right now, I am watching this episode on Blu-Ray. The Finnegan character is wonderfully over the top, and the music that accompanies him is perfect.
Did you know
- TriviaThe episode was being rewritten as it was being shot. Cast members recalled Gene Roddenberry sitting under a tree, frantically reworking the script to keep it both under budget and within the realms of believability. As a result the filming went over schedule and took seven days instead of the usual six.
- GoofsTire tracks are clearly visible when Kirk is running after Finnegan.
- Quotes
Mr. Spock: I picked this up from Dr. McCoy's log. We have a crew member aboard who's showing signs of stress and fatigue, reaction time down 9-12%, associational rating norm minus 3.
Captain James T. Kirk: That's much too low a rating.
Mr. Spock: He's becoming irritable and quarrelsome, yet he refuses to take rest and rehabilitation.
Captain James T. Kirk: Mm-hm.
Mr. Spock: Now, he has that right, but we've found...
Captain James T. Kirk: A crewman's right ends where the safety of the ship begins. Now, that man will go ashore on my orders. What's his name?
Mr. Spock: James Kirk. Enjoy yourself, Captain.
- Alternate versionsSpecial Enhanced version Digitally Remastered with new exterior shots and remade opening theme song
- ConnectionsFeatured in Trek Nation (2011)
- SoundtracksTheme From Star Trek
Written by and credited to Alexander Courage
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