The Alternative Factor
- Episode aired Mar 30, 1967
- TV-PG
- 50m
IMDb RATING
5.7/10
4.3K
YOUR RATING
Existence itself comes under threat from a man's power-struggle with his alternate self, with the Enterprise's strained dilithium crystals presenting his key to a final solution.Existence itself comes under threat from a man's power-struggle with his alternate self, with the Enterprise's strained dilithium crystals presenting his key to a final solution.Existence itself comes under threat from a man's power-struggle with his alternate self, with the Enterprise's strained dilithium crystals presenting his key to a final solution.
Bill Blackburn
- Lieutenant Hadley
- (uncredited)
Vince Cadiente
- Security Guard
- (uncredited)
Bill Catching
- Anti-Matter Lazarus Being #2
- (uncredited)
Frank da Vinci
- Crewman
- (uncredited)
Carey Foster
- Enterprise crewmember
- (uncredited)
Tom Lupo
- Security Guard
- (uncredited)
Al Wyatt Sr.
- Anti-Matter Lazarus Being #1
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I love these old STAR TREK episodes but this must be one of the lamest ever. I couldn't figure out what on earth was going on - nor could Kirk and Spock by the sound of them. Spock keeps making strange and frankly incomprehensible statements like "it's possible...very possible." It's either possible or not, make up your mind, Mr Spock.
Meanwhile, a man falls off a cliff, again and again, and is cured by a small plaster, though blood drips from his mouth. The best parts are Kirk's line "I want facts, not poetry!" and the Enterprise crew hanging out in the recreation room smirking at the state of the canteen coffee while the goatee man prowls about looking ragged. Couldn't Bones have loaned him a spare suit at least?
It's still all splendid fun, of course, and I recommend it wholeheartedly over all modern TV programmes.
Meanwhile, a man falls off a cliff, again and again, and is cured by a small plaster, though blood drips from his mouth. The best parts are Kirk's line "I want facts, not poetry!" and the Enterprise crew hanging out in the recreation room smirking at the state of the canteen coffee while the goatee man prowls about looking ragged. Couldn't Bones have loaned him a spare suit at least?
It's still all splendid fun, of course, and I recommend it wholeheartedly over all modern TV programmes.
There is a solid sci-fi premise here, though the stakes should have been dialed way back. I hated this as a kid and now just see it as extremely silly.
But turkey though it may be, EVERYBODY remembers this one. I actually liked the George Jettson personal spaceship.
To be fair, any potential this episode had was destroyed by the original actor cast as Lazarus not showing up. The replacement went directly from casting to shooting with no time to prepare. Despite being handed a quite complex role.
But turkey though it may be, EVERYBODY remembers this one. I actually liked the George Jettson personal spaceship.
To be fair, any potential this episode had was destroyed by the original actor cast as Lazarus not showing up. The replacement went directly from casting to shooting with no time to prepare. Despite being handed a quite complex role.
Yes, it's true, this is one of the worst episodes in the entire series, right down there with "The Empath." Yes, Lazarus is one of the most irritating characters, always falling off cliffs to move the story (such as it is) along.
The *only* thing that's interesting in this episode is when Lazarus finally explains how his cat-and-mouse with his alternate-universe counterpart came about. Both the sci-fi physics element and the madman element of the premise are fascinating. But this explanation comes in the last 5 minutes of the show, after 40 minutes of exhausting shenanigans -- too late to even buy the "r" in the word "redeem."
I would love to know the backstory about how this episode went from fascinating concept to crummy filmed episode. Perhaps that would help ease the pain that this entry's very existence creates in the beating heart of the series.
Another interesting bit about this episode is that with it, the series nearly bottoms out before rocketing to the top with the very next episode, "City on the Edge of Forever." From the very bottom, the only way to go is up.
The *only* thing that's interesting in this episode is when Lazarus finally explains how his cat-and-mouse with his alternate-universe counterpart came about. Both the sci-fi physics element and the madman element of the premise are fascinating. But this explanation comes in the last 5 minutes of the show, after 40 minutes of exhausting shenanigans -- too late to even buy the "r" in the word "redeem."
I would love to know the backstory about how this episode went from fascinating concept to crummy filmed episode. Perhaps that would help ease the pain that this entry's very existence creates in the beating heart of the series.
Another interesting bit about this episode is that with it, the series nearly bottoms out before rocketing to the top with the very next episode, "City on the Edge of Forever." From the very bottom, the only way to go is up.
Lazarus has a bubble car time machine, but he doesn't keep track of just where he's been, not sure who he is, but his whiskers have fizz, depending on the version of him being seen.
Schizophrenic universes that matter and don't come close to colliding and reducing everything to smoke.
Schizophrenic universes that matter and don't come close to colliding and reducing everything to smoke.
Enterprise encounters a violent and unusual physical phenomenon.
This is an interesting episode based on a brilliant idea, but unfortunately the screenplay does not translate to the screen very well.
The plot must have sounded fantastic when it was first discussed and its introductory scene is very intriguing. Unfortunately it unfolds in a sometimes boring way, with several long winded, repetitive visuals and some big exposition dialogues.
I love parallel universe stories and the matter v antimatter concept is a great idea, unfortunately what presents on screen makes little sense by the description of it's own technobabble.
There are also some plot points that are ludicrous. Lazarus is obviously a threat yet has free run of the ship on more than one occasion.
It's not all bad. Some visuals work well, like Lazarus's spacecraft on the planet surface, along with the cinematography and acting. Also it finishes strongly with Kirk helping to save two universes and leaves on poignant note about the poor guest character.
William Shatner, Leonard Nimoy and Robert Brown are solid, particularly Brown playing the two versions of the guest character.
For me it's a 5.5/10, but I round upwards.
This is an interesting episode based on a brilliant idea, but unfortunately the screenplay does not translate to the screen very well.
The plot must have sounded fantastic when it was first discussed and its introductory scene is very intriguing. Unfortunately it unfolds in a sometimes boring way, with several long winded, repetitive visuals and some big exposition dialogues.
I love parallel universe stories and the matter v antimatter concept is a great idea, unfortunately what presents on screen makes little sense by the description of it's own technobabble.
There are also some plot points that are ludicrous. Lazarus is obviously a threat yet has free run of the ship on more than one occasion.
It's not all bad. Some visuals work well, like Lazarus's spacecraft on the planet surface, along with the cinematography and acting. Also it finishes strongly with Kirk helping to save two universes and leaves on poignant note about the poor guest character.
William Shatner, Leonard Nimoy and Robert Brown are solid, particularly Brown playing the two versions of the guest character.
For me it's a 5.5/10, but I round upwards.
Did you know
- TriviaThis is the first time that live two-way communication with Starfleet Command is depicted. In previous episodes, communication with Starfleet Command was through delayed radio messages.
- GoofsAt the very beginning when Spock is reporting the atmospheric composition of the planet he has scanned he says "Oxygen Hydrogen atmosphere". This would be a very explosive combination. He meant to say "Oxygen Nitrogen atmosphere" (similar to Earth) but just got his line wrong.
- Crazy creditsThe closing credits are set against a combination background of stills from that episode and previous episodes.
- Alternate versionsSpecial Enhanced version Digitally Remastered with new exterior shots and remade opening theme song
- ConnectionsFeatured in Mr. Plinkett's Star Trek 2009 Review (2010)
- SoundtracksTheme From Star Trek
Written by and credited to Alexander Courage
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